Pearl Took Abstract Paintings

Perfect example of Meanwell’s work. Amazing texture. Framed in a gold wood frame. The piece measures 17.75 x 22 inches framed, 13.5 x 17.5 inches unframed. Signed and dated lower l...

Evocative and expressive contemporary self portrait titled "Unfinished Story" by Alexander Gore (Russian, b. 1958), 2010. Signed upper left edge. Unframed. Image, 15"H x 11"W. Ale...

This vibrant composition, titled “Rainbow”, radiates with a harmonious interplay of colors, creating a visual symphony that uplifts the spirit. The seamless transition between hues—d...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

Original Impasto Oil Painting Art of an Autumnal River Landscape by Irish Artist, Liam Blake Art measures 17 x 14 inches Frame measures 23 x 20 inches

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

Includes a Certificate of Authenticity

Abstract impressionist oil on paper on board by French artist Chantal Payet. Signed and dated April '96 to the reverse. An interesting and challenging Abstract Impressionist work in...

URBAN LANDSCAPE Size: 38.5 x 53.5 cm (including frame) Oil on board A brilliantly executed semi- abstract landscape composition, painted in oil onto board by contemporary British artist Ian Mood. The artist works in broad, expressive strokes, filling in the urban scene with a cacophony of colour. We see areas of the canvas as well as the artist’s outlines, giving it a very raw quality, emphasising the uncompromising nature of the urban landscape. This oil on board is housed in a complementary light blue frame with an inner white window that pairs wonderfully with the painting. Both painting and frame are in excellent condition. About the artist: Ian Mood is a contemporary artist with an international reputation, having shown work with Saatchi London, Brooklyn Art Library, Battersea Art Fair & Manchester Art Fair – as well as being represented by numerous established galleries in the UK and US. He recently held his first solo show in New York. In 2019, he collaborated as artist in residence with The National Theatre (Madness of George III with Mark Gatiss) and The Royal Exchange Manchester (Mother Courage with Julie Hesmondhalgh). Ian is a member of Manchester Academy of Fine Arts, Society Of Staffordshire Artists and the Artist Association of Nantucket (USA) where he regularly lectures as part of their summer arts programme. He was awarded the Artists Association of Nantucket Frank Swift Chase...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...