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Natasha Lelenco Still-life Paintings

Spanish, Moldovan, b. 1982

Natasha Lelenco, born in Chișinău, Moldova in 1982, is a prominent Moldovan painter and contemporary artist who has been residing in Galicia, Spain, since 2008. She is especially known for her figurative work, particularly in the realm of portraiture. Holding a degree in Fine Arts from the University of Cluj-Napoca in Romania, her art has been featured in numerous international exhibitions and art fairs. Natasha Lelenco's art has been showcased across exhibitions in Spain, Germany, Denmark, Portugal, Mexico, and beyond. Natasha Lelenco's approach is figurative, primarily centered on the human form, which she understands as an integral part of life rather than its core. Her themes encompass identity, self-awareness, and the role of chance in shaping the value of things and life itself. Her artistic journey has given rise to self-contained series where narrative and format harmonize, often springing from a playful interplay of repetition, color juxtapositions, deformations in pursuit of psychological realism, and a selective use of elements and resources available in her studio. A recurring motif in her work is the creation of panels, which, through repetitive use of representations, weave a narrative. The visual motif of repetition, especially in the portrayal of faces, represents a graphic fixation that captures a world characterized by seriality. To depict this, she frequently draws inspiration from popular art, advertising, and kitsch. The resulting imagery often strikes a tragicomic chord. She finds solace in project-based work, and virtually all her endeavors since dedicating herself professionally to artistic creation revolve around narratives materializing in pieces that often seek to function both collectively and independently.

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Artist: Natasha Lelenco
Biophilia Green. Sculptural Painting on Natural Cork Tondo. Leafy Emoticon Art
By Natasha Lelenco
Located in FISTERRA, ES
This sculptural wall piece, crafted from reclaimed cork oak wood and hand-painted with acrylic, features a vibrant composition of lush green foliage forming a smiling face. The organ...
Category

2010s Pop Art Natasha Lelenco Still-life Paintings

Materials

Spray Paint, Acrylic, Wood

Sorrowful Emoticon – Original Hand-Painted Organic Wall Sculpture with Foliage
By Natasha Lelenco
Located in FISTERRA, ES
This unique wall sculpture blends organic materials with hand-painted details, presenting a melancholic expression formed by meticulously arranged green foliage. Crafted from reclaim...
Category

2010s Pop Art Natasha Lelenco Still-life Paintings

Materials

Acrylic, Wood, Spray Paint

Lucky Green – Smiling Botanical Wall Sculpture in Reclaimed Cork Oak Wood
By Natasha Lelenco
Located in FISTERRA, ES
This handcrafted wall sculpture, made from reclaimed cork oak wood, features a radiant smile composed of meticulously arranged clovers and foliage. The interplay of deep greens with ...
Category

2010s Pop Art Natasha Lelenco Still-life Paintings

Materials

Spray Paint, Acrylic, Wood

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21st Century and Contemporary Pop Art Natasha Lelenco Still-life Paintings

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Paper, Mixed Media, Spray Paint, Acrylic

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21st Century and Contemporary Pop Art Natasha Lelenco Still-life Paintings

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21st Century and Contemporary Pop Art Natasha Lelenco Still-life Paintings

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Located in New York, NY
Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...
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21st Century and Contemporary Pop Art Natasha Lelenco Still-life Paintings

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Paper, Mixed Media, Spray Paint, Acrylic

Autobody, Torrance - Original Vibrant Colorful Urban Still Life Blue Sky Artwork
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Paper, Mixed Media, Spray Paint, Acrylic

1970s Large Wood, Copper Inlay Sculpture Wall Relief Tropical Flowers Motif
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Helen Weber Large wall hanging wood and metal sculptural relief in a tropical Hawaiian or Polynesian motif with tropical flowers. "Art belongs everywhere from cruise ships to churches" This has been the mantra of Helen Webber since she began her career in the 1970’s creating hundreds of art works for public spaces throughout the United states and abroad. It was her strongly held belief that art can touch the spirit of many more people than those whose art experiences are limited to the halls and walls of museums and galleries. Her bold and richly hued art works executed in a wide variety of media, such as tapestry, glass, metal wood and clay have been installed in universities, corporations, medical facilities, cruise ships, hotels, religious spaces, community and civic centers and even in a train station. Over the years many architects and interior designers have collaborated with Helen Webber finding that her work enhanced their designed environments, giving her the opportunity to create art for well known corporations as well as multitudes of residences. It is the tapestries that she is best known for, and it is this medium that dominates the largest body of her work, which was first introduced to the design world in the mid 1970's. The tapestries utilize a fabric collage technique combining an array of designer upholstery fabrics such as velvets, brocades, worsteds, jacquards, mohair, hand woven woolens, among many others. Yarns of all kinds are integrated into the tapestries surrounding the edges of each fabric piece. Some clients, who saw that Webber’s particular art style could be expressed in a variety of media, offered her commissions in stained and etched glass, wood collage, sculpted tile...
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1970s American Modern Natasha Lelenco Still-life Paintings

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Copper

Natasha Lelenco still-life paintings for sale on 1stDibs.

Find a wide variety of authentic Natasha Lelenco still-life paintings available for sale on 1stDibs. You can also browse by medium to find art by Natasha Lelenco in acrylic paint, paint, spray paint and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Natasha Lelenco still-life paintings, so small editions measuring 26 inches across are available. Natasha Lelenco still-life paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,357 and tops out at $4,522, while the average work can sell for $1,357.

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