Paolo Rizzatto Credenzas

Paolo Buffa (1903-1970) architect, designer Paolo Buffa was the son of artist Giovanni Buffa, long-considered a modern innovator of early 20th century applied arts. The elder Buffa was renowned for his studio works in stained glass, often collaborating with Eugenio Quarti and other important architects. After graduating in 1927 from Politecnico di Milano, Paolo began training in the studio of Gio Ponti and Emilio Lancia. The following year he opened his own studio with the architect Cassi Ramelli, designing private villas and residential buildings with a strong focus on fine furniture done in the neoclassical style of the Milanese School and its luminaries: Ponti, Lancia, Buzzi, Marellin, and Albini. His designs (which included lighting and textiles) were characterized by perfect execution, for homes of the wealthy middle class with a taste for modern design, that blended functionality and comfort with quality materials. His pieces were primarily executed by the highly skilled artisans of the Mario Quarti studio in Milan, by Serafino Arrighi, and later by the Angelo Marelli workshop. In 1930 Buffa and Cassi Remelli participated in The International Exhibition of Decorative Arts,which would later become the Triennale di Milano. At this time he also began his first collaboration with Gio Ponti's Domus magazine, to which he would contribute many writings in the years to follow. The 1933 Triennale, "Mostra dell Arredamento," presented a solo exhibition on Buffa, as well as a group show that featured his textile designs alongside works by Buzzi, Albini, and Pollini in the display hall of the government institution National Crafts and Small Industries (ENAPI). By the time of his participation in the 1936 VI Triennale, Buffa was considered one of the elite arbiters of modern taste and style. The painter Roberto Aloi, director of “L’Arredamento Modern” (the Hoepli periodic review of modern design) dedicated more space to Buffa in his publication than to any other Italian architect in future editions. 1940 saw an intense collaboration with the acclaimed Mario Quarti furniture studio in Milan, in which Buffa created the furnishings for the Royal Palace of King Zog, in Tirana, Albania. In 1945 Ico Parisi organized the exhibition "Prima Mostra dell Arredamento" in Como. Together he and Buffa designed 12 environments, displayed as real rooms in a home. The following year the show travelled to Milan as “Mostra Mercato per la Reconstruzione” (Exhibition of Reconstruction). In addition to Buffa and Parisi, among the participants were Cassi Ramelli, Gio Ponti, and Guillermo Ulrich, all working under an objective to foster a profound collaboration between architect and expert craftsman. In 1947 Buffa was invited by esteemed textile designer Fede Cheti to participate in the exhibition “Lo Stile nell Arredamento Moderno” (The Style of Modern Furniture), celebrating the rebirth of quality execution and technical perfection in the reinvention of classic Italian furniture...

A journey through the ancient history of earth, to search the origin of earth’s surface creation. Most of the oceanic crust is made up of an incredibly resistant volcanic rock: basalt. This rock is generated by the rapid cooling of the lava flows, basalt is often visible in its columnar conformation, examples are visible all over the world, spectacular formations with an artificial appearance. Basalto is a collection of containers inspired by the sculptural ability of nature itself, it consists of two monolithic cabinets...

Named after the Japanese word for wave, the Nami Collection showcases bronzework in the form of swelling surf. The two-door cabinet’s richly textured, push-to-open fronts were cast u...

The Kuro cabinet’s character and personality are the aftereffects of highly developed applications of industrial design materials into the surface design of this piece, making it an ...

A journey through the ancient history of earth, to search the origin of earth’s surface creation. Most of the oceanic crust is made up of an incredibly resistant volcanic rock: basalt. This rock is generated by the rapid cooling of the lava flows, basalt is often visible in its columnar conformation, examples are visible all over the world, spectacular formations with an artificial appearance. Basalto is a collection of containers inspired by the sculptural ability of nature itself, it consists of two monolithic cabinets...

Booleanos Tv Cabinet, Media Unit, Credenza in Warm Wood Veneer by Joel Escalona Booleanos collection reflects the concept of involuntary interactions and unexpected intersections.  ...

Bongó Bar Cabinet, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection...

The Kuro cabinet’s character and personality are the aftereffects of highly developed applications of industrial design materials into the surface design of this piece, making it an ...

Paolo Buffa (1903-1970) architect, designer Paolo Buffa was the son of artist Giovanni Buffa, long-considered a modern innovator of early 20th centu...

A George III style antiqued wood side cabinet, with two frieze drawers over two parquetry cabinet doors enclosing an adjustable shelf on a molded bas...

Lacquer, wood and metal offer personalized combinations in this versatile storage cabinet. Multi-layer lacquer finish covers the six doors and sides as well as the complete interior space, while hand-applied walnut finish on the top and base detail provides the perfect complement. Each set of doors is punctuated with a full height bronze pull hardware. Choose your combination of finishes from Dove, Midnight, Plum, Royal, White Bronze or Sable lacquers and Anthracite, Dark Cocoa, Dark Cocoa Ceruse, Mocha Ceruse, Noir or Umber walnut finishes. Brushed, Oiled or Dark bronze finishes for the metal door pulls...

This cabinet was specifically designed for the living room of Mr. Frilet, one of Leleu’s most important clients. This cabinet is recorded in Maison Leleu’s Livre des Cre´ations under: 5457 Grand Meuble - Salon de Mr Frilet in 1961. It is also mentioned in the document: Statement Lacquer Cabinets 03 -28-1962 Sm res, dated March 28...