Skip to main content

Paul Resika Landscape Prints

American, b. 1928
Paul Resika (b.1928-) is an abstract figurative and landscape painter whose paintings are meditations on nature. Notable for their geometric forms placed against a mixed palette of high-keyed and subdued color, Resika's paintings create striking oppositions between form, color, and light. Like the paintings of Bonnard, Resika's work encapsulates the hidden power of nature with its color and forms. Resika himself states that he strives to capture "a feeling for nature but without nature." His work blends the figurative with the abstract in such a way that one senses Resika's response to both his physical and interior worlds. Born in New York City, Resika studied with Hans Hofmann in the 1940s and received his first show at age nineteen, at New York's George Dix Gallery in 1948. He was part of what is now considered the second generation of the New York School—artists who applied abstract expressionist techniques, such as the emphasis on gesture and emotional immediacy to the depiction of representational subject matter. During the 1950s, Resika traveled in Europe and began developing the series of recurring pared-down, quasi-abstract motifs: piers and harbors, farmhouses, floral still lifes, female figures. The tradition of French modernist painting, specifically the work of Pierre Bonnard and the French Fauvist painters Matisse and Derain, is strongly evinced in his work. Currently Resika spends winters in New York City, summers i n Provincetown, Massachusetts, and one month each spring in southern France. Each locale and its accompanying season informs his work and plays an important role in his choice of subject matter and palette. Resika was elected to the National Academy Design in 1976 and to the American Academy of Arts and Letters in 1994. He has exhibited both in the United States and abroad. His works are included in the collections of the Metropolitan Museum of Art, New York, and the National Museum of American Art in Washington, D.C.
(Biography provided by Gallery of the Masters)
to
1
1
1
1
Overall Height
to
Overall Width
to
1
1
1
9
138
132
128
113
1
1
Artist: Paul Resika
PIER AND BOAT
By Paul Resika
Located in Portland, ME
Resika, Paul (American, born 1928). PIER AND BOAT. Aquatint, not dated. Edition of 30. Signed in pencil and numbered 24/30. 10 7/8 x 17 1/4 inches, framed to 19 1/4 x 25 3/4 inches. ...
Category

Mid-20th Century Paul Resika Landscape Prints

Materials

Aquatint

Related Items
Dark House (Philadelphia).
By Earl Horter
Located in Storrs, CT
c. 1932. Aquatint. 10 1/4 x 11 (sheet 12 5/8 x 15 1/2). A rich impression printed with plate tone on countermarked French wove paper. Unsigned; annotated 'Dark House (Aqua)' in Horter's hand. Another impression is in the Library of Congress. Housed in a 16 x 20-inch archival mat, suitable for framing. Earl Horter...
Category

Mid-20th Century American Modern Paul Resika Landscape Prints

Materials

Etching, Aquatint

From Knoedler's Window MCMXXXV
By John Taylor Arms
Located in Storrs, CT
From Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...
Category

1920s American Modern Paul Resika Landscape Prints

Materials

Aquatint, Etching

Venice - Original Lithograph 1960s
Located in Roma, IT
Image dimensions: 34 x 45 cm. Venice is an original lithograph realized by an unknown artist (Michel Kingl) in the 1960s. Colored lithograph on paper. Hand-signed in pencil by the ...
Category

1970s Modern Paul Resika Landscape Prints

Materials

Aquatint, Etching

Venice - Original Lithograph 1960s
H 19.69 in W 25.6 in D 0.08 in
Charing Cross Bridge from My Window
By Joseph Pennell
Located in Storrs, CT
Charing Cross at Night. 1909. Mezzotint. Wuerth 510. 11 7/8 x 10 (sheet 15 x 10 3/4). Edition probably 30. Printed on 'Rome'cream laid paper, probably fr...
Category

