Plinio Nomellini Figurative Prints
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Artist: Plinio Nomellini
Oli Sasso - Original Advertising Lithograph by Plinio Nomellini - 1914 ca.
By Plinio Nomellini
Located in Roma, IT
Oli Sasso is a colored lithographed original manifesto on cardboard, realized around 1914 by the Italian artist Plinio Nomellini.
This modern artwork is signed on plate on higher left margin and has the inscriptions printed on lower margin in the image "Chiedere Catalogo e Campioni ai Sigg. Sasso Oneglia e Figli", under the image: "P. Nomellini/ Off. G. Ricordi and C. Milano / 140 x 200". From the Ricordi Portfolio...
Category
1910s Plinio Nomellini Figurative Prints
Materials
Lithograph
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"Quinquina Dubonnet" Original Jules Cheret Maitre de l'Affiche
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Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, from issue #28, 1898. Plate #109
Unframed Size: 11 3/8 x 15 3/4”
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"Grande Tuilerie d’Ivry" from Les Maitres de l'Affiche
By Alexandre Charpentier
Located in Hinsdale, IL
CHARPENTIER, ALEX
(1856 -1909)
"Grande Tuilerie d’Ivry"
Original lithograph from "Les Maitres de L'Affiche" series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, issue # 33, 1898. Plate #131
Unframed Size: 11 3/8 x 15 3/4”The
"Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. The text reads "Great Tileworks of Ivry, founded in 1854, Ivry-Port near Paris; the largest ceramics factory in the world for building, industry and art productions; Emille Muller stoneware; execution of works by masters of statuary; architectural facings; decorative sculpture; showroom and salesroom, 3 rue Halevy; the only tile able to bear the names Muller and Ivry; (tiles) guaranteed against frost" Given the commission for an extremely text heavy poster, the artist executes a masterful design. The angelic young boy holds the wares of this famous ceramics factory, against an abstract background awash in organic green hues. The handling of the immense text that flows from top to bottom in every available space shows great artistic skill, as the overall beauty of the design is intact. In 1989 the Metropolitan Museum of art acquired a stoneware plaque...
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"Hippodrome des Art", Maitre de l'affiche lithograph
By François Duyck
Located in Hinsdale, IL
DUYCK, EDOUARD
(1872 -1897)
CRESPIN, ADOLPH
(1859 –1944)
"Hippodrome des Art"
Original lithograph from "Les Maitres de L'Affiche" series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, from issue #6, 1894. Plate #28
Unframed Size:11 3/8 x 15 3/4”
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Henri Toulouse Lautrec, Original Lithograph 1897
By Henri de Toulouse-Lautrec
Located in Saint Augustine, FL
Artist: Toulouse Lautrec (1864 -1901) French
Title: The Chestnut Vendor
Medium: Lithograph,
Year: 1897
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"LA CHAINE SIMPSON" by Toulouse-Lautrec from Les Maitres de l'Affiche
By Henri de Toulouse-Lautrec
Located in Hinsdale, IL
TOULOUSE-LAUTREC, HENRI DE
(1864-1901)
"LA CHAINE SIMPSON"
Original lithograph from "Les Maitres de L'Affiche" series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, from issue #60, 1900. Plate #238
Unframed Size: 11 3/8 x 15 3/4”
The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "In her recent excellent biography of Lautrec, Julia Frey indicates that 'Henry, the frustrated athlete, was compulsively familiar with the vocabulary and technical aspects of a variety of sports in which he could participate as a spectator: horse and bicycle racing, wrestling, yachting, bullfighting. He watched them all with the same intensity that he watched a line of dancers or a circus bareback rider, attracted by the beauty of movement, but also by the smells, sounds and excitement of the spectacle (Frey, p.353) His 'insider' knowledge of the cycling field shows up abundantly in this poster for the French agent of the Simpson bicycle chain company. In the foreground is the champion cyclist Constant Huret. In the background are Tristan Bernard, the sports impresario who was a close friend of Lautrec, with Louis Bougle, the French agent who adopted the name 'Spoke.' A touch of levity is added by what appears to be a 'bicycle-built-for-ten' in the upper-left corner, in fact it's two five-seaters, known at the time as 'quints.'"(Rennert, PAI-XXII, 35)Henri de Toulouse-Lautrec came from an aristocratic background, having been born the son of an earl.Even as a schoolboy he showed a talent for drawing. By 14 he had suffered two horse back riding accidents, combined with a serious bone disease which eventually left him crippled for life. His body continued to grow but not his legs, he would remain only five feet tall and suffer pain and embarrassment his entire life.At the age of 18, Lautrec moved to Montmartre in Paris to study art seriously. He worked with artists Louis Anquentin, Emile Bernard, Degas, Van Gogh and others. He became a frequenter of the the cafes, cabarets and brothels of the neighborhood, drawing from them inspirations for his artistic themes. As the artist's stature grew, several magazines wanted to publish his work, including Le Rire. His subjects, as well as street life, included some of the most famous music-hall performers, with whom he became friends, such as Yvette Guilbert, La Goulue Jane Avril, May Milton, May Belfort...
Category
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Henri de Toulouse-Lautrec"LA CHAINE SIMPSON" by Toulouse-Lautrec from Les Maitres de l'Affiche, 1900
H 18.5 in W 21.75 in D 1 in
"La Petite Poucette" from Les Maitres de l'Affiche
By Bernard Boutet de Monvel
Located in Hinsdale, IL
DE MONVEL, BOUTET
(1859 - 1927)
"La Petite Poucette"
Original lithograph from “Les Maitres de L’Affiche” series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, from issue #27, 1898. Plate #106
Unframed Size: 11 3/8 x 15 3/4”
The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month
for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued
as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name
“Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at
the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts. Boutet de Monvel...
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H 15.75 in W 11.25 in D 1 in
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Located in Rio Vista, CA
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Located in Hinsdale, IL
Alphonse Mucha
"Lorenzaccio, a play in five acts and an epilogue by Alfred de Museet"
Plate #114
1896
Alphonse Mucha was born in Southern Moravia on July 24, 1860. At the age of seventeen the artist left his home, to work as a painter of stage decorations...
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H 232 in W 14.5 in D 1 in
"Rudge Cycles" authentic antique posters with tax stamps
By Pal (Jean de Paléologue)
Located in Hinsdale, IL
PALEOLOGUE, JEAN DE(PAL)
(1860 -1942)
"Rudge Cycles"
Lithograph in color, linen-backed c. 1898
Sheet size: 56.75” x 41.75”
Imprimerie Paul Dupont, ParisStamp: Republique Francais, lower left
Colors fresh
Jean de Paleologue...
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H 64 in W 49.75 in D 1 in
"The Four Seasons" by Marc Chagall
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Located in Hinsdale, IL
MARC CHAGALL
The Four Seasons.
Color lithograph, 1974.
940x640 mm; 37x26 inches (sheet), full margins.
The deluxe edition of 100.
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Plinio Nomellini figurative prints for sale on 1stDibs.
Find a wide variety of authentic Plinio Nomellini figurative prints available for sale on 1stDibs. You can also browse by medium to find art by Plinio Nomellini in lithograph and more. Not every interior allows for large Plinio Nomellini figurative prints, so small editions measuring 11 inches across are available. Customers who are interested in this artist might also find the work of Alberto Martini, Anselmo Bucci, and Aleardo Terzi. Plinio Nomellini figurative prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $891 and tops out at $891, while the average work can sell for $891.