Paul Laszlo
The suave architect and interior designer Paul Laszlo made his reputation in Hollywood, where his clients included Barbara Stanwyck, Cary Grant and Elizabeth Taylor. He was aligned to no artistic or design movements, relying on his own carefully honed instincts. From the late 1930s to the 1960s, Laszlo’s name was a byword for sumptuous modernity among members of the smart set.
Born in Hungary in 1900, Laszlo learned about quality from his father, a prosperous furniture manufacturer. He studied design in Vienna and had his technical training in Stuttgart, Germany, where, at age 27, he established an upscale design business that gained an international reputation. Nine years later, with the Nazis in power, Laszlo, a Jew, left Germany for the United States and made his way to Los Angeles. There, he established an interior design office in Beverly Hills and was pleased to find that his Stuttgart credentials carried weight.
While he took many commercial assignments for American department stores, custom residential work was Laszlo’s stock in trade. He turned his hand to every element in a room, “down to the last ashtray,” Time magazine once wrote. Like his clients, Laszlo appreciated luxury — not the luxury of rare and precious materials, but the luxury of rich colors and textures, and deep comforts. He had a contemporary élan, exemplified by spaces that were bright, airy, uncluttered and up-to-date. The classic earmarks of Laszlo’s furnishings are generous proportions and, in the case of his Paddle and Plank armchairs, namesake armrests that are flat and wide, the perfect spot to rest a cocktail. His case goods, tables and dining chairs have clean, elegant lines; they are simply formed yet warm, with interesting details such as woven veneer door fronts.
In recent years, Laszlo’s designs have found a new audience among fans of his easygoing modernism. Prices are in the neighborhood of $5,000 for his vintage cabinets, and from $8,000 to upwards of $20,000 for seating pieces, which are generally found in pairs or groups of six or more.
As you will see on 1stDibs, there was a reason that Laszlo’s work was so admired in the mid-20th century: every design contributes to an environment that is comfortable and elegant — at once robust and relaxed.
1950s American Mid-Century Modern Vintage Paul Laszlo
Fabric, Oak
1940s American Mid-Century Modern Vintage Paul Laszlo
Upholstery, Maple
1950s American Mid-Century Modern Vintage Paul Laszlo
Aluminum
1950s American Vintage Paul Laszlo
Rattan
1950s American Mid-Century Modern Vintage Paul Laszlo
Wood, Maple
1950s American Mid-Century Modern Vintage Paul Laszlo
Mahogany
20th Century American Mid-Century Modern Paul Laszlo
Wood
20th Century American Mid-Century Modern Paul Laszlo
Wood
20th Century American Mid-Century Modern Paul Laszlo
Wood
20th Century American Mid-Century Modern Paul Laszlo
Mahogany, Cork, Wood
20th Century American Mid-Century Modern Paul Laszlo
Wood
20th Century American Mid-Century Modern Paul Laszlo
Wood, Resin
1950s American Mid-Century Modern Vintage Paul Laszlo
Rattan, Mahogany
1950s American Mid-Century Modern Vintage Paul Laszlo
Rattan, Mahogany
1950s American Mid-Century Modern Vintage Paul Laszlo
Mahogany
1950s American Mid-Century Modern Vintage Paul Laszlo
Mahogany
1950s Italian Modern Vintage Paul Laszlo
Aluminum
1950s American Mid-Century Modern Vintage Paul Laszlo
Wood, Mahogany, Walnut
Mid-20th Century American Mid-Century Modern Paul Laszlo
Wood
1950s American Vintage Paul Laszlo
Rattan
1950s American Mid-Century Modern Vintage Paul Laszlo
Rattan, Mahogany
1950s American Mid-Century Modern Vintage Paul Laszlo
Walnut
1950s American Mid-Century Modern Vintage Paul Laszlo
Metal
1950s American Mid-Century Modern Vintage Paul Laszlo
Wood
Mid-20th Century American Mid-Century Modern Paul Laszlo
Upholstery, Wood
1950s American Mid-Century Modern Vintage Paul Laszlo
Fabric, Cherry
1950s American Mid-Century Modern Vintage Paul Laszlo
Wood
1940s American Hollywood Regency Vintage Paul Laszlo
Bouclé, Upholstery
1950s American Mid-Century Modern Vintage Paul Laszlo
Leather, Wood
1950s American Mid-Century Modern Vintage Paul Laszlo
Cane, Mahogany
1940s American Mid-Century Modern Vintage Paul Laszlo
Upholstery, Wood
1950s American Mid-Century Modern Vintage Paul Laszlo
Oak
1970s Vintage Paul Laszlo
Wood
1950s American Mid-Century Modern Vintage Paul Laszlo
Mahogany
1950s American Mid-Century Modern Vintage Paul Laszlo
Mirror, Wood, Walnut
1950s American Mid-Century Modern Vintage Paul Laszlo
Brass
Mid-20th Century American Mid-Century Modern Paul Laszlo
Mahogany
1950s American Mid-Century Modern Vintage Paul Laszlo
Wood, Leather
1950s American Mid-Century Modern Vintage Paul Laszlo
Metal, Brass
1950s French Mid-Century Modern Vintage Paul Laszlo
Glass, Mahogany
1980s American Modern Vintage Paul Laszlo
Chrome
1950s American Mid-Century Modern Vintage Paul Laszlo
Lucite
1950s American Mid-Century Modern Vintage Paul Laszlo
Leather, Oak
Early 20th Century American Mid-Century Modern Paul Laszlo
Brass
1940s American Mid-Century Modern Vintage Paul Laszlo
Wire
1950s American Mid-Century Modern Vintage Paul Laszlo
Mahogany
Mid-20th Century American Mid-Century Modern Paul Laszlo
Wrought Iron
1950s American Mid-Century Modern Vintage Paul Laszlo
Mahogany
1950s American Mid-Century Modern Vintage Paul Laszlo
20th Century American Mid-Century Modern Paul Laszlo
Mahogany
Mid-20th Century American Mid-Century Modern Paul Laszlo
Metal
1950s American Mid-Century Modern Vintage Paul Laszlo
Oak
1950s American Mid-Century Modern Vintage Paul Laszlo
1930s Mid-Century Modern Vintage Paul Laszlo
1950s American Mid-Century Modern Vintage Paul Laszlo
Metal
1950s American Mid-Century Modern Vintage Paul Laszlo
Mahogany, Lacquer
1950s American Modern Vintage Paul Laszlo
Laminate, Birch
1970s American Modern Vintage Paul Laszlo
Chrome
1950s American Mid-Century Modern Vintage Paul Laszlo
Wood
1970s American Modern Vintage Paul Laszlo
Nickel