Early 20th Century American Modern Paul Resika Landscape Prints

Materials

Resin, Aquatint

"Pillory, Charing Cross" by Rowlandson from "The Microcosm of London"
By Thomas Rowlandson
Located in Alamo, CA
"Pillory, Charing Cross" is an illustration (Plate 62) from "The Microcosm of London", published in London in 1809 by R Ackermann's Repository of Arts. The scene was created by one of the most famous British satirists and caricaturists of the late 18th and early 19th centuries' Georgian Period, Thomas Rowlandson, who drew the figures, while Augustus Charles Pugin drew the architecture. The plate was then created by Hill, Stadler and Bluck using a combination of aquatint and etching and was then hand colored with watercolor. Scenes illustrated in "The Microcosm of London" gives an accurate and often comical view of everyday life in London during the Regency Period of the early 19th century. While Pugin’s excellent architectural drawings capture the size and shape of the exterior as well as the interior of London’s principal buildings, Thomas Rowlandson’s insightful and often whimsical and satirical view of the city's inhabitants depicts the color and vitality of the late Georgian society, both rich and poor alike. This print depicts the "Pillory, Charing Cross", where criminals were brought and placed on display while secure in the stocks, as are seen in this print. A crowd is present in the square jeering at the prisoners. A statue of Charles I on horseback stands atop a very large pillar to the right. Shops with apartments are seen on the left. Young wealthy people frolic around and on a carriage on the right in front of the statue of King...
Category

Early 1800s Other Art Style Paul Resika Landscape Prints

Materials

Etching, Aquatint

The First Wooden Temple of Jupiter
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
The First Wooden Temple of Jupiter or Restoration of one of the first Temples of Jupiter Capitolinus, Rome.Dickins 47. 5 1/8 x 7 1/8 (sheet 9 3/16 x 11 5...
Category

Early 20th Century Modern Paul Resika Landscape Prints

Materials

Drypoint, Etching, Aquatint

The Merry Beaglers engraving by John Harris after Harry Hall's 1845 painting
By John Harris the Younger
Located in London, GB
John Harris after Harry Hall The Merry Beaglers c. 1845 48x65cm Aquatint with hand colouring The most famous beagling print there is, after the 1845 pa...
Category

1840s Victorian Paul Resika Landscape Prints

Materials

Aquatint

Automne (Autumn)
By Georges Rouault
Located in Storrs, CT
Automne (Autumn). 1938. Aquatint print in colors. Chapon/Rouault 288C. 19 1/2 x 25 1/2 ( sheet 22 5/8 x 30 3/4). Edition 175, #44 Published by Vollard. A rich impression with bright...
Category

Mid-20th Century Impressionist Paul Resika Landscape Prints

Materials

Aquatint, Color

The Merry Beaglers restrike aquatint by John Harris after Harry Hall
By John Harris the Younger
Located in London, GB
John Harris after Harry Hall The Merry Beaglers Restrike print - c. mid twentieth century 48x65cm Aquatint with hand colouring The most famous beagling...
Category

Mid-20th Century Victorian Paul Resika Landscape Prints

Materials

Aquatint

Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
By Ludovico Caracciolo
Located in Roma, IT
Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 191 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...
Category

1810s Old Masters Paul Resika Landscape Prints

Materials

Aquatint, Etching

Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
By Ludovico Caracciolo
Located in Roma, IT
Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 190 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...
Category

1810s Old Masters Paul Resika Landscape Prints

Materials

Aquatint, Etching

September 13, 1918. St. Mihiel [The Great Black Cloud].
By Kerr Eby
Located in Storrs, CT
September 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...
Category

Early 20th Century American Modern Paul Resika Landscape Prints

Materials

Mixed Media, Etching, Aquatint

Paul Resika landscape prints for sale on 1stDibs.

Find a wide variety of authentic Paul Resika landscape prints available for sale on 1stDibs. You can also browse by medium to find art by Paul Resika in aquatint, etching and more. Not every interior allows for large Paul Resika landscape prints, so small editions measuring 26 inches across are available. Customers who are interested in this artist might also find the work of Ira Moskowitz, Levon West, and Albert Abramovitz. Paul Resika landscape prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $875 and tops out at $875, while the average work can sell for $875.

Recently Viewed

View All