Pierre Neveu Portrait Paintings

Dimensions variable: medium oval 7.5cm x 9.5cm; large oval 9cm x 11cm. Derrick Guild is a Scottish artist whose paintings fragment Old Master works to explore the social fabric bene...

Luis de Morales, called 'El Divino' (Badajoz 1509 - 1586) workshop of La Pietà with Saint John Oil on panel (82 x 65 cm /In frame 109 x 92 cm) STATE OF CONSERVATION: The panel is in good condition, with restorations and cracks clearly visible from the pictures. Gilded and lacquered wooden frame, in good condition. We present this intense Pietà executed on wood panel, the work of a painter of the late Spanish Renaissance who drew on the celebrated iconographic model created by Luis de Morales, known as El Divino (Badajoz 1509-1586), a subject reproposed by the artist and then by his flourishing workshop in numerous versions. This is an extraordinary work, in which the author demonstrates incredible realism and emotional depth in his portrayal of the Madonna and Christ, accompanied by Saint John the Evangelist. In an extremely devout Spain, Luis de Morales counts himself as one of the painters most interested in the dramatic aspects of Christ's life, from his painful Passion journey to his death. This devotional subject, the Pieta, so frequent in Christian art, is renewed in Morales' art with enormous expressive force; it is not for nothing that the artist was nicknamed the Divine, and not only for the creation of a devotional iconography in line with the spirituality of the time, but also for the intrinsic intensity of his religious paintings. The depiction, to great dramatic effect, shows Christ, immediately after being deposed from the cross, gently welcomed into the arms of the Virgin. The intense maternal compassion is also evident in the expression on her face, which, always aware of her son's fate, exudes suffering, melancholy but also serene resignation. Christ, abandoned in his mother's embrace, shows an emaciated and sorrowful face, made even more ghostly by his half-open mouth. The tree of the cross looms over the figures, emphasised by an evocative dark, completely monochrome background, to which the three figures are contrasted with strong lighting. Evident in Morales' painting is the devotional slant typical of Counter-Reformation painting, accentuated by a style that recalls both Italian painting for its research and chiaroscuro effects, and Flemish and German painting for its strongly accentuated dramatic tones. The work shows a strong physical and psychological characterisation of the characters, rendered by the marked chiaroscuro effects and the plastic construction of the figures, also using a sfumato technique, which show the primary influence of Leonardo da Vinci, Raphael and Sebastiano del Piombo. On the other hand, his Flemish training is evident in the anatomical modelling and treatment of the folds of the Virgin's dress, which retain the sharpness of the Nordic painting tradition. We can mention, among the most beautiful versions similar to our composition: - Fig.1 Luis de Morales (c. 1520-1586), La Piedad, c. 1568, Óleo sobre tabla 72 x 50 cm.
Museo de Bellas Artes de Bilbao - Fig.2 Luis de Morales, La Piedad, c. 1560, Óleo sobre tabla 126 x 98 cm.
Real Academia de Bellas - Fig.3 Luis de Morales, La Piedad, 1565 - 1570, Oil on panel 42 x 30 cm.
Museo del Prado - Fig.4 Luis de Morales, Triptych of the Pietà St John and St Mary Magdalene...

Harriet Peale Portrait of Rebecca, 1840 Inscribed verso, “Portrait of Rebecca Greenwood (?)/ Aged 25 years/ Painted by Harriet C. Cany/ May 1840” Oil on canvas 28 3/4 x 23 3/4 inches...

Portrait of a noblewoman. Attributed to Carlo Ceresa. (1609 - 1679, Bergamo) Oil on canvas. Size cm 110x86,5cm with frame Around 1640. This portrait depicts a middle-aged woman with great realism, typical of Lombard and Bergamo painters in particular. Carlo Ceresa, probable author of this unsigned painting, had studied with Daniele Crespi...

Painting by Donald Purdy (1924 - 2016). Oil on masonite Measures 25"L x 23"W. Work is behind glass and comes with exceptional antique frame. Acquired from the Schoneman Gallery in NY...

Antique Dog Painting of a Hunting Dog Jules Chardigny (1849-1892) Circa 1870 Oil on paper. 8 x 6 (18 1/2 x 15 1/4 frame) inches In Jules Chardigny's signature style, a beloved compa...

English 19th century portrait of a White / Grey hunter in a stable. Charles Towne was born in Wigan in 1763. He was trained as a coach painter, and by ...

This captivating 1945 oil portrait by renowned American artist Hayes Lyon beautifully depicts Bessy Lyon, the artist’s wife, in a warm and intimate composition. Rendered with soft ye...

Lombard painter of the 17th century Portrait of a Knight in Armour Oil on canvas 81 x 70 cm./ Framed 93 x 82 A handsome gentleman in armour, immortalised in an authoritative and pr...

Portrait Of Elizabeth Campbell & Daughter, Wife Of Colonel Colin Campbell circle of Margaret Carpenter (1793-1872) Large 19th Century English portrait of Elizabeth Campbell & Daughter, oil on canvas. Seated half length mother and daughter portrait of the wife of Colonel Colin Campbell. Good quality similar to Margaret Carpenters...

Dave Seeley's (US based) "Erica #1" is an original, handmade oil painting that depicts a reclining nude model on a black couch with a white sheet. Dave Seeley is a figure painter l...

¨Serenidad¨. Spanish Contemporary Woman Portrait Lying On The Couch. Figurative Realism. Oil on canvas. Dimensions: (H) 130x (W) 162 x (D) 2 cm. / Inches 51.18 x 63.78 x 0.79 " Framed: (H) 153 x (H) 185 x (D) 4 cm. / Inches 60.24 x 72.83 x 1.57 " Juan Carlos Ospina Ortiz (Colombia 1963), practices realistic figuration with themes of clear Spanish influence. The artist settled in Andalusia (Spain), where, searching for his roots, he immersed himself in the music, folklore, and traditions of that country. This painting, ¨Serenidad¨, is reproduced on a double page in the article that the renowned art publication Prestige Magazine edited in 2003, where the cover is a female portrait by Ospina Ortiz. (number 63, 2003, pages 24-25). ABOUT THE ARTIST Juan Carlos Ospina Ortiz (Tolima-Colombia 1963) studied design and painting in Bogotá, which he later complemented with specializations in Paris and Madrid. He practices a realistic figurative style, where he alternates between portraits, still lifes, landscapes and horse paintings. In 1993 he visited Spain for the first time, being greatly influenced by two renowned contemporary painters: Antonio López and Eduardo Naranjo. His works, from those years on, would be strongly influenced by the vision he had of them. He obtained a scholarship to continue his training with the Colombian painter Guillermo Muñoz Vera...