Lalaounis More Desk Accessories

French chess game in the thematic of Ancient Egypt. The chess pieces are in painted and waxed plaster, the board is in wood and the is also a display shel...

Set of 3 Miniature Amber and Silver Harley Davidson Style Motor Bikes 925 stamped silver.

A fine English table top lectern, missal or book stand of brass, featuring a reading top with pierced quatrefoils at each corner. The revolving recta...

This elegant paperweight from the early 20th century is expertly crafted of cut glass and floral silver overlay in the manner of Art Nouveau. The translucent glass cube is shaped wit...

A very nice silver magnifying glass with a feather handle, which could be used for opening letters as well. The magnification is good and works well. A compliment to any desk or work...

Set of bronze artillery cannons with Italian royal insignia. Set of three vintage patinated bronze artillery models including a larger cannon on hand ca...

A brass desk top model of a Kedge admiralty anchor. Well modeled with Shank, stock, crown, flukes, shackle and keep pin.  

This pair of vintage rollerball pens were made by the well known Montblanc factory of Germany in approximately 1990 in their classic modern style. theiThe black cased pen from this grouping is their "Meisterstruck" model with a clear tip on the cap, and a gold band around the center of the barrel with "MONTBLANC" and "MEISTERSTRUCK" in block letters. The other pen of this group with the brushed metal case is their "Starwalker" model. Both pens come with thier original fitted boxes, and we have one outer box and some paperwork. Both of these Montblanc rollerball pens...

Vintage Cartier classic black sunglasses with silver CC logo. Classic, timeless, sophisticated piece to add to your wardrobe Authentic, vintage, rare, Cartier Paris France Black Ja...

Ilias Lalaounis sterling silver and bronze "Barley" paperweight after an ancient coin of Metapontum 5th Century B.C. in its original box and documentation 20th Century Marks: Lalaoun...

Cast in great detail in bronze in the neo-Gothic style, the top lifting to reveal three round openings, lacking glass inkwells, resting on a marble plinth base, raised on cast bronze...

Signed Diehl à Paris. Wood and silvered copper inkwell. Central drawer ornamented with an escutcheon and flanked by two small lateral drawers forming two containers, surmounted by a lid representing a nestling. Central niche ornamented with a winged creature. Inkwell flanked by two felines. Toped by a penholder representing a Moorish head resting on an eagle claw. This exceptional piece was realized thanks to the collaboration of ornemanist J. Brandely, sculptor E. Frémiet and cabinet-maker C.-G. Diehl. The motif of the fantasy creature dear to Diehl, is to be seen on the famous cabinet made by him in 1867 and now exhibited at the Metropolitan Museum of Art in New York (Inv. 1989.197). Arriving in Paris in about 1840 Charles-Guillaume Diehl (1811-1885) founded his cabinet making and decoration firm at 19 rue Michel-le-Comte in 1885. His workshops produced elegant little pieces of furniture in rosewood and thuja and novelties with bronze and porcelain embellishments (see “Les ébénistes du XIXème siècle”, D. Ledoux-Lebard, Ed. de l’amateur, 1982, p.164). It was his luxury boxes, however (liqueur cellarettes, cigar cabinets, games boxes, cashmere cases, jewelry cases) which assured Diehl’s renown (see “l’Art en France sous le Second Empire”, Exposition Grand-Palais, Paris, 1979, p.133). Already rewarded with a bronze medal at the Universal Exhibition of 1855 in Paris, he exhibited a jardinière with china columns and a liqueur cabinet at the Industrial Arts Exhibition in 1861. In collaboration with the designer Jean Brandely (active from 1867 until 1873), Diehl renovated his decorative repertory and created astonishing pieces of furniture in the Grecian style which had a dazzling success at the Universal Exhibition in Paris in 1867, where his cabinets also won a silver medal. Certain motifs were so typical of Diehl’s work that they received extensive commentary by the art critic J. Mesnard in his book “Les Merveilles de l’Exposition Universal de 1867” (vol. II, pp. 133 & 149). He writes of a table of which “the pendant bearing hooks and the fan shaped radiating motif which ornaments the entablature are engraved with love” (p. 133) and a jewelry case where “The head in fine Grecian style makes up the essential part of the fine gilt bronze ornamentation” (p. 149). For this Universal Exhibition Diehl also formed a partnership with two famous sculptors: Emile Guillemin (1841-1907) who carved the relief for a mahogany sideboard with galvanic gilt bronzes (Orsay Museum, Paris, Inv. O.A.O. 992) and Emmanuel Frémiet (1824-1910) who executed the low relief for a cedar medal cabinet...