Nana Spears and Noah Spencer Sculptures

This elegant pair of table lamps were hand blown in Murano, Italy- the island off the coast of Venice renowned for centuries for its superlative glass production. They feature tapere...

Handblown Murano glass candelabra, multicolored, circa 1940, Baroque style, five-arm candelabra with multicolored applied decoration, materials...

Pair of enormous Doria hand blown glass sphere on brass base lamps, Germany, circa 1970. This exceptional artefact of modern design reflects the extreme interest in modernism across ...

Ceramic and glass table lamp sculpture. France, circa 1900.

Four Doria hand blown glass bubbled tubes on a chrome base. Manufactured by Doria Leuchten Germany, circa 1970. This exceptional artefact of modern design reflects the extreme intere...

Pair of Elegant, Large, Italian Mid-Century Style Hand Blown Clear and Gold Murano / Venetian Glass Table Lamps in the Modern Neoclassical Style. The pieces are in the spirit of the ...

Incredible handcrafted and mouth-blown glass table fountain and light fixture. This rare Murano glass table fountain is a spectacular fusion of sculpture, light, and water — a true ...

the French made cased-glass bodies of graduated triple-gourd form resting on brass bases; in a deep teal color accentuated by the cased-glass process of fusing together multiple laye...

Large, elegant, Mid-century era hand-blown semi-clear Murano glass table lamp with gold flecks throughout the glass work in the style of Barovier and Toso. This lamp features a large...

The Champion is made of handblown glass. The shade is an opal or clear sandblasted glass. The base is a black or sandblasted black glass. The lamp has a candelabra 60 w socket, a bla...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights...

Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights and a fountain that feature glass as the main material. The rest of her work is informed by a similarly sophisticated playfulness, as evident in the charming forms she creates — she has designed doughnut-shaped rugs, the multifunctional resin Candy Cube side tables...