Pierre-Roch Vigneron Drawings and Watercolor Paintings

Many of you clicking on this drawing are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the turn of the 20th century sparked an arts renaissance in the South, the arts and culture in general having been mostly moribund since the dispiriting defeat experienced in the Civil War. I won't bog you down with lots of detail here since all you have to do is Google his name to bring up a wealth of information about him. He is most famous for his leadership of the arts program at Newcomb College in New Orleans, and its famous Newcomb Pottery...

Auguste Mayer (1803-1890 A seascape with a boat signed with the initials on the lower left Pencil and heightenings of white gouache on paper 17.5 x 26 cm...

Many of you clicking on this drawing are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the turn of the 20th century sparked an arts renaissance in the South, the arts and culture in general having been mostly moribund since the dispiriting defeat experienced in the Civil War. I won't bog you down with lots of detail here since all you have to do is Google his name to bring up a wealth of information about him. He is most famous for his leadership of the arts program at Newcomb College in New Orleans, and its famous Newcomb Pottery...

Félix Ziem (1821-1911) Studies of landscapes and seascapes graphite on paper, 14 x 22 cm Stamp of the Ziem Estate bottom left Framed : 25 x 33 cm A rare exemple of mutiple studies ...

French school of the nineteenth century, LW (?) Harbor scene, animation around a skiff Pencil on paper Signed LW (?) Bottom right 15 x 21 cm Framed : 27 x 34.5 cm This very fine ...

"West Point from the East Bank of the Hudson" Antique Drawing on Paper Delicate and detailed drawing by Hartford, Connecticut artist Edward Watkins Wells (1819-1898) The viewer looks out past a gate at the Hudson River, with its characteristic mountain banks. A shepherd is driving a flock of sheep towards the gate and viewer. The scene appears to have been copied from a drawing book published in 1827, based on the inscription at the bottom edge. Presented in white archival mat Mat size: 12"H x 12"W Paper size: 7.5"H x 9.25"W Notes of interest on Edward Watkinson Wells Our most significant acquisition this year came from a dealer in Philadelphia. It is a 450-page diary written over 10 years (1841-1851) by Hartford artist and dilettante Edward Watkinson Wells (1819-1898), one of the many nephews of our founder, David Watkinson (1778-1857). Edward was immersed in Hartford’s cultural life in the 1840s, exhibited his works at local fairs and gave lessons to the locals. He portrays an active involvement with with his large extended family, which often crossed and re-crossed the other prominent families of Hartford (i.e., Barnard, Channing, Dexter, Ely, Gallaudet, Gill, Goodrich, Hudson, Rockwell, Silsbee, Tappan, Terry, Tracy, Trumbull, Van Renselaer, and Wadsworth). Edward describes dancing and costume parties, soirees, teas, dinners, and receptions in private homes and public venues. He meets Charles Dickens and his wife when they come through Hartford in 1842, and describes brushes with other luminaries, such as Col. Thomas L. McKenney (who lectures on American Indians), and the Unitarian clergyman Rev. Henry Giles, who gave a pro-Irish speech. Other entertainments included a balloon ascension, exhibitions of mesmerism and hypnotism, parades, and performances by well-known groups. He also chronicles the progression of the construction of the Wadsworth Atheneum, and touches on his father’s far-reaching interests in the business world–canals, railroads, factories, and real estate. The cost of this valuable document of mid-19thC Hartford was generously underwritten entirely by a member of the Watkinson Trustees. Trinity College and the Watkinson Virtual Library has content on Edward Watkinson Wells. Yale College also: Edward Watkinson Wells also kept a diary, of which three volumes are preserved (folder 32). He describes a trip by steamboat to Florida, ca. 1855-1860, and the social life and customs he observed there. The other two volumes detail his daily life in Hartford during 1856-1860, and record the deaths of his father and David Watkinson in 1857. Other items contained in the William Wells...

Despite the tears and repairs, this remains an absolutely wonderful drawing, by a famous Southern artist. Many of you clicking on this are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the turn of the 20th century sparked an arts renaissance in the South, the arts and culture in general having been mostly moribund since the dispiriting defeat experienced in the Civil War. I won't bog you down with lots of detail here since all you have to do is Google his name to bring up a wealth of information about him. He is most famous for his leadership of the arts program at Newcomb College in New Orleans, and its famous Newcomb Pottery...

Jules Noel (1810-1881) Landscape with a manor and a traveler Signed lower left Pencil on paper 27.5 x 44.5 cm Framed under glass : 43 x 59.5 cm This drawing shows more particularly...

A really charming, early 19th century portrait of a young maiden carrying a basket of flowers. The face is beautifully painted with a slight blush to her cheeks and striking touches ...

Pencils on paper mounted on panel Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as a teenage...

Antique Horse Study "Legs and Rumps, 1838" Wouterus Verschuur l (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

Pencil on paper Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as a teenager. It was the beau...