Mary Nimmo Moran Landscape Prints

Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...

ZDZISŁAW WIATR (born 1960) He graduated from the Academy of Fine Arts in Cracow, at the Faculty of Graphic Arts in Katowice, where in 1986 he received a diploma with the honourable m...

La rentrée du Berger by Camille Pissarro (1830-1903) Etching 7.6 x 10.9 cm (3 x 4 ¹/₄ inches) Stamped with initials C.P. lower left, and numbered 13/18 lower right This work was crea...

John Harris after Harry Hall The Merry Beaglers c. 1845 48x65cm Aquatint with hand colouring The most famous beagling print there is, after the 1845 pa...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...

During the Waning Crescent Moon phase, the illuminated part of the Moon decreases from the lit up semicircle at Third Quarter until it disappears from ...

Barbara Rosiak is a Polish painter and graphic designer born in 1955 in Lodz. From 1974 to 1979, she studied at the National Superior School of Fine Arts at the Faculty of Painting a...

Julian Trevelyan (1910-1988) Kensington Gardens (1969) Etching and aquatint, signed, numbered 55/75 35x48cm Nephew of the historian G M Trevelyan h...

Julian Trevelyan (1910-1988) Father Thames (1969) Etching and aquatint, signed, numbered 53/75 35x48cm Nephew of the historian G M Trevelyan he was educated at Bedales and Trinity C...

James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...

JOSEPH PENNELL (1857-1926) Charing Cross Bridge at Night, 1909 Signed Etching Plate size17.5 by 25 cm., 7 by 10 in. (frame size 38.5 by 45 cm., 15 ¼ by 17 ¾ in.) Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London...

The first visible phase after the New Moon. The Moon has had an importance in human culture since the dawn of history and likely before. Often revered as a feminine deity and count...