Mihail Chemiakin Figurative Prints

STEPPIN OUT is a hand drawn original lithograph printed using hand lithography techniques on archival Arches printmaking paper 100% acid free. STEPPIN OUT is a highly detailed drawing printed in light sepia brown ink depicting a procession of muscular stone men walking...

Artist: Andre Masson (French) Title: Surrealist Woman Year: 1970 Medium: Color lithograph Edition: Numbered 146/200 in pencil Image size: 24 x 18.5 inches Signature: Hand signed in...

Salvador Dali - The Biblia Sacra was published in 1969 by Rizzoli of Rome - SIGNATURE : printed in the image - LIMITED EDITION: 1499 - SIZE : 19 x 13 3/4" - REFERENCES : Michler an...

Salvador Dali - The Biblia Sacra was published in 1969 by Rizzoli of Rome - SIGNATURE : printed in the image - LIMITED : 1499 - SIZE : 19 x 13 3/4" - REFERENCES : Michler and Lopsi...

René Magritte - LE CHEF D'OEUVRE OU LES MYSTÈRES DE L'HORIZON, 1965 Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition number: 131/275 Size: 60 x 45 cm Condition: N...

Artist: After Marc Chagall (1897-1985) Title: Musee Municipal De Limoges Year: 1980 Medium: Lithograph exhibition poster on premium paper Size: 29.75 x 16 inches Condition: Excellent...

Artist: Salvador Dali (1904-1989) Title: Breathing Pneumatic Armchair (Michler/Löpsinger 82; Field 75-11E), Imagination & Objects of the Future Portfolio Year: 1975 Medium: Drypoint,...

From El Ultimo Viaje del Buque Fantasma suite made to illustrate the text of Gabriel Garcia Marquez. Hand signed and numbered by Wifredo Lam. Published by Polígrafa, Barcelona. From the edition of 99. Frame Size: approx 31 x 39 inches. Artwork is in excellent condition. Please note the frame has some minor scratches on the molding. No broken or missing parts. Plexi glass covering is new. Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Wifredo Lam was an Afro-Cuban artist best known for his unique Surrealist aesthetic that combined European artistic movements with the imagery of his native country. “I responded always to the presence of factors that emanated from our history and our geography, tropical flowers, and black culture,” Lam once said. In one of his most famous paintings, The Jungle (1943), these various influences are melded together, onto a single large-scale canvas. Born Wifredo Oscar de la Concepción Lam y Castilla on December 8, 1902 in Sagua la Grande, Cuba, the painter moved to Madrid, Spain in 1923 to study with Fernando Álvarez de Sotomayor, who had been the teacher of famed Surrealist Salvador Dalí. Lam moved to Paris after seeing an exhibition of Pablo Picasso’s work in Spain. Having arrived in Paris, he introduced himself to Picasso who subsequently showed Lam his collection of primitive artworks...

Artist: Salvador Dali (1904-1989) Title: Liquid Tornado Bath Tub (Michler/Löpsinger 823; Field 75-11B), Imagination & Objects of the Future Portfolio Year: 1975 Medium: Lithograph, d...

RECEIVING HAND is a hand drawn original lithograph printed using hand lithography techniques on archival Arches printmaking paper 100% acid free. RECEIVING HAND a finely detailed han...

Salvador Dali - The Biblia Sacra was published in 1969 by Rizzoli of Rome - SIGNATURE : printed in the image - LIMITED : 1499 - SIZE : 19 x 13 3/4" - RE...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...