Lee Dubin Figurative Prints

JONAS WOOD Interiors, 2019 Offset lithograph in colors on wove paper Signed TWICE: Signed and dated in black marker lower right with the artist's distinctive flourish; hand signed ag...

THOMAS HART BENTON (1889-1975) COMING ROUND THE MOUNTAIN (MISSOURI MUSICIANS) 1931 (Fath 4) Lithograph, signed in pencil. Although Fath indicates an edition of 75, it is numbered ...

This is a pair of framed 19th century tinted lithographs with hand-coloring entitled "Gallery Over the Hall, Knowle, Kent" and "Terrace Bramshill, Hants" by Charles Joseph Hullmandel (1789-1850) after drawings by Joseph Nash (1809-1878), from "Mansions of England in the Olden Time", published in London in 1839-1849. Nash's publication consists of a series of views of Tudor domestic architecture, which Nash said depicted "the most characteristic features of the domestic architecture of the Tudor Age, and also illustrating the costumes, habits, and recreations of our ancestors." The scenes of the aristocratic ladies and gentlemen (including Henry VIII and Queen Elizabeth I), who are depicted inhabiting the rooms of these great houses, were taken directly from the portraits on the walls. Charles Joseph Hullmandel, was involved in the creation of these lithographs. He was a famous British lithographer, who invented the "lithotint" process, which he named and patented in 1840. This technique, allowing for greater nuance and value gradation than pure lithography, was an ideal means of expression for Nash's historically rich and picturesque depictions of Tudor mansions and their inhabitants. Hullmandel is also remembered for creating many lithographs from the paintings by J. M. W. Turner. The "Gallery Over the Hall" depicts a great hall with children playing with skittles (wooden pins resembling bowling pins), a doll and what looks to be a St Charles spaniel, while a lady in Tudor attire watches over them next to a massive stone fireplace. Adults are watching from in the distance while a man bows...

Baruch Nachshon, was born in Mandatory Palestine in 1939, in the city of Haifa. Nachshon began to paint in early childhood, and developed his relationship to art and to artists throu...

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

Hand signed, limited edition on BFK Rives French art paper. I believe the title is Honeymoon. Jan Balet (20 July 1913 in Bremen – 31 January 2009 in Estavayer le Lac, Switzerland), was a German/US-American painter, graphic artist and illustrator. Affected by the folk art style of naive art he worked particularly as a graphic artist and as an Illustrator of children's books. His works exhibit a dry wit and refreshingly candid, whimsical, satirical view of life. His uncle was the famous painter and illustrator Benno Eggert. Many well-known personalities of the time were friends of his grandfather, i.e. the painters Hans Purrmann, Karl Caspar, Maria Caspar-Filser (cousin of his mother), the writer Martin Andersen Nexo, the Swabian poet Wilhelm Schussen as well as the poet and writer Oskar Wöhrle. In 1929, at the age of 17, he moved to Berlin at the invitation of his father and studied Drawing at the college of Arts and Crafts (Kunstgewerbeschule Ost am Schlesischen Bahnhof). A year later, he went to live with his mother and his grandmother, in Munich. Balet transferred his studies to the Munich College of Arts but was dismissed in 1932. He went on to study with Professor Ege, at a private school for commercial art. During this time he also worked at an institute for lithography and for the art gallery Wallach. Balet rented his first small studio at the age of nineteen, where he manufactured and sold hand colored Bavarian woodcuts. 1934 he passed the entrance examination to the Akademie der Bildenden Künste München and undertook further studies with Olaf Gulbransson. His work is of a popular style similar to Michel Delacroix, Charles Fazzino and James Rizzi. In early 1938 Balet was recruited by the German military and because his ancestor's passport was not complete, he was forbidden to associate further with the Akademie der Bildenden Künste München. Later that year Balet emigrated to the USA, settled in New York and painted rustic furniture for a living. One winter he jobbed as a skiing teacher in Vermont and occasionally jobbed as an advertising commercial artist. Among other projects, he painted the cafeteria of the largest of New York's department stores R.H. Macy. From time to time Balet's designs appeared in the fashion magazine Mademoiselle and in 1943 he became Art Director at the magazine. Balet became so successful as a commercial artist that he was able to give up paid employment and start his own business. He worked for the radio station CBS, magazines such as Vogue, House and Garden, House Beautiful, The Saturday Evening Post, Glamour, Good Housekeeping, This week. After the war ended in 1945 he acquired U.S. citizenship. Balet commuted between his studio in New York and an old, boat house in the dunes of Montauk, Long Island, which he had converted to a studio where he painted and drew. His first children's book Amos and the Moon was published in 1948. Despite what was regarded in the USA as fashionable art Abstract, Op-art and Pop Art, Balet continued to paint in his own naif style. Art work (Children books and sketchbooks) 1948 Amos and the moon, Henry Z. Walck Verlag New York 1949 Ned, Ed and the lion 1951 What makes an orchestra 1959 The five Rollatinis, J. B. Lippincott Co. Verlag New York 1965 Joanjo, Pharos Verlag Basel 1966 Das Geschenk Eine portugiesische Weihnachtsgeschichte, Betz-Verlag München 1967 Der König und der Besenbinder, Betz-Verlag München 1969 Der Zaun, Otto Maier Verlag München 1969 Ladismaus, Betz-Verlag München 1979 Ein Skizzenbuch, Windecker Winkelpresse 1980 Katzen-Skizzen, Windecker Winkelpresse 1981 Skizzen-Paare, Windecker Winkelpresse 1981 Die Leihkatze oder Wie man Katzen lieben lernt, Windecker Winkelpresse (Author: Otto Schönberger) 1982 Paris-Skizzen, Windecker Winkelpresse 1984 Hellas-Skizzen, Windecker Winkelpresse 1993 Wasser-Skizzen, Edition Toni Pongratz 1994 Die Zeppeline des Jan Balet, Zeppelin-Museum Friedrichshafen (Taschenbuch) 2008 Angekommen: Gedichte (Author: Hans Skupy) Publicationen, which Jan Balet illustrated 1945 Alarcon, P.A.: Tales from the Spanish, Allentown 1948 Hanle-Zack, D.: The golden ladle, Chicago-New York 1952 Wing, H.: Rosalinda, Chicago 1953 Wing, H.: The lazy lion...

