Michael Thompson Photographer Black and White Photography

Signed Ricky Powell Photo of Keith Haring and Andy Warhol: Medium: C print. 1986. Dimensions: 8x10 inches. Good overall vintage condition. Minor signs of handling. Small corner loss...

Fernando Natalici: John Waters, Baltimore 1985: Medium: Silver Gelatin print in Agfa darkroom paper. Dimensions: 11 x 14 inches. Condition: Fair overall vintage condition; scattered...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

11 x 14" vintage silver gelatin photograph of New York City Ballet dancers Peter Martins and Peter Schaufuss, 1975. Signed by Jack Mitchell on the...

Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (direct...

Fernando Natalici: John Waters, Baltimore, 1985 John Waters was born in 1946 in Baltimore, where he continues to live and work. Exhibitions include the Wex...

Leni Sinclair John Lennon & Yoko Ono photograph Detroit, 1972 Photographed by legendary Detroit photographer Leni Sinclair, 2016's Kresge Foundation's Eminent Artist of the year (See The Guardian UK Photo Section, Jan. 28, 2016). Archival Inkjet Print. 11x14 inches. Hand signed, titled & dated in ink on the lower margins Very good condition. Obtained directly from artist. Dealer is a primary representative of Leni Sinclair. About Leni Sinclair A recognized leader of the 1960s-70s counter cultural movement in Detroit and a trusted documenter of the rock n’ roll scene of that same era, Leni Sinclair is known for her vivid photographs which captured faithfully the raw drama that unfolded before her lens. But she may be best known for capturing the raucous rock n’ roll scene of that era, including photographs of such rock legends as Jimi Hendrix and Janis Joplin, and jazz icons such as Miles Davis and Sun Ra. Focusing her lens on musicians and fellow activists from nightclubs to festivals to street demonstrations, Sinclair captured a pivotal era in American history when art and politics intertwined. Some of her photos – including shots of jazz saxophonist John Coltrane and of Nigeria’s rebel music star Fela Kuti – are among the most widely known of their subjects. What seems, at first glance, to be candid scenes featuring musicians, activists, party goers and demonstrators, read together as a more powerful story: that of an American society where art and politics were inextricably intertwined. Of recent notoriety Sinclair was exhibited at Detroit’s MOCAD (Museum of Contemporary Art Detroit) as part of her first major U.S. solo museum exhibition, “Moto City Underground”. The 80-year-old artist, author and social justice organizer still lives in Detroit, where she married politically active poet and jazz critic John Sinclair...

The 'Andy Warhol American Flag' is an archival pigment black and white photographic print on paper, an exclusive photograph of the beloved pop-art icon Andy Warhol, created by Christ...

Intended for Andy Warhol Marcel Proust, ca. 1976 Acetate positive acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Derivative on acetate, based on a photo by Otto Wegener...

This work is unique. Stamped on the reverse by The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. The work comes with an Authentication Letter from the Andy Warhol Authentication Board, Inc. Provenance: Gift of the Artist to Pat Hackett to Hedges Projects...

On couch with Catherine Guinness at a party in Halston’s apartment, 1979 This work is unique and editions can never be reproduced. Stamped on the reverse by Andy Warhol Authenticat...

Abbie Hoffman photograph by Leni Sinclair Set in Ann Arbor, MI, 1969, this rare, classic image of a young Abbie Hoffman was captured by none other than,...