Paul Leon Jazet More Prints

This artwork titled "Zia" State II, 1979 Is an original colors lithograph on Buff Arches paper by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is signed, dated and number...

Original vintage French poster: Mi Careme de Nantes carnaval poster. Printer: Jagueneau - Nantes, France. Over 50 years old, Linen ...

Hommage à San Lazzaro is a lithograph realized by Marc Chagall for the Art Revew "XXème Siècle". This original print (not signed and not numbered) comes from the portfolio Hommage à...

'Robert Macaire Dentiste' Lithograph by Honore Daumier after Charles Philipon. 1837. Plate 57 from the Robert Macaire 'Caricaturana' series. Translation of the French text below th...

A mid-century, stone lithograph titled 'Angel and Harmony' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification o...

Original Lithograph by Jean Cocteau Title: Woman Portrait Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumbered as issued

Original vintage 1933 poster: Graphin. The silhouette of the man is sitting on a casket of wine with a big bottle of wine resting on the ground in front ...

Original stone lithograph poster: Droit D' Ainesse (The Birthright) Opera. Early stone lithograph that is archival linen backed and ready to frame. Not mint; but in very good condition. A girl this old is allowed to show her age. Original linen-backed early 1880's vintage opera poster...

Vintage Soviet Government propaganda lithographic poster titled with Ukrainian text that reads “Corrupt Petliura has sold Ukraine to the Polish landowners. Landowners burned and plundered Ukraine. Death to landowners and Petlyurovites.” Originally issued April 1920 following the Treaty of Warsaw (also the Polish-Ukrainian Agreement). The agreement was a military-economical alliance between the Second Polish Republic, represented by Jozef Pilsudski, and the Ukrainian People’s Republic, represented by Symon Petliura, against Bolshevik Russia. The artwork features Jozef Pilsudski running away with a sack of goods. Good condition. Artist unknown. The Bolshevik Era (1917-1921) was a life and death struggle for the Bolsheviks and their ideology. The propaganda poster...

This witty lithograph is by the 19th Century French satirist Honoré Daumier. The print portrays a pair of lawyers, both dressed for court, one lawyer furtively speaking to the other....

Three hand-coloured lithographs from: Fanny Parks (1794-1875) Wanderings of a Pilgrim, in search of The Picturesque, During four and twenty years in the East with, Revelations of L...

Ballads Galerie Alexandre Iolas Poster by William N. Copley (CPLY) New-York, Geneve, Milan, Paris 196, Boulevard Saint-Germain William Nelson Copley (January 24, 1919 – May 7, 1996) also known as CPLY, was an American painter, writer, gallerist, collector, patron, publisher and art entrepreneur. His works as an artist have been classified as late Surrealist and precursory to Pop Art. William N. Copley was born in New York City in 1919 to parents John and Flora Lodwell; they died shortly after in the 1919 Spanish Flu epidemic. Copley was adopted in 1921 by Ira C. Copley, the owner of sixteen newspaper companies in Chicago and San Diego. Copley was ten years old whereby the family moved to Coronado Island, California. Copley was sent to Phillips Andover and then Yale University by his adopted parents. He was drafted in the Second World War in the middle of his education at Yale, a decision negotiated by the school and the army. Copley experimented with politics upon returning home from the war, working as a reporter for his father's newspaper. By 1946, Copley met and married Marjorie Doris Wead, the daughter of a test pilot for the Navy. Doris's sister was married to John Ployardt, a Canadian-born animator and narrator at Walt Disney Studios. Copley and Ployardt soon became friends and Ployardt began introducing Copley to painting and Surrealism. The two traveled to Mexico and New York, discovering art, meeting the artists behind the works, and grasping Surrealist ideas. It was during this time that Copley and Ployardt decided to open a gallery in Los Angeles to exhibit Surrealist works. Copley and Ployardt tracked down Man Ray while living in Los Angeles. Ray then introduced them to Marcel Duchamp in New York City. There, Duchamp opened many doors for them, introducing the two to New York dealers in Surrealism. In 1948, Copley and Ployardt opened The Copley Galleries in Beverly Hills, displaying works by artists including René Magritte, Max Ernst, Yves Tanguy, Roberto Matta, Joseph Cornell, and Man Ray. Copley moved to Paris in 1949–50, leaving behind his wife and two children to continue to paint. During his time in Paris, he remained in Surrealist circles and continued to paint with a uniquely American style. Copley's first exhibition took place in Los Angeles in 1951 at Royer's Book Shop. From there Copley participated in numerous solo and group exhibitions worldwide. In 1961, Copley was given an exhibition in Amsterdam by the Stedelijk Museum. The museum became the first public institution to add a Copley to their collection. Copley's paintings throughout the 1950s and 60s dealt with ironic and humorous images of stereotypical American symbols like the Western saloon, cowboys, and pin-up girls combined with flags. His works during this period were often considered a combination of American and Mexican folk art and melded in well with the new young POP movement occurring in America when he returned to New York in the 1960s. Artists like Andy Warhol, Christo, Roy Lichtenstein and many others were frequent visitors at Copley's studio on Lower Broadway. Copley believed that pop art had always interested him, claiming American pop art had much to do with "self-disgust" and "satire." In 1967, after a divorce with his second wife, Noma, Copley and new friend Dmitri Petrov decided to publish portfolios of 20th-century artist collaborations with the abbreviation SMS (for "Shit Must Stop"). Copley's Upper West Side loft became a meeting place for performers, artists, curators, and composers to work together on the open-ended collective. The SMS portfolio...