Maxwell Mackenzie Color Photography
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Artist: Maxwell Mackenzie
School, Summer Landscape, Large Panoramic Vintage Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Everts Township Schoolhouse, Summer, 1992
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Format Chromogenic print on ...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Old Barn Summer Landscape, Large Panoramic Vintage Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Everts Township Homestead, Summer, 1993
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Format Chromogenic print on Ko...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Architecture, Winter Landscape, Large Panoramic Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Chromogenic print on Kodak Professional Paper
The sheets are approximately 30 X 56 inches
the images are around 16 X 48.25 inches
Some of them are cut a bit irregularly, they should all mat out fine for framing.
These are large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin.
The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barns and abandoned houses, set into richly colored landscapes.
Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales.
Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft.
MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow.
His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery, in Big Sky, MT; Anne Reed Gallery in Sun Valley, ID; The International Photography Hall of Fame, in Oklahoma, City; the Bivins Gallery at Duke University, NC; the University of Minnesota – Morris; the New York Mills Regional Cultural Center, MN; The Virginia Foundation for Architecture, Richmond, and the Addison-Ripley Gallery in DC.
Mr. MacKenzie attended the University of Pennsylvania, and received a Bachelor of Arts degree, with a dual major in Architecture and Photography from Bennington College, Vermont, with advanced study in photography at the Corcoran College of Art + Design as well as the Maine and Santa Fe Photo Workshops.
MacKenzie received a $ 10,000 Grant from the Graham Foundation for Advanced Studies in the Fine Arts in support of his “TOBACCO” Project, which was exhibited at the National Headquarters of the American Institute of Architects in 2003. He has also been awarded Artist Fellowship Grants from the DC Commission on the Arts, the National Endowment for the Arts, and, in 1995, MacKenzie was named the Candace DeVries Olesen Alumni Fellow at Bennington, and delivered an illustrated...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Farm, Winter Landscape, Large Panoramic Vintage Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Maplewood Township Homestead, Winter, 1993
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Format Chromogenic print on Kodak Professional Paper
The sheets are approximately 30 X 56 inches
the images are around 16 X 48.25 inches
Some of them are cut a bit irregularly, they should all mat out fine for framing.
These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin.
The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barns and abandoned houses, set into richly colored landscapes.
Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales.
Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft.
MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow.
His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery, in Big Sky, MT; Anne Reed Gallery in Sun Valley, ID; The International Photography Hall of Fame, in Oklahoma, City; the Bivins Gallery at Duke University, NC; the University of Minnesota – Morris; the New York Mills Regional Cultural Center, MN; The Virginia Foundation for Architecture, Richmond, and the Addison-Ripley Gallery in DC.
Mr. MacKenzie attended the University of Pennsylvania, and received a Bachelor of Arts degree, with a dual major in Architecture and Photography from Bennington College, Vermont, with advanced study in photography at the Corcoran College of Art + Design as well as the Maine and Santa Fe Photo Workshops.
MacKenzie received a $ 10,000 Grant from the Graham Foundation for Advanced Studies in the Fine Arts in support of his “TOBACCO” Project, which was exhibited at the National Headquarters of the American Institute of Architects in 2003. He has also been awarded Artist Fellowship Grants from the DC Commission on the Arts, the National Endowment for the Arts, and, in 1995, MacKenzie was named the Candace DeVries Olesen Alumni Fellow at Bennington, and delivered an illustrated all-college lecture entitled: "Art and Commerce: Balancing Two Worlds.” In 2010, he was awarded a one-month artist residency at the Vermont Studio Center.
Mr MacKenzie has taught one-week workshops and assorted master classes at The International Center of Photography in New York, The Palm Beach Photo...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Farm Summer Landscape, Large Panoramic Vintage Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Everts Township Homestead, Summer, 1993
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Format Chromogenic print on Kodak Professional Paper
The sheets are approximately 30 X 56 inches
the images are around 16 X 48.25 inches
Some of them are cut a bit irregularly, they should all mat out fine for framing.
These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin.
The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barn structures , farm buildings, schoolhouse buildings and abandoned houses, set into richly colored landscapes.
Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales.
Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft.
MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow.
His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery, in Big Sky, MT; Anne Reed Gallery in Sun Valley, ID; The International Photography Hall of Fame, in Oklahoma, City; the Bivins Gallery at Duke University, NC; the University of Minnesota – Morris; the New York Mills Regional Cultural Center, MN; The Virginia Foundation for Architecture, Richmond, and the Addison-Ripley Gallery in DC.
