Kerstin Hörlin-Holmquist Furniture

Kerstin Hörlin-Holmquist "Stora Eva" chair designed in the 1958 and produced by Nordiska Kompaniet. Store formerly known as ARTFUL DODGER INC

Kerstin Hörlin-Holmquist "Stora Eva" chair designed in the 1958 and produced by Nordiska Kompaniet. Store formerly known as ARTFUL DODGER INC

Kerstin Hörlin-Holmquist "Stora Eva" chair designed in the 1958 and produced by Nordiska Kompaniet. Store formerly known as ARTFUL DODGER INC

Fantastic lounge chair designed model Little Adam by leading Swedish midcentury-era designer, Kerstin Horlin Holmquist. The chair was a part of a design-series named "Paradiset" desi...

The “Little Adam” chair model is from the Paradise Collection from the Triva Series, which was created in 1958 by Kerstin Hörlin-Holmquist during her time as a designer at Nordiska K...

This two-seat sofa with elegant and sensual forms was named “Paradiset” and was a series designed by Kerstin Hörlin-Holmquist for NK (Nordiska Kompaniet), 1958. Reupholstered with Sw...

This three-seat sofa with elegant and sensual forms was named “Paradis” and was a series designed by Kerstin Hörlin-Holmquist for NK (Nordiska Kompaniet). Reupholstered with Swedish ...

This three-seat sofa with elegant and sensual forms was named “Paradis” and was a series designed by Kerstin Hörlin-Holmquist for NK (Nordiska Kompaniet). Reupholstered with Swedish ...

Pair of “Little Adam” chair designed by Kerstin Horlin-Holmquist. Produced by Nordiska Kompaniet. Sweden, 1958

The "Stora Kraal" easy chair was originally designed by Kerstin Hörlin-Holmquist in 1952, and was quickly incorporated into Nordiska Kompaniet’s famous Tri...

A pair of Kerstin Horlin Holmquist Stora Eva chairs, newly upholstered in premium pure mohair fabric, designed in 1958 and produced by Nordiska Kompaniet (NK) as part of the Triva s...

These “Adam” models are from the timeless and iconic Paradise Collection from the Triva Series, which was created in 1958 by Kerstin Hörlin-Holmquist during her time as a designer at Nordiska Kompaniet. The name is inspired by “Paradiset” – the Swedish name for Eden. This pair holds a soft simplicity and a uniqueness in its appearance - light, clean lines with an air of romance. Without worrying about short-lived trends and what other people thought, Hörlin-Holmquist created the peculiar shape of these chairs that is only increasing in popularity. Thanks to her unique vision, these chairs have an unmistakeable backrest that flows down to form the armrests. While the armrests sit low, therefore opening the seats, the chairs still give the impression of hugging the sitter. The upholstered bodies elevate the visual comfort, with stitch tufted backrests that are festooned with orange, symmetrically arranged cross stitches. The upholstery is a premium, light Italian fabric with a soft touch that complements the aesthetic of Hörlin-Holmquist’s design. Similarly, the stained and tapered beech legs pair perfectly with the sculptural and organic form of the bodies. Kerstin Hörlin-Holmquist had a unique and humanistic design vision, and thanks to her uncompromising attitude, these “Adam” easy chairs have become iconic. Condition: In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in premium Italian fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 30.71 in W x 33.46 in D x 36.61 in H; Seat Height 16.14 in 78 cm W x 85 cm D x 93 cm H; Seat Height 41 cm About the Designer: Kerstin Hörlin-Holmquist was born on May 30, 1925 in Arvika, Sweden. She was a Swedish modernist architect and designer. Hörlin-Holmquist graduated from Stockholm’s Konstfack in 1952, and before that she studied and worked in England. She often worked with her husband Erik Holmquist, and together they modelled and created the pieces together. A key aspect for the couple was always to test their designs in their own home before completing a project. "I think both furniture and textiles, wherever they end up, must be kind, gentle and courteous, but without losing their character. They should have human qualities, not be pompous and only stand alone, but be able to adapt to the environment they end up in..." Hörlin-Holmquist worked and studied in England from 1946-1947 immediately after the war, where she also studied art history and became fascinated with the classic English upholstered furniture...