Mane Katz Drawings and Watercolor Paintings

'Notre Dame de Paris II', gouache on paper, by Lucien Génin (circa 1930s). One of two paintings of Notre Dame by this artist held by our gallery, it is also an absolutely charming and now, historic depiction from the 1930s, of the most famous cathedral in France. This version uses more exaggerated brushstrokes with strong colours attesting to its expressionist roots. Notre Dame is one of the most widely recognised symbols of the city of Paris and the French nation. As the cathedral of the Archdiocese of Paris, Notre-Dame contains the cathedra of the Archbishop of Paris. Approximately 12 million people visit Notre-Dame annually, making it the most visited monument in the city. While undergoing renovation and restoration, the roof of Notre-Dame caught fire on the evening of 15 April 2019. Burning for around 15 hours, the cathedral sustained serious damage. The government of France hopes the reconstruction can be completed by Spring 2024, in time for the opening of the 2024 Summer Olympics in Paris. Unlike the actual cathedral, this artwork is in good condition, is newly framed and glazed and signed by the artist in the lower right hand corner. Upon request a video may be provided. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

Work on paper Dimension with pass 31.7 x 24 cm

'Le Pont Neuf', gouache on fine art paper, by Lucien Génin (circa 1930s). The Pont Neuf is the oldest standing bridge across the river Seine in Paris, France. It stands by the western point of the Île de la Cité, the island in the middle of the river that was, between 250 and 225 BC, the birthplace of Paris. It is called 'The New Bridge' because at the time of its inauguration (built 1578-1607), it embodied a very modern look compared to other bridges which spanned the Seine. Lucien Génin has captured its beauty in this lively depiction from the 1930s. Just before the bridge is a 'Bateau Mouche' an open excursion boat that provides visitors with a view of the city from along the river. The artwork is in good overall condition commensurate with age and medium used. It has been newly frame with anti-reflective glass. Please enjoy the photos accompanying this listing. Signed by the artist in the lower left hand. Upon request a video may be provided. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

The Angels is an original drawing in watercolored china ink on ivory-colored paper realized by the French artist Madeleine Scellier (1928). Hand-signed in pencil on the lower margin...

Abstract harbor scene with boats, in bold, vivid colors on heavy mould made paper. Hand signed and dated, 1980 22 X 30 not frame Robert Freiman, deaf from birth, was born in March 1917 in New York City. He attended an oral program near his home and later transferred to the Lexington School for the Deaf when he was six. Early in his childhood, his love for drawing, painting and studying became apparent, and as an adult, he continued his studies in New York at the National Academy of Design, Pratt Institute, the Art Students League and the Parsons School of Design. In Paris, France he studied at the Ecole des Beaux Arts. Bob Freiman was especially focused on painting portraits and figures in motion in various mediums, especially the mixed-media combination of watercolor, acrylic and pen. Among his subjects were acrobats, ballet dancers, cyclists and other athletes. He as well focused on abstracts for a time, discovering new media in his works with quick brushwork and expressive movements. In the latter part of his career, his style became abstract and surreal with images of metaphysical landscapes with architectural elements such as arches, towers, pyramids and castles floating in the air. The famed art critic Pierre Rouve wrote: “It is therefore refreshing to see them revitalized by the colourist wealth and virile handwriting of Robert Freiman, probably the best American water-colorist since John Marin. He worked in Provincetown and Nantucket and regularly exhibited there. He showed at Doll & Richards gallery of Boston alongside John Chetcuti, Lloyd Goodrich, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. His work bears the influence of the mid century school of Paris in particular Jean Carzou. He was a regular exhibitor at the Sidewalk Art...

Work on paper Dimension with pass 21.7 x 27.7 cm

Miniature Landscape Provenance: Virginia Field, Arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John von Wicht and Andy Warhol) Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolf Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. “Ben-Zion has his hands on the pulse of the common man and his natural world” As he emerged as an artist Ben-Zion never lost his gift for presenting the ordinary in ways that are vital, fresh and filled with emotions that are somber and exhilarating, joyous and thoughtful, and ultimately, filled with extraordinary poetic simplicity. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Along with ben Shahn, William Gropper, Chaim Gross and Abraham Rattner he was an influential mid century Jewish American...