Mr. MacKenzie attended the University of Pennsylvania, and received a Bachelor of Arts degree, with a dual major in Architecture and Photography from Bennington College, Vermont, with advanced study in photography at the Corcoran College of Art + Design as well as the Maine and Santa Fe Photo Workshops.
MacKenzie received a $ 10,000 Grant from the Graham Foundation for Advanced Studies in the Fine Arts in support of his “TOBACCO” Project, which was exhibited at the National Headquarters of the American Institute of Architects in 2003. He has also been awarded Artist Fellowship Grants from the DC Commission on the Arts, the National Endowment for the Arts, and, in 1995, MacKenzie was named the Candace DeVries Olesen Alumni Fellow at Bennington, and delivered an illustrated...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Architecture, Winter Landscape, Large Panoramic Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Everts Township Schoolhouse, Winter,
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Chromogenic print on Kodak Profe...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Farm Summer Landscape, Large Panoramic Vintage Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Everts Township Homestead, Summer, 1992
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Format Chromogenic print on Kodak Professional Paper
The sheets are approximately 30 X 56 inches
the images are around 16 X 48.25 inches
Some of them are cut a bit irregularly, they should all mat out fine for framing.
These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin.
The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barn structures , farm buildings, schoolhouse buildings and abandoned houses, set into richly colored landscapes.
Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales.
Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft.
MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow.
His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery, in Big Sky, MT; Anne Reed Gallery in Sun Valley, ID; The International Photography Hall of Fame, in Oklahoma, City; the Bivins Gallery at Duke University, NC; the University of Minnesota – Morris; the New York Mills Regional Cultural Center, MN; The Virginia Foundation for Architecture, Richmond, and the Addison-Ripley Gallery in DC.
Mr. MacKenzie attended the University of Pennsylvania, and received a Bachelor of Arts degree, with a dual major in Architecture and Photography from Bennington College, Vermont, with advanced study in photography at the Corcoran College of Art + Design as well as the Maine and Santa Fe Photo Workshops.
MacKenzie received a $ 10,000 Grant from the Graham Foundation for Advanced Studies in the Fine Arts in support of his “TOBACCO” Project, which was exhibited at the National Headquarters of the American Institute of Architects in 2003. He has also been awarded Artist Fellowship Grants from the DC Commission on the Arts, the National Endowment for the Arts, and, in 1995, MacKenzie was named the Candace DeVries Olesen Alumni Fellow at Bennington, and delivered an illustrated...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Farm Summer Landscape, Large Panoramic Vintage Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Everts Township Homestead, Summer, 1993
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Format Chromogenic print on Kodak Professional Paper
The sheets are approximately 30 X 56 inches
the images are around 16 X 48.25 inches
Some of them are cut a bit irregularly, they should all mat out fine for framing.
These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin.
The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barn structures , farm buildings, schoolhouse buildings and abandoned houses, set into richly colored landscapes.
Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales.
Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft.
MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow.
His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery, in Big Sky, MT; Anne Reed Gallery in Sun Valley, ID; The International Photography Hall of Fame, in Oklahoma, City; the Bivins Gallery at Duke University, NC; the University of Minnesota – Morris; the New York Mills Regional Cultural Center, MN; The Virginia Foundation for Architecture, Richmond, and the Addison-Ripley Gallery in DC.
Mr. MacKenzie attended the University of Pennsylvania, and received a Bachelor of Arts degree, with a dual major in Architecture and Photography from Bennington College, Vermont, with advanced study in photography at the Corcoran College of Art + Design as well as the Maine and Santa Fe Photo Workshops.
MacKenzie received a $ 10,000 Grant from the Graham Foundation for Advanced Studies in the Fine Arts in support of his “TOBACCO” Project, which was exhibited at the National Headquarters of the American Institute of Architects in 2003. He has also been awarded Artist Fellowship Grants from the DC Commission on the Arts, the National Endowment for the Arts, and, in 1995, MacKenzie was named the Candace DeVries Olesen Alumni Fellow at Bennington, and delivered an illustrated all-college lecture entitled: "Art and Commerce: Balancing Two Worlds.” In 2010, he was awarded a one-month artist residency at the Vermont Studio Center.
