Kruti Shah Art

Just swim V [2022] original Acrylic on deep edge canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:4cm Sold Unframed Please note that insitu...

Paddy Japaljarri Stewart came from Mungapunju in Australia, just south of Yuendumu in the Northern Territory. As a young man he worked on cattle properties at Mount Allen, Mount Denn...

Paddy Japaljarri Sims was born in about 1917 at Kunajarray (Mt Nicker), south-west of Yuendumu at a site where a number of Dreaming tracks interconnect. When he died in 2010 in Yuendumu. He left behind his wife Bessie Nakamarra, his seven children and many grandchildren and great grandchildren. Paddy sometimes worked in collaboration with his wife, who was an acclaimed artist in her own right. His wife lived in Yuendumu, a remote Aboriginal community 290 km north-west of Alice Springs in the Northern Territory of Australia. She died in 2012. Paddy lived in his country as a young, single man. Back then Warlpiri people wore hair string belts that they had made. When Japaljarri was young he worked sawing mulga trees for wood and for fuel for fires. Later Paddy became involved with gardening and farming in the Yuendumu district. This included growing watermelons, cucumbers, carrots, tomatoes and other vegetables. The farming was at Four Mile Bore where they had chickens, pigs, ducks and other animals. All his life he hunted for goanna, kangaroo, emu and other animals each day for bush tucker and Paddy passed on his hunting knowledge to many young men in the community. This also led him to working at the Yuendumu school teaching Jukurrpa (Dreaming), painting, hunting, traditional dancing, bush tucker and helping out on excursions 'out bush' as well as to Alice Springs and Darwin. Paddy Painted with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre, for a long time. In 1988 Paddy Sims was selected by The Power Gallery, Sydney University to travel to Paris with five other Warlpiri men from Yuendumu to create a ground painting installation at the exhibition 'Magiciens de la Terre' at the Centre Georges Pompidou. The trip took place in May 1989 and the painting was received with world-wide acclaim. Paddy was also one of the senior male artists who worked on the Yuendumu Doors. In 2000 Paddy Japaljarri Stewart undertook to produce 30 etchings of the original Yuendumu Doors in collaboration with Paddy Japaljarri Sims and under the guidance of Basil Hall, Northern Editions Printmaker (Northern Territory University). The first print of the etchings was all on one page and had its debut alongside the Yuendumu Doors when they were exhibited in Alice Springs. The etchings in a set were launched in 2001, to great acclaim with the set winning the Telstra, 16th National Aboriginal and Torres Strait Islander Art Award, for works on paper. Paddy has painted and exhibited regularly with Warlukurlangu Artists both nationally and internationally since 1985. Japaljarri's Jukurrpa stories or Dreamings include Yiwarra (Milky Way), Ngarlkirdi/Warna (witchety grub/snake), Warlu Kukurrpa (fire), and Yanjirlpirri (star). In his early work he often chose to work in tones of blue, pink and purple but later used traditional iconography and an unrestricted palette to develop a modern individualist style to depict his traditional Jukurrpa. His work has been included in numerous general exhibitions of Aboriginal art including Dreaming: The Art of Aboriginal Australia, The Asia Society Galleries, New York, 1988; The Continuing Tradition, Australian National Gallery, Canberra, 1989; Mythscapes: Aboriginal Art of the Desert...

A highly detailed India ink drawing with watercolor and Gouache. Each intricate circle and line is hand drawn to create a matrix within which the artist colors the scene to a fine realistic conclusion. Aladdin smiles at the Lantern that has given him his wishes, wealth and knowledge. Signed and dated "Ben Black 85" lower right. Image, 17"H x 27"L (portions of the work flow into the full mat length and width, which is: 20"H x 30"L). We have included a lower resolution image (#1) taken in subdued light to show the full range of colors we were unable to capture due to the extensive fine India ink designs throughout. Ben Black was born in Boston, he graduated from the Massachusetts College of Art 1947. He served in World War 2. He was an art director at one of Boston's leading advertising firms, later opened his own studio where his works were included in The New Yorker, Saturday Evening Post, Reader's Digest, establishing himself as a leading American Illustrator. He had many solo and group exhibitions throughout New England and his work is collected throughout the world. Originally known for his clowns, he created a limited edition series of plates for Royal Daulton as well as clown figurines...

SALI SWALLA Moonlit Songs Oil and mixed media on panel 10 x 10 inches Framed: 11 x 11 inches

Lets go V [2022] original Acrylic on deep edge canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:4cm Sold Unframed Please note that insitu i...

A black and white pointillism feminist figurative painting of Marie Antoinette by artist Maurizio Battifora on view at the "GO LOCO" exhibition at M...

Kimberly Marney Shimmers (Abstract, Landscape, Deep Blue, Pointillism) 2023 Acrylic on Canvas Size: 36x24x1.5in Signed by hand COA provided Ref.: 924802-2000 Tags: Abstract, Landsca...

Colorado-based artist Zoa Ace creates oil-on-canvas paintings, watercolors, and collage work. She employs a mix of pop culture, animals, and nostalgic imagery in her scenes, often carnival-like or theatrical. As a child growing up in Illinois, Ace loved to draw, and her favorite subject in school was Art. In the 1970s, Ace discovered Chicago’s Hairy Who artists represented by the Phyllis Kind Gallery. She viewed the recently uncovered murals of Henry Darger...

A large-scale black, white and gold regency era-inspired pointillism figurative painting of Marie Antoinette by artist Mauricio Battifora ABOUT TH...

Using cut out pieces of canvas, paper, and clay collaged onto a larger canvas, this piece reflects the passage of time on material things. With terra-cotta and burnished brown palett...

Veronika Suschnig Soft Skills No. 036, 2023 Mixed media, cotton gauze on stretcher Framed, signed 70 x 50 cm Unique A net can catch anything. It’s an in-between space, like a filter...