Michael O'Keefe Figurative Paintings

After: The Young Beggar by Bartolomé Esteban Murillo (c. 1645-50) and Approaching Thunder Storm by Martin Johnson Heade (1859) The main character of this painting finds himself mired in a pond as a sizeable storm approaches, and yet – instead of standing up and removing himself from the trouble – he chooses to focus on the discomfort of his wet clothing. This child, attending to a minor nuisance rather than enacting a permanent solution, stands in as an icon of our current sociopolitical leadership – leadership which has defined our modern reality by its preference for constantly kicking the can on major issues (climate change, income inequality, various forms of discrimination, and so much more) as the rest of us are left to watch from the shore. ADAM MYSOCK was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specialized in the manufacturing of pigments. On account of a steady stream of folk tales from his mother and his father’s vividly dyed work clothes, he developed an interest in narrative and representative painting from an early age. Mysock earned a Bachelor of Fine Arts degree in Painting and Art History in 2004 from Tulane University and an MFA from Southern Illinois University at Carbondale in 2007. After his studies, Mysock taught at the university level for nearly a decade, including as a Professor of Practice at Tulane University. In 2016, he and his family moved back to Cincinnati, where he currently serves as coordinator for Manifest Drawing Center. Mysock’s work has been exhibited throughout the country and is in private collections across the US, including the 21c Museum, Beth Rudin DeWoody, Ruslan Yusupov, Thomas Coleman and Michael...

From John Singer Sargent’s Gassed, 1919 When considering the factors that are required (or at least helpful) for a lie to succeed, I constantly look to the audience. I constantly tr...

Hard Conversations by Murray Duncan, 2023 Mix media on artist board Size - 48" x 60" x 2" Unframed Murray Duncan is a self-taught creative visionary. Know for his large-scale, expre...

"Every Time I Feel the Spirit" is a collage / painting created from acrylic and collage on leather mounted on MDF panel with predominant blue. The work itse...

"Holy Trinity" Painting 90.5" x 83" inch by Vera Kochubey Medium: Oils and acrylic on canvas ATTENTION: please contact us if you want this painting to be shipped rolled to lower ...

Benjamin Weaver creates spatial tension through his use of contrasting colors arranged in a geometric framework. Imagery and color work both with and against each other to create mov...

“Burning Ember” is a captivating abstract artwork that captures the intensity of flame and heat through vivid, dynamic palettes and brushwork. The painting is characterized by bold s...

"Night Watchers" is a collage / painting created from acrylic and collage on leather mounted on MDF panel with predominant red / pink / orange. The work itself is 24" x 22", framed to 24.5" x 22.5" in a narrow, simple black metal frame. It includes several photograph of Black figures. It is signed and dated along the lower edge. This is one of a series of five works -- see image gallery for additional works in the series. Each is listed separately on IstDibs, but I will combine shipping for multiple purchases. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, PA, Oct 2021 - Mar 2022 & "And the Beat Goes On," Suzanne H. Arnold Gallery, Lebanon Valley College, Annville, PA, Sept - Oct 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

Mat Tomezko's "Price" series of mixed media collage paintings are constructed from periodicals, circulars, acrylic, asphalt, graffiti, and coal on panel. Using mostly found materials...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

This is a large, multi-piece painting (acrylic on canvas mounted on 24 separate wood panels) in a range of dark colors - black, gray (grey), raw umber -- with flowing, organic detail...