Kathleen Cammarata Abstract Drawings and Watercolors

"Eye of the Beholder" 2024, 48"x60" horizontal abstract painting by Argentine-born artist Karina Gentinetta (featured in Elle Decor, Architectural Digest, the New York Times, Traditi...

Nordic waves Acrylic, charcoal, oil pastel and graphite on paper - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a profound sense of drama and emotion...

SOPHIA MILLIGAN 'Guijarros y Agua' Original Artwork (unframed*) ______________ Winter solstice light dancing on shingles and lapping tidal movements, towering rock formations rise ...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

Artist : Kory Twaddle "Autumn Biogram of the Nelson" Newsprint, graphite, conté crayon pastel, charcoal, beeswax, cardboard, paper, gingko leaves, stickers, and Mixed Media on drawi...

This is mixed media. I am not positive of the materials. it is a translucent, vellum, parchment type of paper. with either charcoal or ink, hand signed in pencil lower right. It is not titled on it. Michele Oka Doner...

1980s abstract expressionist biomorphic coloured pencil drawing on paper by Belgian artist André Pierret, signed bottom right. André Pierret was born ...

This is mixed media. I am not positive of the materials. it is a translucent, vellum, parchment type of paper. with either charcoal or ink and gold leaf (or gold paint) hand signed in pencil lower right. It is not titled on it. Michele Oka Doner (born 1945, Miami Beach, Florida, United States) is an American artist and author who works in a variety of media including sculpture, lithograph and woodcut prints, drawing, watercolor painting, functional objects and video. Her workes is based on flora, fauna, DNA and all sorts of exotica. She has also worked in costume and set design and has created over 40 public and private permanent art installations, including her best known artwork is "A Walk on the Beach" (1995, 1999), and its extension, "A Walk on the Beach: Tropical Gardens" (1996–2010) at the Miami International Airport. It is composed of over 9000 bronzes embedded in terrazzo with mother-of-pearl. At one and quarter linear miles, it is one of the largest artworks in the world. Born and raised in Miami Beach, Oka Doner is the granddaughter of painter Samuel Heller. Oka Doner's father, Kenneth Oka, was elected judge and mayor of Miami Beach during her youth (1945–1964). The family lived a public and politically active life. In later years, Oka Doner co-authored, with Mitchell Wolfson Jr. Miami Beach: Blueprint of an Eden, an intimate portrayal of Miami Beach from the 1920s to the 1960s using their families as prisms to reflect the times. Reviewed as classic of social history, with material that was part of the public record of its time, it was used as a textbook in Human Geography at George Washington University in 2008. In 1957, age 12, Oka Doner began a year-long independent project studying the International Geophysical Year (IGY). She assembled a book of drawings, writings and collages that became a template for projects realized in later years. In 1963, Oka Doner left Florida for the University of Michigan, Ann Arbor. Her art instructor Milton Cohen was experimenting with The Space Theater and George Manupelli began the Ann Arbor Film Festival. Their students were engaged in poetry, dance, light, music, all combined into a unitary vision, a motif that shaped Oka Doner's student years and is characteristic of her work today. Oka Doner participated in a Manupelli experimental film, a "Map Read" performance with art drawing instructor Al Loving and Judsonite dancer Steve Paxton as well as several "Happenings." Another influence was art historian and Islamic scholar, Oleg Grabar, who illustrated how patterns in architecture are able to dissolve space. A Death Mask, one of her first works, was selected as the cover of Generation, the University's avant garde journal, as campus unrest over the Vietnam war escalated. Her Tattooed Porcelain Dolls were adopted by students protesting the U.S.'s use of napalm... their heads (when they have them) with eyes closed, moth half-open and brain visible, fall into the category of surrealistic objects, but with a surrealism filled with a sap which is naive, barbaric and young." Oka Doner received a Bachelor of Science and Design from the University of Michigan (1966), a M.F.A. (1968), was Alumna-in-Residence (1990), received the Distinguished Alumna Award from the School of Art (1994) and was a Penny Stamps Distinguished Speaker (2008). She was awarded the honorary degree, Doctor of Arts (2016). Upon graduation in 1968, Oka Doner established a studio in downtown Ann Arbor behind the art gallery "Editions, Inc.," where physicist Lloyd Cross and sculptor Jerry Pethick were experimenting with holography. Using a krypton laser, they created the first art holograms. One of Oka Doner's sculptures was appropriated for this experiment. The "Ceramic Doll" opened in the world's first exhibition of holograms at the Cranbrook Academy Art in 1970. Oka Doner moved to Detroit and exhibited at the Gertrude Kasle Gallery in 1971. In 1975, a new body of work, Burial Pieces was laid out on the floor of Gallery 7, then a Cooperative Gallery of black artists, led by Charles McGee. It was the first of many installations that shed pedestals and traditional ways of displaying sculpture. A one-person show at the Detroit Institute of Arts followed in 1977. Works in Progress, also forsook conventional props. Oka Doner installed on the floor of the North Court thousands of pieces of clay depicting images of writing and seeds in the process of germinating. In 1979, the DIA initiated a small group exhibition, "Image and Object in Contemporary Sculpture," including Michele Oka Doner, Scott Burton, Dennis Oppenheim, and Terry Allen, which traveled to P.S. 1, New York. In 1981, Oka Doner moved to New York City and embarked on a series of public art installations. In 1987, she won a national competition sponsored by the MTA's Arts For Transit Program with Radiant Site a 165 ft. long wall for the Herald Square subway station in New York City. The late architect Morris Lapidus said of "Celestial Plaza," "By laying these forms at our feet, she encourages us to stop and search the sparkling expanse for landmarks just as we would search the night sky." In 2009–2010, Oka Doner installed SoulCatchers, approximately 400 shamanistic sculptures in the kiln room at the Nymphenburg Porcelain Manufactury, Munich, Germany.). Solo exhibitions of her work have been held at the Detroit Institute of Arts, Michigan; Germans Van Eck, Diane Brown...

