Manfredo Borsi Drawings and Watercolor Paintings

French School of the 18th Century Portrait of a gentleman Pastel on paper 25 x 18 cm Framed : 49 x 32 cm The mounting of this work is marked "Attribué à Saint Aubin", which means t...

Pastel on paper 13 x 19 in. (33 x 48.2 cm.) Signed (at lower right): Kupka EX COLL.: private collection, St. Louis; to Howard Baer, 1972; [Gimpel-Weitzenhoffer Galleries, New York...

Nude Laying Over the Edge of the Bed in Pastel on Paper Elegant pastel composition of a nude woman by an unknown artist (20th Century). The model is laying on her back, with her hea...

Pastel, Pencil, petal flowers, Color and Ink on Paper. The base of this drawing is Fabriano paper of 120g /m2. I use natural dyes of flowers, herbs, leaves, bark of trees as the fir...

Vibrant large-scale pastel landscape of colorful reflections rippling on a calm lake with three small ducks and a boat by an unknown artist (American, 20th Century). Signed with the ...

A splendid depiction of a New Orleans jazz funeral (sorry for the reflection on the glass). Typically a crowd of mourners will follow the band, walking and swaying slowly at first to...

These recently discovered 1983-84 oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing obs...

Signed lower left 'Creech PSWC' and created circa 1975 A compelling pastel study showing the subject dressed in brightly-colored ceremonial robes and gazing past the viewer. An eleg...

Elegant mid century figure study in pastel on brown paper depicting a seated nude woman with a hat and rose, by by American artist Louis Nadalini (Italian, 1927-1995). Signed Nadalini upper right. Presented in a simple wood frame, with new mat and new foam core backing. Image size: 29"H x 19.5"W. Signed and dated "Nadalini 85" lower right. Unframed. ARTFORUM article: Louis Nadalini In the last couple of seasons, San Francisco has lost several of its galleries. Some others have just recently begun operating but often with an entirely new group of artists. Some members of those apparently secure gallery stables that went out of business have found their way into other stables, but a larger group is without a place to show. I decided to look into such a person’s studio in my endeavor to find out what is really happening in the Bay Area art world. I went to see Louis Nadalini. His latest painting continues with the lattice of slats protruding forward with two variations of the painting painted on the sides of the slats which are viewable when standing to either side. This was always a very abstract method and he had quite often painted pure abstractions which centered quietly into hypnotic devices of exceptional color richness, but which gave a kaleidoscopic change as you moved past it. Untitled #42 (the most recent painting) has subject matter and was done in a much more painterly way. The side variations were flat in color, and there were some elements seen only in the side views, a skeleton’s arm and a black hand, for example. Nadalini says that he may abandon the lattice altogether if it gets in his way, but so far it seems to work better than it did with the abstractions. He is enthusiastic about the work he is doing, felt very free about making changes, and was, at the same time still happy about work from several years ago and unwilling to think that older work and new work should not be exhibited together. He hasn’t been thinking about galleries for a while. Nadalini goes to sea periodically which gives him time for contemplation as well as for renewing his resources. by —Knute Stiles...

"Pensando & recordando a Luis Caballero" by Celso Castro-Daza From the Duchándome Series Watercolor, pastel, and ink on archival paper Sheet size: 19.5 ...

France circa 1820 Portrait of a gentleman Black chalk and pastel on paper 12 x 10 cm In its original mount, modern oak frame : 25 x 22.5 cm

The loose style of this drawing comes together quickly to convey the relaxed state of this nude female. The pastel accents bring a beautiful warmth to this drawing. Christopher Ganz Woman at Rest, 2013 pastel and charcoal on green paper 23h x 18w in 58.42h x 45.72w cm CG0062 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...