Pernille Pontoppidan Pedersen Decorative Objects

A unique, hand-made organic sculpture expressing abstract broad, curling and intertwined leaves. The hand-formed white earthenware body, fired, sanded, and waxed, results in a silky surface that adds a tactile delight to the the visual impact. South African sculptor...

Åberg's works, made largely in black and white, are often purely sculptural, even playfully non-utilitarian. Rough surfaces inspired by geology are set in contrast to a refined elega...

Small ceramic art sculpture with a lion in egg hatching. Small realistic lion hatching egg sculpture. It is clay base ceramic and hand painted in vibrant colors, realistic and intricate high quality and detailed designs on the lion. There are cracks and openings that the artist painted onto the sculpture. Ceramic sculpture in egg depicting a lion breaking free from an egg. Signed on the side egg. This would make an amazing addition to any Mexican art pottery...

Åberg's works, made largely in black and white, are often purely sculptural, even playfully non-utilitarian. Rough surfaces inspired by geology are set in contrast to a refined elega...

This hand formed ceramic sculpture looks like coral or chalk cliffs on the British coast line. There are more sculptures in this series available as you can see in image 6&7. Bryan Blow...

Organic sculpture by Dominique Legros Material: hand polish stoneware Dimensions: H 15 x 29 x 29 cm Year: 2021 Dominique Legros has developed a ...

Ceramic and copper sculpture by Michigan artist Tom Phardel. Sculpture is titled 'The Ring' and it was executed in 1988. This sculpture was exhibited at the 13th exhibition Michigan Artists Program at the Detroit Institute of Arts from December, 1990 through February 1991. This exhibition was titled 'Graham Marks...

For sale, Grayson Perry's glazed ceramic sculpture multiple, the "Little Pig" piggy bank, which was produced on the occasion of his landmark Serpentine Gallery exhibition, 'The Most ...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

Trish DeMasi Pom, 2021 Glazed ceramic 10 x 10 x 15.5 in

Buddy is a handmade ceramic sculpture, fired in bisqueware, creating a distinctive texture and depth that exudes the warmth and intimacy of a close friend. The sculpture can be prese...