Paul Barces Art

A pop piece depicting Superman juxtaposed with Campbells Tomato Soup. With impasto painting, thrown paint and quick brushwork we are drawn to the movement, as the artist is able to e...

A pop piece depicting Muhammed Ali with Chanel. With impasto painting, and quick brushwork we are drawn to the movement, as the artist is able to engage his viewer with contrasting h...

A pop piece depicting Mickey Mouse juxtaposed with 100 Dollar Bills. With impasto painting, thrown paint and quick brushwork we are drawn to the movem...

A pop piece depicting Basquiat with Bazooka Gum. With impasto painting and silkscreening we are drawn to the movement, as the artist is able to engage his viewer with contrasting hig...

This piece depicts an anonymous portrait of a beautiful woman. Inspired by the every day, JM Robert strives to create paintings that mimic the flash of a beautiful face seen in an in...

"Benday Sophia 1" pays tribute to those paintings that became the trademark of Ceravolo's unique and trend setting style of painting. His work is collected worldwide and is in many important collections including, Sir Elton John, Rod Stewart, Hugh Hefner and Prince Jefri of Brunei to name only a few. In addition to those, his paintings came to popular attention when he was commissioned to create 5 large scale paintings for the lobby of The Palladium Theatre in New York City. In this painting, Ceravolo has featured an image of his pop art painting of Sophia Loren, and combined it with a pattern of benday dots to create the basis of "Benday Sophia 1". He then paints his trademark brush strokes and textures on the canvas over the pop art portrait. Then, he paints the "floating" illusion that creates the 3d floating effect he is known for. The Canvas measures 36x28".

This piece depicts an anonymous portrait of a rock star. Inspired by the every day, JM Robert strives to create paintings that mimic the flash of a beautiful face seen in an instant ...

This piece depicts an anonymous portrait of a beautiful woman. Inspired by the every day, JM Robert strives to create paintings that mimic the flash of a beautiful face seen in an in...

This brilliant original oil and acrylic painting on canvas measures 30x64" and is painted in Ceravolo's classic Urban Pop style. Ceravolo's Large scale paintings have received in...

"Selbstportrait Und Der Sonne" This work is part of a series of alligator paintings Brock made in 2007. All are painted in a somewhat similar and brash style, and are based on an incredibly vivid dream of an albino alligator with sunglasses. There were about ten in the series. Most were traded away to other artists, though one larger one was purchased from a gallery exhibition with the now defunct Buia Gallery in 2008. Kadar Brock (born May 28, 1980) is a casualist artist. He graduated in 2002 with a BFA from Cooper Union School of Art in New York City. He lives and works in Brooklyn, New York. Brock’s work has been reviewed in The New York Times, The Village Voice, Artforum, Bomb Magazine, The Brooklyn Rail, Interview Magazine, White Hot Magazine and Dazed and Confused, W Magazine, Bloomberg News, and Cultured Magazine. Brock first creates relatively conventional large abstract paintings, which one commentator describes as "happy". These are then "negated and disenchanted" by a long process including adding layers, scraping, puncturing, and slicing. The results of this process are what Brock exhibits. He also incorporates fragments of such canvasses into the surfaces of other works. W Magazine wrote that Brock was "... best known for his unorthodox approach to abstract painting, in which he creates frenetic, gestural images and then renders them unrecognizable with the help of a razor blade and a power sander." Marina Cashdan wrote: "His studio is an ecosystem—and an efficient one—in which the artist’s methodical and ritualistic process makes for a consistent upcycling of materials across the space: when he spray-paints, he uses a canvas as the drop cloth; that canvas becomes the start of a painting; and that painting has two fates: one sliding door is going under the razor and the industrial sander, before being coated with layers of pigments and primed, sanded, and primed, a process repeated until the desired effect is reached; the other fate is to be martyred into chips or dust." Stephan Cox, in Hunted Projects: In Dialogue wrote: "What’s fascinating is that Brock’s works are the product of an artist who aims to demystify the gesture in painting through creating rituals that in effect eradicate the didactic artist-viewer scenario. Brock doesn’t aim to create works that are easily read as being a by-product of an artist’s expression; Brock has created a set of rituals, a rolling of dice, where he, in effect has his actions directed for him. This could be through the number of brush strokes to apply or the number of cuts to make, in all, his intuitive approach to painting is not present or discernible to the viewer." In Kadar Brock’s large-scale abstract paintings, a discordant combination of techniques, styles, and colors comes together in clashing tension. By turns described as a post-graffiti and “casualist” artist, Brock riffs on the history of abstraction, employing old tropes and marshalling simple patterns and crude geometric forms into his works, while also inviting an element of chance to determine his markings. He has explored the loose, gestural, and expressive idea of abstraction in the works of German painters like Albert Oehlen and Gerhard Richter, and He has been known to roll a Dungeons & Dragons dice to dictate marks in his paintings according to the die’s symbols and numbers. In repetitive compositions, Brock allows accidents in their production (such as heavy downward paint drips) to differentiate. In 2013, Brock had his breakout solo show in New York, at The Hole, entitled “dredge.” The entire main gallery space was filled with new paintings. The show very quickly sold out. He has exhibited at galleries internationally, with solo shows at Vigo Gallery...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

Series: Abstract Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that ...