Pierre-Joseph Redouté Still-life Prints

Set of 2 Pierre-Joseph Redouté vintage 20th Century framed lithographs. These are high quality satin finished plates beautifully framed with handmade double mounts in colours to mat...

A set of two Pierre-Joseph Redoute (Belgium, 1759-1840) botanicals. One botanical is entitled "Bouquet De Camelias, Narcisses Et Pensees" the second one entitled " "Anemone Simple" ...

This rare original 19th century hand-colored stipple engraving entitled "Rosa Gallica Gueriniana (Roses)" by Pierre-Joseph Redouté is from his and Claude Anthoine Thory's illustrated publication 'Les Roses', published in Paris by Dufart and Hauer between 1828-1829. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This hand-colored engraving of red roses on their stems is in excellent condition. There are a few punctate opacities which appear most likely to represent tiny imperfections related to the paper manufacture. The original descriptive text pages from Redoute's 19th century publication are included. A larger version of this engraving is currently listed online for $12,000. There is another Redoute rose engraving from this series that is listed on 1stdibs. The two engravings would make for a striking display grouping. See 1stdibs item LU1173211602522. A discount is available for the purchase of both of these engravings. Please inquiry about details. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French revolution aristocracy. He was an official court artist of Queen Marie Antoinette and his works continued to in demand during and after the French Revolution and Reign of Terror. He combined great artistic skills with a pleasing, ingratiating personality which assisted him with his influential patrons. After the fall of the French monarchy, he was a favorite Empress Joséphine, Napoleon Bonaparte's wife and later by his second wife Marie Louise, Duchess of Parma. The wife of Louis Philippe I, the last king of France, Maria Amalia...

This rare original 19th century hand-colored stipple engraving entitled "Rosa Damacena Celsiana Prolifera (Roses)" by Pierre-Joseph Redouté is from his and Claude Anthoine Thory's illustrated publication 'Les Roses', published in Paris by Dufart and Hauer between 1828-1829. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This hand-colored engraving of red roses on their stems is in excellent condition. There are a few punctate opacities which appear most likely to represent tiny imperfections related to the paper manufacture. The original descriptive text pages from Redoute's 19th century publication are included. A larger version of this engraving is currently listed online for $12,000. There is another Redoute rose engraving from this series that is listed on 1stdibs. The two engravings would make for a striking display grouping. See 1stdibs item LU1173211601512. A discount is available for the purchase of both of these engravings. Please inquiry about details. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French revolution aristocracy. He was an official court artist of Queen Marie Antoinette and his works continued to in demand during and after the French Revolution and Reign of Terror. He combined great artistic skills with a pleasing, ingratiating personality which assisted him with his influential patrons. After the fall of the French monarchy, he was a favorite Empress Joséphine, Napoleon Bonaparte's wife and later by his second wife Marie Louise, Duchess of Parma. The wife of Louis Philippe I, the last king of France, Maria Amalia...

Stipple-engraved plate of Bananas printed in colours and finished by hand. [Chez l’Auteur, Paris, 1802] The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of botanical illustration ever to be published." (Frans A. Stafleu, "Redoute - peintre de fleurs" in A Catalogue of Redouteana). Redoute was at the height of his powers during the publication of Les Liliacees. It is easily the equal in accomplishment of its more popular successor, Les Roses. The work is broader than its title implies, including as it does petaloid monocotyledons in general belonging, for example to Commelinaceae, Bromeliaceae, Liliaceae, At this time, he had as patron and sponsor Josephine...

An original stipple engraving printed in colors with additional hand-coloring on wove paper by French artist Pierre-Joseph Redouté (1759-1840) titled "Myrsine Africana (Cape Myrtle)"...

Group of twelve stipple-engraved plates of Irises, printed in colours and finished by hand. [Chez L'Ateur, Paris, 1802] The highest peak of Redoute's artistic and botanical achiev...

This hand colored stipple engraving entitled "Rosa Alpina Vulgaris" by Pierre-Joseph Redouté is from his illustrated publication 'Les Roses', published in Paris between 1817-1824. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of roses on their stems is presented in a green and gold wood frame with a green inner trim with a beige faux fabric double French mat highlighted by a marbled gold band and a white inner mat. It is glazed with plexiglass. There are three small faint spots, but is otherwise in excellent condition. There are two other Redoute rose...

This hand colored stipple engraving entitled "Rosa Rubiginosa Flore Semi-Pleno" by Pierre-Joseph Redouté is from his illustrated publication 'Les Roses', published in Paris between 1817-1824. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of roses on their stems is presented in a green and gold wood frame with a green inner trim with a beige faux fabric double French mat highlighted by a marbled gold band and a white inner mat. It is glazed with plexiglass. There are three small faint spots, but is otherwise in excellent condition. There are two other Redoute rose...

This hand colored stipple engraving entitled "Rosa Budsoniana" by Pierre-Joseph Redouté is from his illustrated publication 'Les Roses', published in Paris between 1817-1824. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of roses on their stems is presented in a green and gold wood frame with a green inner trim with a beige faux fabric double French mat highlighted by a marbled gold band and a white inner mat. It is glazed with plexiglass. There are three small faint spots, but it is otherwise in excellent condition. There are two other Redoute rose...

Pierre-Joseph Redoute Rose and Flowers Stone lithograph Printed signature in the plate On vellum 30 x 45 cm (c. 12 x 18 inch) An ancient edition c. 1830/40 ; not a modern reprint. ...

[White Four-Seasons Rose] From the artists most famous work "Les Roses". Stipple engraving, printed in colours and finished by hand, a fine example in fine condition. Dimensions: 36...