Original 1972 exhibition poster: PICASSO, Galerie Louise Leiris Exhibition. Printer Moulot 1972. Henri Deschamps engraver. Translated, it is called: "The Painter & His Model" Fine condition. This was the last exhibition of Picasso's works before his death in 1973. The drawing of a young woman with an aging artist is typical of Picasso's concern with death towards the end of his life. This lithographic poster was designed to advertise an exhibition of 172 recent drawings by Pablo Picasso at the Galerie Louise Leiris in 1972. Lithography was authorized by Picasso and executed by French artist Henri Deschamps. Signed in the plate by Deschamps lower right. Printed by Mourlot in Paris, under Picasso's supervision, 1972. Catalogue Raisonne: Czwiklitzer 446; Rodrigo 241. Limited edition: 5,250. Sheet size: 28" x 19". Galerie Louise Leiris was a fine art gallery in Paris established by Daniel-Henry Kahnweiler in 1920. It was named after Kahnweiler's partner, André Simon. In 1940, the business was turned over to Louise Leiris, who was Kahnweiler's daughter. It was run under her name. Prominent among the artists who sold paintings...

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

Anish Kapoor Shooting into the Corner (hand signed and dated by Anish Kapoor), 2009 Offset lithograph poster (hand signed and dated 2016) Boldly signed and dated by Anish Kapoor on t...

Pencil signed and dated, Russian Soviet Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His...

Girl in Ballerina Dress, c. 1970 Color lithograph printed on wove paper, hand signed in pencil and numbered 22/75, with the inkstamp of the publisher, Landfall Press, Chicago (they have published an eclectic list of many important artists including Christo, Judy Chicago, David Levinthal and Jack tworkov to name a few.) Philip Pearlstein is an influential American painter best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums. Philip M. Pearlstein was born on May 24, 1924 in Pittsburgh, PA. He attended Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted by the US Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice and Milan, and also produced numerous drawings depicting life in the Army. In 1946, sponsored by the GI Bill, he returned to Carnegie Institute, and first met Andy Warhol, who was attracted to Pearlstein because of his notoriety in the school, having been featured in Life magazine. During the summer of 1947, the three rented a barn as a summer studio. Immediately after graduating in June 1949 with a BFA, Pearlstein and Warhol moved to New York City, at first sharing an eighth-floor walkup tenement apartment on St. Mark's Place at Avenue A. He was eventually hired by Czech designer Ladislav Sutnar, mainly doing industrial catalog work, while Warhol immediately found work illustrating department store catalogs presaging Pop Art. In April 1950, they moved to 323 W. 21st Street, into an apartment rented by Franziska Marie Boas, who ran a dance class on the other side of the room. During this time, Pearlstein painted a portrait of Warhol, now held by the Whitney Museum of American Art. In 1950, Philip Pearlstein married Dorothy Cantor, with Andy Warhol in the wedding party...

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...