Mr MacKenzie has taught one-week workshops and assorted master classes at The International Center of Photography in New York, The Palm Beach Photo...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Everts Township Schoolhouse, Winter, Large Panoramic Color Photograph Signed
By Maxwell Mackenzie
Located in Surfside, FL
Fabulous American landscape photography of a rural school house.
from small hand signed edition of 20
Large Chromogenic print on Kodak Professional Paper
The sheets are approximatel...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Farm, Summer Landscape, Large Panoramic Vintage Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Amor Township Farmstead, Summer
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Format Chromogenic print on Kodak Prof...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Barn in Snow, Winter Landscape, Large Panoramic Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Fabulous American landscape photography of a rural school house.
from small hand signed edition of 20
Large Chromogenic print on Kodak Professional Paper
The sheets are approximatel...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Farm Summer Landscape, Large Panoramic Vintage Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Everts Township Homestead, Summer, 1993
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Format Chromogenic print on Kodak Professional Paper
The sheets are approximately 30 X 56 inches
the images are around 16 X 48.25 inches
Some of them are cut a bit irregularly, they should all mat out fine for framing.
These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin.
The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barn structures , farm buildings, schoolhouse buildings and abandoned houses, set into richly colored landscapes.
Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales.
Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft.
MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow.
His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery, in Big Sky, MT; Anne Reed Gallery in Sun Valley, ID; The International Photography Hall of Fame, in Oklahoma, City; the Bivins Gallery at Duke University, NC; the University of Minnesota – Morris; the New York Mills Regional Cultural Center, MN; The Virginia Foundation for Architecture, Richmond, and the Addison-Ripley Gallery in DC.
Mr. MacKenzie attended the University of Pennsylvania, and received a Bachelor of Arts degree, with a dual major in Architecture and Photography from Bennington College, Vermont, with advanced study in photography at the Corcoran College of Art + Design as well as the Maine and Santa Fe Photo Workshops.
MacKenzie received a $ 10,000 Grant from the Graham Foundation for Advanced Studies in the Fine Arts in support of his “TOBACCO” Project, which was exhibited at the National Headquarters of the American Institute of Architects in 2003. He has also been awarded Artist Fellowship Grants from the DC Commission on the Arts, the National Endowment for the Arts, and, in 1995, MacKenzie was named the Candace DeVries Olesen Alumni Fellow at Bennington, and delivered an illustrated...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Farm, Summer Landscape, Large Panoramic Vintage Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Farm house or tobacco shed, Summer
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Format Chromogenic print on Kodak P...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Old Barn Summer Landscape, Large Panoramic Vintage Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Everts Township Homestead, Summer, 1993
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Format Chromogenic print on Ko...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Farm, Winter Landscape, Large Panoramic Vintage Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Maplewood Township Homestead, Winter, 1993
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Format Chromogenic print on Kodak Professional Paper
The sheets are approximately 30 X 56 inches
the images are around 16 X 48.25 inches
Some of them are cut a bit irregularly, they should all mat out fine for framing.
These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin.
The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barns and abandoned houses, set into richly colored landscapes.
Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales.
Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft.
MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow.
His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery, in Big Sky, MT; Anne Reed Gallery in Sun Valley, ID; The International Photography Hall of Fame, in Oklahoma, City; the Bivins Gallery at Duke University, NC; the University of Minnesota – Morris; the New York Mills Regional Cultural Center, MN; The Virginia Foundation for Architecture, Richmond, and the Addison-Ripley Gallery in DC.
Mr. MacKenzie attended the University of Pennsylvania, and received a Bachelor of Arts degree, with a dual major in Architecture and Photography from Bennington College, Vermont, with advanced study in photography at the Corcoran College of Art + Design as well as the Maine and Santa Fe Photo Workshops.
MacKenzie received a $ 10,000 Grant from the Graham Foundation for Advanced Studies in the Fine Arts in support of his “TOBACCO” Project, which was exhibited at the National Headquarters of the American Institute of Architects in 2003. He has also been awarded Artist Fellowship Grants from the DC Commission on the Arts, the National Endowment for the Arts, and, in 1995, MacKenzie was named the Candace DeVries Olesen Alumni Fellow at Bennington, and delivered an illustrated all-college lecture entitled: "Art and Commerce: Balancing Two Worlds.” In 2010, he was awarded a one-month artist residency at the Vermont Studio Center.
