Mary Rich Tea Sets

The early 20th Century English petite child's teapot is decorated around the opening with fluting as is the rim of the lid. Both pieces of the white teapot are marked "Spode Copeland...

Mum is a porcelain teapot with smooth geometric lines, and is natural to the touch. The CAP disappears on the top, and the profile retains its essential design. Porcelain teapot, mat...

Of typical form in the Russian imperial style, a classic samovar set tooled in brass comprising a miniature brass samovar, drip bowl and tray. The samovar ...

American Etruscan Majolica Teapot in the form of a Cauliflower, Early Majolica-type body, Circa 1860 The green molded tromp L'oeil teapot is des...

LLANGOLLEN POTTERY - Early wheel thrown terracotta studio pottery vase - glossy cat's eye glaze (brown streaked with white) - white glazed interior - dramatic form showing finger rid...

20th century Brass teapot. By unknown manufacturer, Spain. In original condition, with minor wear consistent with age and use, preserving a beautiful ...

Early post modern earthenware teapot created by Los Angeles designer and artist of the Memphis Group, Peter Shire, circa 1978. Teapot measures 10.5" in height by 15" wide by 5.75" and is signed Shire, EXP, 1978. In very good vintage 1970s condition. New owner will receive a copy of the original sales receipt from the Janus Gallery, dated 1979. My last photo of Mr. Shire, seated in his iconic Bel-Air chair...

A rosso antico teapot made by Wedgwood ca. 1810. The pot's red body is accentuated by black basalt details in the Egyptian Revival style. This ros...

Hand made glazed studio pottery shallow bowl or plate by Amelie (Amely, Aly) Richter, in plum, lavender and black ues. Signed Aly Richter on underside. Before her marriage to Dr Georg Martin Richter, in November of 1920, naturalised American citizen, Amelie (Amely, Aly) Richter, had been a Baroness, born in Bavaria and raised in France. A long-time hobbyist, after Dr Richter’s death in 1942, Amelie opened her own studios for art and interior design in New York and London, where she refurbished and embellished old furniture. Inspired by her many trips with Georg to museums and archives, Amelie was known to utilise motifs borrowed from prehistoric cave paintings and American Indian art, and to accent her pieces with semi-precious stones, in shades of purple and turquoise. After directing the arts and crafts department at private high schools in Arizona and California, between 1947 and 1951, Amelie moved to Boston where she studied ceramics at the Museum School of Fine Arts, under the tutelage of Norman Arsenault. She continued her training at the Alfred University where she took technical classes in glaze calculations and clay-body composition, before becoming a member of the Pottery Workshop...

A charming folky fresh pottery teapot decorated with flowers in distinct orange and green.

A French pottery mug from the 19th century, with yellow, green and rust glaze. Created in France during the 19th century, this pottery mug features a cylindrical curving body showcas...

English creamware pottery green glazed teapot and cover, Swinton, Yorkshire, circa 1770 The barrel-form creamware teapot is decorated with a dipped green glaze over an impr...