Mitzy Renooy Portrait Paintings

Nikolai MAKAROV (Born in 1952) The Model Acrylic on canvas mounted on panel Signed lower right 130 x 90 cm 2021

"Luckily Alive" is one of the works from the "Fetishes" series that Natasha Lelenco created throughout the year 2022. The title of this artworks is taken from the song "Kak Na Vojne"...

This piece belongs to the first series of 6 large coins created by Natasha Lelenco in 2019, starting from the concept of the "face" and incorporating a floral background inspired by ...

This piece, entitled "Clock Madonna" is one of the early works from the series "Fetishes," created by Moldovan artist based in Spain, Natasha Lelenco (...

"Come Out and Play" is an original piece by Qiaira Riley made from acrylic paint on found wood. This piece measures measures 24"h x 14"w unframed. "Inspired by the changing visual landscape of my hometown of Chicago, I created these works to explore how the gentrification of the south-side disrupts intimate, private memories associated with public spaces in the name of urban "renewal," even creating commodifiable opportunities to make community memories public and profitable, yet not sacred. I was attending a suburban private liberal arts college; many classmates often seemed obsessed with fantastical, cheap narratives about my community and the folks in it that deeply contrasted the memories of love and care I had grown up with. These works remember and reclaim these spaces while showing off my favorite public treasures, sights, and delicacies. There are also odes to the sweet parts of my adolescence that I hope urban development will not shift: running around the city with my father, who has worked for the Chicago Park District for over 25 years, my mom getting me a 6 piece from Harold's Chicken whenever I got a good report card, or stopping by Zberry, the city's first black-woman owned froyo shop to get a treat after school. I moved to Philadelphia that same year with just two suitcases, my art supplies storage...

This piece belongs to the first series of 6 large coins created by Natasha Lelenco in 2019, starting from the concept of the "face" and incorporating a floral background inspired by ...

"Femme Fatale" (2021) by Gail M. Boykewich Acrylic on wood panel, figurative, magical realism, neo-folk, portrait of woman with braids, wearing a purple glove and holding a glass of pink champagne, surrounded by blooming indoor plants and freshly cut daffodils; interior setting with dark wood furniture...

This painting is one of the works from the "Fetishes" series that Natasha Lelenco created throughout the year 2022 to be featured in the international exhibition Nordart 2022 in Büde...

Acrylic painting on wood panel Inspired by the new feeling of Spring Additional information: Acrylic paint on Board 50 H x 40 W x 1 D cm (19.69 x 15.75 x 0.39 in) Sold unframed Ima...

"Spring and All" (2019) by Gail M. Boykewich Acrylic on wood panel, figurative, butterfly, daytime, skyscape, portrait, woman holding an open book, flipping through the pages, a cup ...

Old Friends 2022 Acrylic, Color pencil, on Washi (Japanese handmade paper) over wood panel. Brooklyn-based Japanese artist Masaya Nakayama creates work by wrapping wooden panels with Washi (Japanese handmade paper) followed by “drawing” with a special painter's tape. After covering the panels with a mix of acrylic, colored pencil, and gold leaf, Nakayama pulls up the tape to reveal his motif. The artist’s current body of work details his life in the USA as an immigrant on the path to citizenship. He centers on iconic images with themes representing what the artist equates with American culture through the lens of an artist of color...

"An Invasion" is a piece by Qiaira Riley made from acrylic paint and beads on found wood. This piece measures measures 24"h x 24"w unframed. "Inspired by the changing visual landscape of my hometown of Chicago, I created these works to explore how the gentrification of the south-side disrupts intimate, private memories associated with public spaces in the name of urban "renewal," even creating commodifiable opportunities to make community memories public and profitable, yet not sacred. I was attending a suburban private liberal arts college; many classmates often seemed obsessed with fantastical, cheap narratives about my community and the folks in it that deeply contrasted the memories of love and care I had grown up with. These works remember and reclaim these spaces while showing off my favorite public treasures, sights, and delicacies. There are also odes to the sweet parts of my adolescence that I hope urban development will not shift: running around the city with my father, who has worked for the Chicago Park District for over 25 years, my mom getting me a 6 piece from Harold's Chicken whenever I got a good report card, or stopping by Zberry, the city's first black-woman owned froyo shop to get a treat after school. I moved to Philadelphia that same year with just two suitcases, my art supplies storage...