Mr MacKenzie has taught one-week workshops and assorted master classes at The International Center of Photography in New York, The Palm Beach Photo Workshops, The Horizon Photo Workshop, and at Bennington College in Vermont. He has presented illustrated lectures...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Farm, Winter Landscape, Large Panoramic Vintage Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Maplewood Township Homestead, Winter, 1993
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Format Chromogenic print on...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Farm, Winter Landscape, Large Panoramic Vintage Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Maplewood Township Homestead, Winter, 1993
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Format Chromogenic print on...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Farm Summer Landscape, Large Panoramic Vintage Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Everts Township Homestead, Summer, 1993
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Format Chromogenic print on Kodak Professional Paper
The sheets are approximately 30 X 56 inches
the images are around 16 X 48.25 inches
Some of them are cut a bit irregularly, they should all mat out fine for framing.
These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin.
The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barn structures , farm buildings, schoolhouse buildings and abandoned houses, set into richly colored landscapes.
Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales.
Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft.
MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow.
His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery, in Big Sky, MT; Anne Reed Gallery in Sun Valley, ID; The International Photography Hall of Fame, in Oklahoma, City; the Bivins Gallery at Duke University, NC; the University of Minnesota – Morris; the New York Mills Regional Cultural Center, MN; The Virginia Foundation for Architecture, Richmond, and the Addison-Ripley Gallery in DC.
Mr. MacKenzie attended the University of Pennsylvania, and received a Bachelor of Arts degree, with a dual major in Architecture and Photography from Bennington College, Vermont, with advanced study in photography at the Corcoran College of Art + Design as well as the Maine and Santa Fe Photo Workshops.
MacKenzie received a $ 10,000 Grant from the Graham Foundation for Advanced Studies in the Fine Arts in support of his “TOBACCO” Project, which was exhibited at the National Headquarters of the American Institute of Architects in 2003. He has also been awarded Artist Fellowship Grants from the DC Commission on the Arts, the National Endowment for the Arts, and, in 1995, MacKenzie was named the Candace DeVries Olesen Alumni Fellow at Bennington, and delivered an illustrated...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
Old Barn Summer Landscape, Large Panoramic Vintage Color Photograph Signed Photo
By Maxwell Mackenzie
Located in Surfside, FL
Everts Township Homestead, Summer, 1993
Fabulous American landscape photography of a rural landscape scene.
from small hand signed edition of 20
Large Format Chromogenic print on Ko...
Category
1990s American Realist Maxwell Mackenzie Color Photography
Materials
Color
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Verbier Vacation Estate Ed. Photograph, Swiss Alps skiers in red, blue, green
By Slim Aarons
Located in Los Angeles, CA
Verbier Vacation: Skiiers on holiday take in the sun on a snow-covered mountain top in Verbier, 1964. In one of Slim Aarons most popular and iconic images, bright, colorful notes of red, yellow, blue and green punctuate the clean white snow, with majestic peaks in the background. In the foreground, holiday-goers, including two children, lounge in a perfect vintage moment of casual winter glamour. Numbered and stamped by the Slim Aarons Estate. Certificate of Authenticity included.
Verbier Vacation, 1964
Slim Aarons Estate Edition Photograph
Lambda Print
Estate Embossed with 2 Certificates of Authenticity
Printed Later
4 sizes available
Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century.
Verbier is an Alpine village in Switzerland’s Valais Canton. It's the gateway to the 4 Vallées ski area. Trails on Mont Fort Glacier have views of the Matterhorn and Mont Blanc. Mont Gelé is known for its off-piste ski slopes. South, in secluded Haut Val de Bagnes nature reserve, waterfalls cascade into Mauvoisin Lake, site of the arched Mauvoisin Dam. Alpine-inspired art dots the 3D Foundation's Sculpture Park. It is a holiday resort and ski area in the Swiss Alps and is recognised as one of the premier backcountry ski resorts in the world. Some areas are covered with snow all year. Skiers have settled in the Verbier area in order to take advantage of the steep slopes, varied conditions, and resort culture.
Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century.
The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone.
Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun.
Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism.
Photograph is unframed
Slide show includes a close-up of the Slim Aarons estate's stamp.
Collector will get the next number in the edition
* We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons *
Internal: Vintage Verbier, Vintage Ski...
