Oliver Gagliani Art

A hand printed silver gelatin photograph by the artist. Print Date 2003 Edition #12 Matted 18x22"

Silver print. Overall sheet dimension is 16" x20". Signed by Siskind in pencil, and with the title and negative date in pencil on back of print. 1949 (Printed in 1980s).

This vintage silver gelatin print is signed in pencil on the front of the mount. This rare exhibition print in glossy paper (later prints of this image from Portfolio II were made on...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

His famous series that mimicked the abstract expressionist painters movement - but in photography. A great image and a striking work for any sophisticated or rustic environment. Ima...

Original Edward Weston! Framed in black. Initialed in pencil on lower right of dry mounted photograph. Dated 1940 in pencil. Excellent Condition.

A stunning dune by famous Brett Weston. It's most probable that it was taken in Oceano California with a large format camera. Exceptional printed black and white silver gelatin phot...

Hand printed photograph. Print Date 2013 Anne Larsen worked as a successful photographer for one of the largest commercial studios in Copenhagen, Denmark. In 1994 she moved to the United States to pursue a career in fine-art photography. Anne’s intimate still life images and delicate photographs of the natural environment, all made with a 4x5" view camera or medium format camera; share a common luminosity and elegance. Anne Larson hand made silver gelatin prints are distinguished by their impeccable execution and tonal subtlety. Anne has assisted and taught on workshops instructed by James Baker, Morley Baer, Ruth Bernhard, Charles Cramer, Philip Hyde, Ray McSavaney, and John Sexton. Her prints are in numerous private and public collections in North America and Europe. Her images have been included in exhibitions at the Susan Spiritus...

A stunning example of Brett Weston's eye for the abstract. Mint Condition. Over matted Signed in pencil lower right. Titled on verso by artist.

Gelatin Silver Print, signed, titled, and dated on verso in pencil. Great Condition. Matted to 16x20"

Printed by artist. Signed and dated in lower right. Matted. Amazing powerful photograph by an incredible artist.

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...