Lorenza Bozzoli Sculptures

Jan Ernst is a multidisciplinary designer specializing in functional art and spatial design using clay as his main medium. The work is driven by his fascination with natural structur...

Carved grotesque wood mask with pierced eyes, very hooked nose, cigar between very crooked bone teeth. Label on verso reads, “Willi Huggler (Swiss, 1925...

Beautiful hand carved bust head African sculpture circa 1950's, nice clean condition.

Intriguing good looking mask artistically made of combination of hand crafted beads ,shells , and hand painted wood. To make such a exceptional object of art for display. Custom-mad...

A scarce antique African tribal carved Hemba helmet mask, the Suku peoples, possibly Kwese culture, Democratic Republic of the Congo, Central Africa, early 20th century, surmounted by four-legged animal, over round face, with mouth ajar and incised jagged teeth exposed, protruding almond shaped eyes, scattered remnants of pigment, full raffia fiber fringe, mounted on wood stand. A superb museum quality example, this remarkable tribal folk art sculpture is a wonderful way to add rustic warmth, rich historical depth, and fascinating cultural interest to any space! Dimensions: (approx) Overall: 26" High, 9" Wide, 10.25" Deep; Mask only: 15" Tall; 7 lbs total Provenance / Acquisition: Acquired from the highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas. Excellent Condition: Nicely aged distressed patina over the whole. Highly desirable wear consistent with age and indicative of use, including scattered losses, antique character marks and typical signs of aging throughout. Retaining scattered remnants of original pigment. Overall a superb museum quality example Primitive Arts Of Africa: Among the Suku of the southwestern part of the Democratic Republic of the Congo, masks plays crucial role in protecting boys during initiation, the vulnerable period between boyhood and manhood. The power contained in Hemba masks...

A beautiful modernist hand-carved solid walnut Madona virgin sculpture, circa 1960's great condition.

Expressive, interesting African Baoulé mask from Cote d'Ivoire from last third of the last century, carved from wood painted polychrome. The face is narrow & elegant and has a though...

This strikingly bold and well detailed Hand-Carved Mossi Tribe Ceremonial Wood Mask on Elevated Sculptural Base originates from Burkina Faso, Circa 1960. The Mossi people from which ...

Rolex burl wood frame adjustable mirror store display. Collectors item from seventies with old logo writing Rolex. A highly collectible piece and a must have for any watch lover or h...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece has two frames that are hinged together. A mirror adorns the outside. When opened, the right panel has a primitive figure painting while the left has a metal plaque with the phrase "I Need a Boy Toy" stamped into it. When closed, the back panel is stamped with "Like I Need a Refrigerator" and signed. John Seubert I Need a Boy-Toy (Like I Need a Refrigerator) mixed media 12.50h x 8.50w x 1.50d in 31.75h x 21.59w x 3.81d cm JSE074 In the early Nineties, John Seubert was living in a former hotel in a high-rise building on St. James Place in Chicago. The apartment was tiny, as hotel rooms tend to be, and clad with paper-thin walls allowing sound to pass from one apartment to the other. At the time, John’s artwork consisted of pounding copper sheets into tables which was a noisy endeavor to say the least. Following several noise complaints from the neighbors, John had a dream that he was living in a ramshackle house but with plenty of room to work and no attached neighbors. The following day after lunching at the McDonalds in Lincoln Park, John wandered the neighborhood a came upon a shabby, falling-down old Victorian house. He located the real estate agent, put in an offer, and weeks later was pushing a shopping cart full of his belongings to his new home. This 144-year-old Painted Lady provided a blank canvas for this inimitable artist. For many years the house remained so empty that John was able to ride his Japanese fold up bike throughout the 1st floor. “Some people want to have sex...

It is a curved wooden sculpture, light brown in color. It was made in the 1970s in France. An iron bar painted black attaches it to its base, which is also made of black painted wood...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece has a figurative painting mounted as a shrine then set upon a corinthian capital and a granite stand. A metal plaque at the top as well as at the bottom give the piece it's title 'The Fountain on Lies". John Seubert The Fountain of LIes mixed media Measures: 22.50h x 13.50w x 4d in 57.15h x 34.29w x 10.16d cm JSE069 In the early Nineties, John Seubert was living in a former hotel in a high-rise building on St. James Place in Chicago. The apartment was tiny, as hotel rooms tend to be, and clad with paper-thin walls allowing sound to pass from one apartment to the other. At the time, John’s artwork consisted of pounding copper sheets into tables which was a noisy endeavor to say the least. Following several noise complaints from the neighbors, John had a dream that he was living in a ramshackle house but with plenty of room to work and no attached neighbors. The following day after lunching at the McDonalds in Lincoln Park, John wandered the neighborhood a came upon a shabby, falling-down old Victorian house. He located the real estate agent, put in an offer, and weeks later was pushing a shopping cart full of his belongings to his new home. This 144-year-old Painted Lady provided a blank canvas for this inimitable artist. For many years the house remained so empty that John was able to ride his Japanese fold up bike throughout the 1st floor. “Some people want to have sex...