Lorenzo Ciompi Vases and Vessels

Elica Studio, Phylocallos Sir Pent and Sparspay, 2022, porcelain, engobes, gold 24K, oxides, glaze 21 x 11 x 27cm h Hand painted Elisabetta Bovina (b. Italy, 1961) and Carlo Pastor...

A monumental shaped ceramic vase in various beautiful colors and patterns. Measures: Height 43 cm.

This elegant marble urn was almost certainly made by Lorenzo Bartolini, who rose to prominence in the early 19th century as sculptor to Napoleon’s sister Elisa Baciocchi, who was Gra...

Article: Ceramic stoneware object Designer and producer: Otto Meier, Bremen in Germany Information: Otto Meier (born March 18, 1903 in Dortmund, † June 1, 1996 in Worpswede) was...

Breccia marble amphora urn. Rich brown and coffee colored Italian Breccia marble urn of the Charles X period with black and grey highlights fashioned in a...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. The Artemis small sculptural vase...

Unique studio pottery vase with double neck sculpted by M Fisher, Germany. Sculptural elongated Studio Pottery vases with with double neck is made on the turn...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

Spiral of brass, a dizzying vortex of reflected light. A thousand liquid rings rise from a hypothetical sea, expand and crown themselves with fragrant flowers. It’s a highly evocativ...

Tall sculptural studio pottery vase created on the turning wheel by highly technical skilled Dutch ceramist Piet Knepper, Mobach Studio in the 1980's. The semi matte sage green glaze...

Article: Ceramic object Designer and producer: Otto Meier, Bremen in Germany Information: Otto Meier (born March 18, 1903 in Dortmund, † June 1, 1996 in Worpswede) was a German ceramist. Otto Meier, the silent master of the 20th century, is still considered a role model to many ceramists. His works are represented in important public and private collections. Decade: 1970s This original vintage Studio Ceramic Object was designed by Otto Meier and produced in his own Studio in the 1970s in Bremen, Worpswede in Germany. It is made of solid ceramic pottery and has a very unique brown and beige, coloration and surface structure. The bottom is marked with typical Otto Meier Producer signature OM. a very collectible and very rare item of the Meier Collection. the object has a very sculptural form and in its size of 14x11cm, it is very impressive. straightforward and minimalistic design of the 1970s design era. This item is a wonderful addition to every modern home. Dimensions: Height 11cm Diameter 14cm. Condition: This item is in a very good vintage condition with patina. VITA Otto Meier: Since 1924 Otto Meier studied architecture and sculpture at the Kunstgewerbeschule in Dortmund. A visit to Bernhard Hoetger in Worpswede in 1925 brought him to ceramics. In Hoetger's workshop he began an apprenticeship under Willi Ohler...

Article: Ceramic object Designer and producer: Dieter Crumbiegel Information: Dieter Crumbiegel (born June 6, 1938 in Essen) is a German artist (painting, ceramics) and university professor. Since 1961, Crumbiegel has held solo and group exhibitions of ceramic objects in West and East Germany, Belgium, CSFR, France, Italy, Australia, New Zealand, Switzerland, Spain, Hungary and Taiwan. Decade: 1980s This original vintage Studio Ceramic Object was designed by Dieter Crumbiegel and produced in his own Studio in the 1960s in Heinsberg in Germany. It is made of solid very heavy stoneware pottery and has a very unique light beige main coloration with abstract brown illustration. the bottom is marked with typical Producer signature. a very collectible and very rare item of the Crumbiegel Collection. the object has a very sculptural form and in its size of 18cm in height and 21cm in diameter, it is very impressive. straightforward and minimalistic design of the 1980s design era. This item is a wonderful addition to every modern home. Dimensions: Height 18cm Diameter 21cm. Condition: This item is in a very good vintage condition with patina. slight traces of use. VITA: Dieter Crumbiegel graduated from high school in 1957 at the traditional language Burggymnasium in Essen. He then studied painting from 1957 to 1961 at the State University of Fine Arts in Kassel with Fritz Winter and Marie-Louise von Rogister, ceramics with Walter Popp, art theory and art sociology with Stephan Hirzel and Georg Hoeltje, and art history and art education with Ernst Röttger. During the 1958/1959 academic year he received a holiday scholarship from the Max Beckmann Society and spent some time in the Liliamor house with its founder Lilly von Mallinckrodt-Schnitzler in Murnau. In 1959 he also received a scholarship from the German National Academic Foundation. Crumbiegel completed his studies in 1961 with the first state examination. After the 2nd state examination in 1964, Crumbiegel worked with Robert Sturm at the educational institute in Fulda as a lecturer for the training of art and craft teachers at general schools with a training focus on the construction of vascular ceramics. In 1971 he took over the class for sculpture and architectural ceramics at the State Technical School for Ceramic Design in Höhr- Grenzhausen. From 1979 to 2001 he was a professor at the Niederrhein University of Applied Sciences in Krefeld in the design department, studying ceramics/porcelain/glass design. In 1979, Crumbiegel was appointed a member of the Académie Internationale de la Ceramique (AIC) / International Academy of liamorCeramic in Geneva. The German members of the AIC joined together in 1983/1984 to form Group 83 - German Ceramicists,[1] of which he himself became a member in 1986. Crumbiegel founded the “Krefeld School for Ceramics/Design”[2] as a continuation of the Kassel School for Ceramics run by his teacher Walter Popp, from which artists and designers such as Frank Louis emerged. In 1983 he was appointed supervisor at Helwan University in Giza/Cairo. From 1971 he gave lectures on new trends in ceramic art at the Hetjens Museum in Düsseldorf. Between 1969 and 1978 he was a member of various award juries, such as the jury for the Richard...