Maria Stelmaszczyk Interior Prints

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Alex Katz (American, born 1927) Night (from Northern Landscapes), 1994 Medium: Woodcut in colors, on Japan paper Dimensions: 51 × 40.5 cm (20 1/10 × 15 9/10 in) Edition of 100: Hand-...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Artist: Peter Green Title :Astral Form Year:1969 Edition: Signed, Dated and marked 19/30 Paper Size = 26½" x 38½" inches Type: Woodcut Born in 1933, Peter Green studied at Brighto...

Günther Förg (Füssen 1952 – 2013 Freiburg) Six Rectangles, 1991 Medium: Woodcut in colors on card stock Dimensions: 56 x 80 cm (60 x 84 cm) Unknown edition size: Hand-signed and date...

Günther Uecker (German, born 1930) Lichtungen III, 1997/1998 Medium: Woodcut on wove paper Dimensions: 62.5 x 51.5 cm Edition of 100 + XX: Hand-signed and (Roman) numbered in pencil ...

The title of this poetic, abstract work is written across the top of the sheet. The hand-written cursive below reads: "David Shapiro / Told me he was going to / Carve his poems in stone / "That's one way to make them lost" / I don't have to / Rene Ricard". A poet, art historian and art critic, David Shapiro was friends with Ricard, and a part of the 1980's art scene in New York. Shapiro became famous briefly during the 1968 anti-Vietnam student uprising at Columbia University, when a photograph of him smoking a cigar behind the desk of the Columbia University president was published in Life magazine, and he became the face of the student protest...

Hand signed and numbered edition of 25. 16 x 36" sheet size without frame. “Workshop” is an ambitious color lithograph and linocut with chine collé printed in twelve colors from nine plates and one linocut. It has been printed in an edition of 25, plus proofs, on white Rives BFK paper 16 x 36” with chine collé of various papers. (No, it’s not upside down) Born 1964 in New York where he still currently resides and works alongside his partner the ceramist Kathy Butterly. Son of the photographer Rudy Burckhardt and painter Yvonne Jacquette, Tom Burckhardt was 1986, BFA, State University of New York, Purchase, NY 1992–1993, Skowhegan School of Painting and Sculpture, ME 1996, Marie Walsh Sharpe Art Foundation Studio Grant 1997, New York Foundation for the Arts, Painting Grant 1997 Pollock-Krasner Foundation Grant 2002 George Hitchcock Award, National Academy of Arts 2003, Richard & Hinda Rosenthal Foundation Award, American Academy 2005, AICA Best Show of an Emerging or Underknown Artist 2005 Pollock-Krasner Foundation Grant 2006 Best Installation, Best of Houston, the Houston Press 2009 Guggenheim Foundation Grant 2010, New York Foundation for the Arts Drawing/Print Grant 2010 Joan Mitchell Foundation Grant Tom Burckhardt’s work is a carnival of images jumbled and jostling each other in precarious nonsensical compositions. He uses lushly colored and patterned images from all kinds of sources that bounce between abstraction and representation. Images come from tool catalogs, paper and fabric patterns, funhouse painting, architectural details, stripes, dots and squiggles. It is as if Burckhardt is a cartoonist merrily channeling Ellsworth Kelly, Paul Feeley, Robert Therrien, and Myron Stout, among others. Like Red Grooms, for whom he worked as an assistant, Burckhardt ransacks his influences yet ends up with something unmistakably his own. His work bears the influence of is a synthesis of many things: the tribal-influenced abstract painting of Steve Wheeler...

Signed and numbered by the artist, unique etching with hand coloring. This is based on one section of the larger work, the artist book/wall hanging "endless". "This print is ded...

Günther Uecker (German, born 1930) Lichtungen I, 1997/1998 Medium: Woodcut on wove paper Dimensions: 62.5 x 51.5 cm Edition of 100 + XX: Hand-signed and (Roman) numbered in pencil Pu...

"Floating Panel" - Realistic Hand Painted Lithograph Lithograph with hand-painted ribbons by Patricia Pearce (American, b. 1948). In this composition, the pane with four bars is a l...