Category
1960s American Realist Maxwell Mackenzie Color Photography
Materials
Lambda
Free Shipping
H 30 in W 30 in
Cat-Shaped Pool, Estate Edition, Fontainebleau Hotel, Miami
By Slim Aarons
Located in Los Angeles, CA
Slim Aarons' Cat-Shaped Pool, a newly available Estate Edition photograph, features a charming swimming pool in the shape of a cat at the Fontainebleau Hotel, Miami, circa 1955. This historic shot of the pool was captured just after the the Fontainebleau's opening in 1954.
Visual Description: Guests enjoying the newly opened turquoise cat-shaped pool at the Fontainebleu Hotel, designed by Morris Lapidus. The deck features sunny, graphic yellow and black umbrellas, as well as red, yellow and blue striped umbrellas and loungers. The cat's tail is a vintage wooden diving board, its ears are stairs, and its nose is a slide. Designed by Morris Lapidus.
Slim Aarons
Chromogenic Lambda print
Slim Aarons Estate Edition
Printed Later
Complimentary dealer shipping to your framer, worldwide.
Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century.
The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone.
Photograph is unframed
Slide show includes a close-up of the Slim Aarons estate's stamp.
Collector will get the next number in the edition
* We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150).
Internal: vintage '50s florida, 50's Miami, vintage poolside, vintage swim fashion, vintage slim aarons, Fontainebleau Hotel, vintage Miami beach, Miami architecture...
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1950s American Realist Maxwell Mackenzie Color Photography
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Lambda
Free Shipping
H 10 in W 12 in
Snow Round the Pool, Vail, Colorado, Slim Aarons Estate Edition
By Slim Aarons
Located in Los Angeles, CA
Snow Round The Pool: Bathers having a winter dip in a pool
at Vail, Colorado, March 1964.
48 x 48 inches
$4500
40 x 40 inches
$3950
30 x 30 inches
$3350
20 x 20 inches
$2500
E...
Category
1960s American Realist Maxwell Mackenzie Color Photography
Materials
Lambda
Free Shipping
H 48 in W 48 in
Lounging in Verbier by Slim Aarons
By Slim Aarons
Located in Brighton, GB
For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries.
Please bear in mind that all prints are produ...
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20th Century American Realist Maxwell Mackenzie Color Photography
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Transport Buffs, Estate Edition, Monte Carlo Harbour
By Slim Aarons
Located in Los Angeles, CA
'Transport Buffs,' an authentic Slim Aarons Estate Edition photograph, captures an opulent scene from the summer of 1976 in the Monte Carlo harbour. The image depicts Roy J Craven and Prince Pouilnac engaged in conversation on a luxury yacht. Adorning the deck of the yacht are a helicopter and two motor boats, adding color, structure and grandeur of the scene. The duo reclines on a semi-circular seating area at the yacht's stern, featuring bright orange and white stripes, enhancing the vibrant luxury of this iconic moment.
'Transport Buffs'
Monte Carlo Harbor
Chromogenic Lambda print
Printed Later
Slim Aarons Estate Edition
Complimentary dealer shipping to your framer, worldwide.
Stamped and hand numbered by the Slim Aarons Estate.
Certificate of Authenticity included.
Collector will get the next number in the edition
72 x 48 inches
$4900
60 x 40 inches
$3950
40 x 30 inches
$3350
30 x 20 inches
$3000
Complimentary dealer shipping to your framer, worldwide.
Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century.
Photograph is unframed
Slide show includes a close-up of the Slim Aarons estate's stamp.
Collector will get the next number in the edition
* We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). *
Undercurrent Projects, New York, is proud to represent Aarons' full collection of negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone.
Internal: This Slim Aarons Seascape Photograph is set in Vintage Monte Carlo...
Category
1970s American Realist Maxwell Mackenzie Color Photography
Materials
Lambda
Free Shipping
H 20 in W 16 in
Neo-classical Pool, Slim Aarons Estate Edition
By Slim Aarons
Located in Los Angeles, CA
Mrs T. Dennie Boardman and her children Samuel Jay and Sarah climbing the steps from the pool at the home of Boardman's parents in Palm Beach, Florida, 1985.
Complimentary dealer sh...
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1980s American Realist Maxwell Mackenzie Color Photography
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Slim Aarons, Jhelum River, Jammu and Kashmir, India (Slim Aarons Estate Edition)
By Slim Aarons
Located in Los Angeles, CA
A boat trip on the Jhelum River near Srinagar, in Jammu and Kashmir, India, 1961. The boat is called the 'HB Cutty Sark'.
