MOMA Museum New York Wall Decorations

Diego Rivera: Murals for The Museum of Modern Art by Leah Dickerman and Anna Indych-Lopez. The Museum of Modern Art, New York, 2011. 1st Ed hardcover with no dust jacket as published. From the personal library of Herbert Kasper. Herbert Kasper was an American fashion designer known as "Kasper." He studied English and advertising at New York University and fashion at The Parsons School of Design in New York from 1951–53 and l'Ecole de la Chambre Syndicale de la Couture Parisienne in 1953. He left NYU to serve in the US Army in Europe. After WW II he enrolled at Parsons, where he became a protégé of milliner Fred Frederics. After graduating, he returned to Paris for two years developing his skills in design while working for Jacques Fath, Christian Dior, and Marcel Rochas. When he returned to the US, he worked for Frederics at Mr. John. He was an avid art collector with a famous art collection, and in 2011, the Morgan Library and Museum devoted an exhibition, called “Mannerism and Modernism: The Kasper Collection of Drawings and Photographs,” to the designer. In 1931, Diego Rivera was the subject of The Museum of Modern Art's second monographic exhibition, which set new attendance records in its five-week run. The Museum brought Rivera to New York six weeks before the show's opening and gave him on-site studio space. There he produced five “portable murals” --large blocks of frescoed plaster...

MOMA New York, 1983. 34.25" x 24.25", framed. Uncommon poster featuring the artwork of Man Ray ( (Emmanuel Radnitzky) on the poster with his work "Admiration of the Orchestrelle for the Cinematograph", 1919 reproduced for this poster for the exhibition "The Modern Drawing: 100 Works on Paper from The Museum of Modern Art" that ran from 26 October 1983...

Andy Warhol A Retrospective hard-cover coffee table book, 1989 This is a Collectible book, an '80s Late-20th century 'Andy Warhol A Retros...

The “objects” of American artist Man Ray’s affection were small, limited-edition sculptures. Although influenced by French artist Marcel Duchamp, Ray eschewed the Duchampian term readymade, preferring a lyrical title based on a popular song, “The object of my affection is to change your complexion from white to rosy red” (Rosalind Krauss...