Palmer Schoppe Figurative Paintings
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Artist: Palmer Schoppe
'Woman Bathing', Chouinard, Yale, ASL, Los Angeles County Museum of Art, GGIE
By Palmer Schoppe
Located in Santa Cruz, CA
Signed lower right, 'Palmer Schoppe' (American, 1912-2001) and dated 1966.
Displayed in a gilt frame with a water-gilded, silver-gilt liner.
Framed dimensions: 27 H x 1.25 D x 23 W inches.
Born in Utah, Palmer Schoppe moved with his family to southern California in 1920 and settled in Santa Monica. Artistically inclined and precocious, he began painting as a child. After graduating from UCLA, he spent a year in the Merchant Marines before attending Yale School of Fine Arts and the Art Students League in New York. At the ASL, he was initially drawn to the paintings of Jean Charlot and Thomas Hart Benton but grew increasingly frustrated with their insistence on rigid compositional principles. His native artistic talents prevailed over his lack of formal training, however, and he was promptly employed by both the Chouinard Institute and Walt Disney Studios as a drawing instructor. During this pre-war period, he exhibited with success including at the Golden Gate International Exposition (1939) and with the California Watercolor Society.
Outside of his teaching responsibilities, he worked on his personal artistic endeavors and. like many artists of the time, focused primarily on figurative subject matter. Schoppe's early travels in the low country of South Carolina; Harlem, New York and Los Angeles informed his work as he sought to capture the regional life of manual laborers, musicians, circus performers, sun bathers and surfers. Schoppe once stated that, "It seems fairly certain that my work is not 'art about art', but art that is a reaction to a given stimulus. These are 'subject' pictures in that they are definitely in response to a certain place, type of people, cultures and customs".
Following his service in World War II, Schoppe returned to teaching at the Art Center College of Design in Pasadena, CA. He became increasingly disillusioned by the changing focus of the art world in the 1950s, when "the' drip' , the' blot', and the' isms' had taken over". He stated that, "it was difficult for the figurative painter to exhibit and I retired from the scene." However, a new artistic outlet presented itself when Schoppe began working as a muralist and architectural sculptor for the architect Aurthur Froelich, who designed race tracks and club houses around the country. This led to a proliferation of mural projects ranging from restaurants to scores of hotels and casinos, such as the Aladdin Hotel, Las Vegas; Circus-Circus, Las Vegas; the Queen Mary ship...
Category
1960s Palmer Schoppe Figurative Paintings
Materials
Canvas, Oil
Mardi Gras: Commedia Dell'Arte
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Presenting a lifetime masterpiece painting by American artist Palmer Schoppe (1912-2001.)
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1980s Realist Palmer Schoppe Figurative Paintings
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“Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014
“Master Class” What’z Up Magazine, Fort Wayne, 2011
”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011
“Illuminated Images” Fort Wayne Reader, 2011
“Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010
“Art and Calamity” Art Papers, 2009
“Versions of the Present, Techniques of the Past” American Artist Magazine, 2004
“Living Artists” Crow Book Publishing, Chicago, IL 2004
“The New Master” by Craig Keller, Chicago Social Magazine, 2004.
“Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002
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Previously Available Items
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Palmer Schoppe was born on April 2, 1912 to parents who managed his grandfather's orchards and alfalfa fields in Woods Cross, Utah. He was praised early on for his natural artistic aptitude and determined to pursue the career of an artist. Encouraged by his parents to obtain an academic degree he attended UCLA and Yale for a period of time before enrolling at the Art Student's League of New York. He was compelled by the paintings of Jean Charlot, an artist and instructor at the League, but soon grew disillusioned by the strict compositional theories of instructors Charlot and Thomas Hart Benton. However, Schoppe's artistic talents prevailed over his lack of formal training and he was hired by the Chouinard Institute and Walt Disney Studios in the 1930s as a drawing instructor.
Outside of teaching, he worked on his personal artistic endeavors and like many artists of the time focused on figurative subject matter. Schoppe's early travels in the low country of South Carolina; Harlem, New York and Los Angeles, California informed his paintings as he captured the regional life of manual laborers, musicians, circus performers, sun bathers and surfers. Schoppe once stated that, "It seems fairly certain that my work is not 'art about art', but art that is a reaction to a given stimulus. These are 'subject' pictures in that they are definitely in response to a certain place, type of people, cultures and customs".
Following a period of service in World War II, Palmer Schoppe returned to teaching at the Art Center College of Design in Pasadena, CA. He became increasingly disillusioned by the changing focus of the art world in the 1950s, when "the' drip' , the' blot', and the' isms' had taken over". He stated that, "it was difficult for the figurative painter to exhibit and I retired from the scene." However, a new artistic outlet presented itself when Schoppe began working as a muralist and architectural sculptor for the architect Aurthur Froelich, who designed race tracks and club houses around the country. This led to a proliferation of mural projects ranging from restaurants to scores of hotels and casinos, such as the Aladdin Hotel, Las Vegas; Circus-Circus, Las Vegas; the Queen Mary ship...
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Schoppe was born in Woods Cross, Utah on April 2, 1912, Palmer Schoppe moved with his family to southern California in 1920 and settled in Santa Monica.
Artistically inclined, he began painting when quite young. He was educated at UCLA and, following one year in the Merchant Marines, he attended Yale School of Fine Arts and the ASL in NYC.
After returning to Los Angeles in 1934, he produced lithographs and abstract watercolors of the black people of South Carolina's low country and jazz musicians. Schoppe taught at the Disney Studio Training School (1934-37), Chouinard Art Institute (1935-42), Art Center School (1945-53), and USC Film Dept (1954-76).
Palmer Schoppe was one of the group of artists who participated in the cultural flowering of the 1920s through 1940 that is called the Charleston Renaissance. In his choice of subjects and of media (lithographs and paintings) Schoppe contributed to a nationwide interest in Lowcountry life and culture.
Schoppe visited Charleston and nearby sea islands in 1934. He was an acquaintance of Dubose Heyward, Alfred Hutty...
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Palmer Schoppe figurative paintings for sale on 1stDibs.
Find a wide variety of authentic Palmer Schoppe figurative paintings available for sale on 1stDibs. You can also browse by medium to find art by Palmer Schoppe in oil paint, paint and more. Not every interior allows for large Palmer Schoppe figurative paintings, so small editions measuring 50 inches across are available. Customers who are interested in this artist might also find the work of Catherine Koenig, Tom Perkinson, and Addison Thomas Millar. Palmer Schoppe figurative paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $25,000 and tops out at $25,000, while the average work can sell for $25,000.