Luis Amer Art

Unframed Manuel Capdevila i Massana (Barcelona, ​​December 28, 1910 - April 18, 2006) was a Catalan painter and goldsmith, son of the goldsmith Joaquín Capdevila y Meya and father o...

Winter evening. Oil on canvas and cardboard, 29x23 cm

Her work with signs, symbols and esoteric spirituality reflects her passion for the ancient past and represents a symbolic return to the ground from which we emerged. Her work creates a commentary about “beginnings” and the transmission of signs and emotions through visual elements evoking a spiritual essence to our scientific notion of etymology. After studying under Rolf Dürig...

After the rain. Paris. Oil on canvas, 54,5x80 cm Street in Paris with people Gennady Bernadsky (1956) - Soviet and Russian artist. Gennady Bernads...

Heavily textured, 1962 abstracted landscape by Humbolt area artist Alma B. Leamey (American, 1901-1996). The viewer looks out over a valley, with a ranch at the focal point. In the d...

The waterfront. 1990, oil on canvas, 53x85 cm The artwork was published in the catalog - "Jānis Zemītis Glezniecība. Painting." Publisher: Al secco Ltd, 2010, on Page 37 In 1958 he ...

Winter landscape. 1984, canvas, oil, 60x80 cm Slepyshev Anatoly Stepanovich (1932 - 2016) - Soviet and Russian painter, sculptor, graphic artist. Anatoly Slepyshev was a distinguished Russian artist and a recognised master who had a great talent and a distinctly recognisable style that cannot be confused with anyone. The most characteristic feature of his paintings is a swirl, maelstrom of colourful formations, vigorously, rapidly, almost frantically put on canvas in a burst of sudden emotion, of spontaneous sensuality. The artist brilliantly managed to blend the subjects of the Russian hinterland, simple village life with horse-driven carriages, small humble churches and familiar landscapes with refined, pompous images of French Rococo, the atmosphere inherent in the works of Jean-Antoine Watteau. This liberal, highly personal interpretation of the sophisticated French motifs of the XVIII century, processed by means of dashing Russian folklore, sometimes even containing vulgar, staggering elements, is very typical for many works by Slepyshev. Solo exhibitions 1967 Exhibition of watercolors by Anatoly Slepyshev. Central House of Artist, Moscow 1970 Anatoly Slepyshev. Drawing. Central House of architect, Moscow 1971 Anatoly Slepyshev. Print workshop, Moscow 1976 Exhibition in the flat of art historian Leonid Bazhanov, Moscow 1981 Anatoly Slepyshev. Painting. House of scientists of the Scientific Center of the USSR Academy, Troitsk 1982–1983 Ausstelung Anatoli Slepyschev, Nicolai Grizjuk. Kleine Galerie Hoger Sweda, Berlin, Germany 1983 Anatoly Slepyshev. Puskin Museum of Fine Arts, Moscow 1984 Anatoly Slepyshev. Historical-Architectural and Art Museum of the New Jerusalem, Istra 1987 Anatoly Slepyshev. Exhibition of one picture. Dramatic theatre named after M. Ermolova, Moscow Anatoly Slepyshev. Drawing. Central House of Artist, Moscow 1989 Anatoly Slepyshev. Painting. AZLK Palace, Moscow Anatoly Slepyshev. MARS Gallery, Moscow Anatoly Slepyshev. Drawing. Moscow Gallery, Moscow Anatoly Slepyshev. Painting. Vadim Sidur...

A sawah landscape, Sumatra Signed and dated 'Sonnega '54' (lower right), and annotated 'Voor Jan de Bas 1-1-1970 / R de Bas' (on the reverse) oil on canvas, 50,5x60,5 cm Provenance: - Collection Pieter de Bas (1909-1979) Mr de Bas was head of the MULO school and acting head of the HBS school in Medan. Thence by descent to the present owner. Exhibited: - Hotel de Boer, Medan 1954, where acquired by the first owner. The light I observed everywhere was of a special quality, fluorescent blue, shone from nowhere but radiated from every point, oddly with great depth and intensity. The light in an entirely different dimension came from nowhere and went nowhere shimmering with the glow of a bright blue jewel. The most important thing I discovered was of being omnipresent and able to understand everything at the same time, yes I could fathom creation completely. Auke Sonnega, born March 9, 1910 in Leeuwarden, known as the painter, primarily of young Balinese men and women. Originally raised in the reformed denomination, the parents of Auke apparently practised theosophy and their children, including Auke were taught these principles. The talent for drawing revealed itself at an early stage which in 1926 lead to a 4-year study of textile design at the Academy for Art and Craft in Amsterdam. He completed the academy in 1930 and worked in a carpet factory in Twente until 1934 and then followed in his sister Aafje’s footsteps leaving the Netherlands to go to the Dutch East Indies where in 1935 he started working as a graphic designer with an advertising bureau in Batavia. He was able to travel through Java and Bali on the motorbike that he brought with him from Europe, and was paid for his travelogue, enhanced with his own photo’s which appeared in several Dutch newspapers and magazines. In the 1930’s two Europeans, Walter Spies and Rudolf Bonnet...

Abstract cityscape indebted to Matisse's "View of Notre Dame."

Old town. 2009, oil on canvas, 80x60 cm Sergey Inkatov Was born: 13.09.1971 in Baku. Painter Sergey Inkatov belongs to young generation of artists of Estonia. He was born in Baku...

Landscape with trees. 1991, canvas, cardboard, oil, 34x49 cm Valdis Bush (1924-2014) studied at the Art academy of Latvia (1945 – 1950), his favorite professors being A. Skride, L....

Town. The beauty of cities is different: there are cities with museums, such as Rome, Paris. Where to look at beautiful architecture! There are also small provincial towns where lif...