Malcolm Morley Figurative Prints

Surrealist etching by British-American artist Malcolm Morley. In the 1980's Morley started to work with subject matter stemming from the Ancient Greeks and classical history...

Hand signed and numbered by the artist. Lithograph on Rives BFK paper. Image size 32.75 x 43 inches. Artwork is in excellent condition. Certificate of Authenticity included. Publishe...

Hand signed and numbered by the artist. Lithograph on Rives BFK paper. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 58. All reasonable offer...

This fantasy print by Malcolm Morley is named for Tankerton Bay, a seaside village in southeast England. Based on a 2006–2007 collage painting, the work reveals Morley's expressionist interest, featuring brushstrokes and bold colors.Malcolm Morley (born June 7, 1931) is an English artist now living in the United States. He is best known as a photorealist. This piece is hand signed by Malcolm Morley and dedicated "for Delmar Hendricks". (The photo shows another AP one I had). In 1962, Albert and Vera List made a $1 million gift both to endow the poster and print program and to commission public artworks, like the Jasper Johns painting in the New York State Theater and the Henry Moore sculpture that emerges from the reflecting pool.The Lists had admired the posters designed by artists for institutions like the Paris Opera, and they wanted Lincoln Center to be graced with as distinguished and distinctive graphic art as its European counterparts. The first director of the poster program was Delmar Hendricks, who was also the booking manager for Avery Fisher and Alice Tully Halls. Morley was born in north London. He had a troubled childhood—after his home was blown up by a bomb during the Blitz in World War II, his family was homeless for a time—and did not discover art until serving a three-year stint in Wormwood Scrubs prison. After release, he studied art first at the Camberwell School of Arts and then at the Royal College of Art (1955–1957), where his fellow students included Peter Blake and Frank Auerbach. In 1956, he saw an exhibition of contemporary American art at the Tate Gallery, and began to produce paintings in an abstract expressionist style. In the mid 1960s, Morley briefly taught at Ohio State University, and then moved back to New York City, where he taught at SUNY Stony Brook from 1970 through 1974 and the School of Visual Arts. In the early 1980s he was married to the Brazilian artist Marcia Grostein...