48 x 48 inches
$4500
40 x 40 inches
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30 x 30 inches
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1960s American Realist Maxwell Mackenzie Color Photography
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Transport Buffs, Estate Edition, Monte Carlo Harbour
By Slim Aarons
Located in Los Angeles, CA
'Transport Buffs,' an authentic Slim Aarons Estate Edition photograph, captures an opulent scene from the summer of 1976 in the Monte Carlo harbour. The image depicts Roy J Craven and Prince Pouilnac engaged in conversation on a luxury yacht. Adorning the deck of the yacht are a helicopter and two motor boats, adding color, structure and grandeur of the scene. The duo reclines on a semi-circular seating area at the yacht's stern, featuring bright orange and white stripes, enhancing the vibrant luxury of this iconic moment.
'Transport Buffs'
Monte Carlo Harbor
Chromogenic Lambda print
Printed Later
Slim Aarons Estate Edition
Complimentary dealer shipping to your framer, worldwide.
Stamped and hand numbered by the Slim Aarons Estate.
Certificate of Authenticity included.
Collector will get the next number in the edition
72 x 48 inches
$4900
60 x 40 inches
$3950
40 x 30 inches
$3350
30 x 20 inches
$3000
Complimentary dealer shipping to your framer, worldwide.
Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century.
Photograph is unframed
Slide show includes a close-up of the Slim Aarons estate's stamp.
Collector will get the next number in the edition
* We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). *
Undercurrent Projects, New York, is proud to represent Aarons' full collection of negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone.
Internal: This Slim Aarons Seascape Photograph is set in Vintage Monte Carlo, and fits the following curatorial categories: Vintage Harbor, Vintage Yachts, ocean, France, 70's Monte Carlo, seascape, red and white stripes, Vintage beach, vintage glamour, vintage summer, watercraft, summer 1976, Monte Carlo harbour, Roy J Craven, Prince Pouilnac, luxury yacht, helicopter on yacht, motor boats, orange and white striped seating...
Category
1970s American Realist Maxwell Mackenzie Color Photography
Materials
Lambda
Free Shipping
H 30 in W 20 in
Winston. Super Long Taste, Manhattan
By Mitchell Funk
Located in Miami, FL
This was shot just a few blocks north of the world trade center site. In the 1970's there were still 19th century walk up buildings, including this one that hosts a cigarette Billboard Signed...
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1970s American Realist Maxwell Mackenzie Color Photography
Materials
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Patagonia 103, Travel, Iceberg, Mountain, Photography, Blue, Limited Ed., Framed
By John Conn
Located in Riverdale, NY
Patagonia 103 is a 20x30 photograph, printed on 24x36 archival paper. It is signed, numbered and framed. It is framed with a white frame to 28.5 x 39. Edition of 5.
John Conn got...
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2010s American Realist Maxwell Mackenzie Color Photography
Materials
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Pacific Heights, San Francisco by Mitchell Funk Street Photographer
By Mitchell Funk
Located in Miami, FL
Mitchell Funk is a "Street Photographer" - Literally. Painted stripes of lemon yellow lead the eye into an expanse of cerulean blue over San Francisco Bay. Signed and dated on lo...
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Early 2000s American Realist Maxwell Mackenzie Color Photography
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'Caped Skiers' , Estate Edition, Snowmass-at-Aspen, Colorado,
By Slim Aarons
Located in Los Angeles, CA
Led by skimaster Stein Eriksen, skiers 'sail' down a slope at Snowmass-at-Aspen, Colorado, circa 1967. The skiers are wearing thin capes which attach to their wrists and billow out l...
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1960s American Realist Maxwell Mackenzie Color Photography
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Lambda
Free Shipping
H 40 in W 60 in
Maxwell Mackenzie color photography for sale on 1stDibs.
Find a wide variety of authentic Maxwell Mackenzie color photography available for sale on 1stDibs. Not every interior allows for large Maxwell Mackenzie color photography, so small editions measuring 56 inches across are available. Customers who are interested in this artist might also find the work of John Conn, Deborah Eddy, and Gerard Giliberti. Maxwell Mackenzie color photography prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,800 and tops out at $2,800, while the average work can sell for $2,800.