'Modern Dancers', pastel, ink and gouache on fine art paper by French artist, singer and sculptor, Mick Micheyl (1964). Two elegant young men are depicted in a graceful dancing pose, arms outstretched, their lithe bodies so agile and limber. Perhaps one of the dancers was her friend, Philippe, to whom the painting is dedicated on the bottom. The dedication says: 'For you Philippe, all my friendship'. Signed: 'Mick Micheyl'. The work has been newly framed and glazed after having been acquired in the S. of France. It is in fair vintage condition commensurate with age showing minor blemishing on the paper. Upon request a video of the piece can be provided. Dimensions with Frame: H 75 cm / 29.5" W 61 cm / 24" Dimensions without Frame: H 56 cm / 22" W 42 cm / 16.5" About the Artist: Mick Micheyl (1922 - 2019) was born in Lyon and had a busy and rewarding artistic career as a singer, producer, reviewer, metal sculptor, artist. After having received training at the School of Fine Arts in Lyon she became a painter and decorator in the theatre but then commenced a career in the musical activities of a theatrical troupe. She won the ABC competition in Paris in 1949 with a song, Le Marchand de Poésie, which she composed herself. She then performed in many cabarets: L'Échelle de Jacob, Harlequin and Liberty's. In the 1950s she was one of the most important French cabaret singers of that period. One of her titles, 'Un Gamin de Paris', became one of the French standards and also performed by Yves Montand and Robert Clary...

'Small Boat and Bather in Dinard', gouache and charcoal on art paper, by French artist, Jean Pons (1961). Painted in a naïve style, the piece dep...

Of course it's possible that these baseball players aren't from a Philadelphia team, but I doubt it. There was so much drama and intrigue with both the Philadelphia Phillies and the ...

This is a great Judaica Israel landscape. The Old City of Jerusalem during the British Mandate in Palestine. 24.5 x 31 image 16 x 22.5 Isidor Ascheim (איזידור אשהיים; 1891-1968) was a German-born Israeli painter and printmaker. Isidor Ascheim was born in Margonin (present-day Poland) in 1891. He was raised in an Orthodox, Judaic, Jewish family and served during World War I. In 1919-23, Ascheim studied under the German Expressionist Otto Mueller in Breslau and was influenced by Erich Heckel of the Die Brücke (The Bridge) group. He immigrated to Mandate Palestine in 1940 and settled in Jerusalem. He was married to the Israeli painter Margot Lange-Ascheim. He taught at the Bezalel School of Art (amongst his students were David Palombo, David Rakia, Aharon Bezalel, Kopel Gurwin and more) and served as its director for several years. He also taught at the Avni Institute in Tel Aviv along with Moshe Mokadi. Marcel Janco and Aaron Giladi. Ascheim's art is based on a direct impression of nature, life and the human form. His oeuvre represents a continuous connection with nature and the human figure, usually executed with a dark palette, the legacy of his German Expressionist roots. He was a contemporary of Jacob Steinhardt, Mordecai Ardon, Josef Budko and Hermann Struck. Awards and recognition In 1953, Ascheim was a co-recipient of the Dizengoff Prize for Painting. In 1955, he received the Jerusalem Prize for Art. In 1956, he participated in the Venice Biennale, Italy Selected collections Fine Arts Museum of San Francisco Israel Museum, Jerusalem References Isidor Aschheim: Drawings & Prints [Izidor Ashhaim: rishumim ve-hedpesim] . Jerusalem: Israel Museum, 1966. Talpir, Gabriel. "100 Artists in Israel". Tel-Aviv: Gazith Art Publishing, 1971. Isidor Ascheim was born in Margonin, Germany (in what is now Poland) in 1891. His father was a prosperous merchant. In spite of his family’s devoutness, Ascheim had both religious training at home and an education in a German school. In 1903 the family moved to Breslau, where he studied in the gymnasium. When War War I broke out, he was drafted into the German army. In 1918, when the war ended, he began studying art in Breslau, and then in Cracow. In 1939 he made Aliyah to the Land of Israel under the auspices of the Aliyah Bet program. He was caught by the British government and sent to the Atlit detention camp for about seven months. After he was released he settled in Jerusalem and found employment as a lecturer at the “New Bezalel.” In 1946 he married the painter Margot Lange Ascheim. From 1960-1961 he served as director of the “New Bezalel.” Most of Ascheim’s work was in the field of prints. In the 1920s he also produced engravings. Later he specialized in stone printing (lithography), including Biblical subjects, landscapes, and expressionist subjects. In addition, he painted. Education 1919-1923 Art Academy, Breslau, Germany, (now Wroclaw, Poland) with Otto Mueller, an important expressionist painter. Art studies, Professor Pautsch, Academy of Fine Arts, Cracow, Poland Teaching 1943 Bezalel Academy of Art & Design, Jerusalem, was director for some time. 1961-1960 Director, New Bezalel, Jerusalem Collective Annual Exhibition by Palestinian Artists Art Gallery of the ''Habima'' Building, Tel Aviv1944 Artists: Hermann Struck,Moshe Ziffer...

Painter is a drawing realized by Alberto Ziveri in 1938. Ink and watercolor on paper. Hand-signed. In good condition.