Nordic waves (Abstract painting) Acrylic, charcoal, oil pastel and graphite on paper - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a profound sense ...

A meditative suspended calm of color, recalling an iconic theme. Painting through dynamic and oblique forms mixing western and oriental zen colors as the sides of the paintings expan...

Color pencils on paper Framed 40x 50 cm Dasha Buben is a Belarusian artist born in 1982 who lives and works in Warsaw, Poland. She graduated from the Belarusia...

Chryssa Repetition Signed lower right; titled on the reverse Gouache, watercolor, charcoal, and graphite on paper 15 x 11 inches Born and educated in Athens, Greece, Vardea Chryssa, known professionally as Chryssa, became a U.S. citizen and earned a reputation for her sculptured assemblages utilizing light from neon, and plexiglas combined with mixed media pieces. One of her pieces, Untitled Light Sculpture (1980) is 22 feet long and is installed in the atrium of a building at 33 Monroe Street in Chicago. It was programmed electronically to create changing patterns of reflected light through 900 feet of neon tubing. Chryssa's sculptures with precision and definite form were a reaction against the prevalent Abstract Expressionism of the 1950s with its emphasis purely upon the artist's intent. In her work, the focus is on materials and the way they are shaped for specific use by craftsmen. She got her early education in Athens, and first studied to be a social worker. She was then sent by the Greek Ministry of Social Welfare to the Dodecanese Islands and later to the Ionian Sea island of Zante, whose population had suffered great loss from earthquakes. Disillusioned that monies were being provided to restore monasteries but not to help other earthquake victims, Chryssa changed her life's direction to become a painter. In Athens, she studied art with Anghelos Prokopion. Then she went to Paris, France, and studied briefly at the Academie Grande Chaumiere and associated with surrealists Andre Breton, Edgard Varese, and Max Ernst. In 1954, she moved to San Francisco, California for a year of study at the California School of Fine Arts, and there she first saw the work of Jackson Pollock, which had a freeing affect on her and inspired her to experiment with pure form. But later she reacted against action painting with her assemblage sculptures of controlled precision. In 1955, Chryssa settled in New York City, and became the first artist to incorporate neon light tubing and commercial signs into sculpture. It is asserted that her "mature work grew out of the Greek experience, before and after World War II, wedded to the raucous letters, signs, symbols, and lights of Time Square, New York City" (Heller 125). In fact, she was so taken with the lights of Times Square that she unsuccessfully tried to get a job as a sign maker but was prevented by labor union rules. However, one of the members gave her sign-making lessons in his shop. She first made Pop images such as depictions of automobile tires and cigarettes and in sculptures, utilized letters of the alphabet, ideas that predated similar images by Jasper Johns and Andy Warhol. Her first major work of interwoven light and letters was Times Square Sky of 1962, but she was dissatisfied because she thought the piece was too crowded. To create a sense of breathing, she inserted neon light, and for the first time, this material became an art medium. From that time, she was prolific and created many variations based on the letters W and A. For her, a primary motivating factor was remaining cool or mentally collected amidst the onslaught of bombarding information and to process it through her creations in new ways so that nothing was repeated. She set up her own work place...