Purvis Young Abstract Paintings

Original mixed media painting on glossy paper. Hand signed on front by Purvis Young. Artwork size 9.87 x 7.87 inches. Frame size approx 16 x 14 inches. Artwork is in excellent co...

Original acrylic painting on paper ( the paper has been glued on a book page, very usual practice of the artist) The page is free and the book is not included The painting can be e...

Purvis Young (1943-2010) Mixed media collage oil on poster board painting. Painted atop a voting advertisement sign. Signed in multiple places on piece "Young". Purvis Young (1943 – 2010) was an African American artist from the Overtown neighborhood of Miami, Florida. Young's work, often a blend of collage and painting, utilizes found objects and the experience of African Americans in the south. Purvis Young painted on scrap lumber, old doors, tax forms, street signs, cardboard and plywood that he scavenged from the streets and vacant lots of Overtown, the historically black neighborhood where he lived in Miami, Florida. Young gained recognition as a cult contemporary artist, with a collectors' following that included Jane Fonda, Damon Wayans, Jim Belushi, Dan Aykroyd, and others. In 2006 a feature documentary titled Purvis of Overtown was produced about his life and work. His work is found in the collections of the American Folk Art Museum, the Corcoran Gallery of Art, the High Museum of Art, the National Museum of African American History and Culture, the Philadelphia Museum of Art, and others. In 2018, he was inducted into the Florida Artists Hall of Fame. Purvis Young was born in Liberty City, a neighborhood of Miami, Florida, on February 2, 1943. As a young boy, his uncle introduced him to drawing, but Young lost interest quickly. He never attended high school. As a teenager, Young served three years (1961–64) in prison at North Florida's Raiford State Penitentiary for breaking and entering. While in prison he would regain his interest in art and began drawing and studying art books. When released, he began to produce thousands of small drawings, which he kept in shopping carts and later glued into discarded books and magazines that he found on the streets. He proceeded to move into the Overtown neighborhood of Miami. Young became attracted to a vacant alley called Goodbread Alley, which was named after the Jamaican bakeries that once occupied the street; he started living there in 1971. In the early 1970s, Young found inspiration in the mural movements of Chicago and Detroit, and decided to create a mural of inspiration Overtown. He had never painted before, but inspiration struck and he began to create paintings and nailing them to the boarded up storefronts that formed the alley. He painted on wood he found on the streets and occasionally paintings would "disappear" from the wall, but Young didn't mind. About two years after starting the mural, tourists started visiting the alley, mainly white tourists. Occasionally, Young sold paintings to visitors - tourists and collectors alike - right off the wall. The mural garnered media attention, including the attention of millionaire Bernard Davis, owner of the Miami Art Museum. Davis became a patron of Young, providing him with painting supplies as well. Davis died in 1973, leaving Young a local celebrity in Miami. In the late 1990s and early 2000s, he explored other inspirations by watching historical documentaries about war, the Great Depression, commerce, and Native American conflicts and struggles in the United States. In 1999 the Rubell family, notable art collectors from New York, purchased the entire content of Young's studio, a collection of almost 3,000 pieces. In 2008 the Rubell's donated 108 works to Morehouse College In 2015, The Bass Museum of Art announced that it is donating almost 400 pieces of Young's art to the permanent collection in the Black Archives History and Research Foundation of South Florida. The foundation is located in Lyric Theater in Overtown. Young found strong influence in Western art history and voraciously absorbed books from his nearby public library by Rembrandt, Vincent van Gogh, Gauguin, El Greco, Daumier and Pablo Picasso. His work was vibrant and colorful, and was described as appearing like fingerpainting. Reoccurring themes in his work were angels, wild horses, and urban landscapes. Through his works, he expressed social and racial issues, and served as an outspoken activist about politics and bureaucracy. Two Purvis Young works appear on the 2018 David Byrne album "American Utopia." He is included in the collection of the Metro-Miami Dade Cultural Center. Since its 1970 start, the Permanent Art Collection has been recognized nationally as a fearless reflection of Miami’s diversity, and an invaluable chronicle of its artistic and social history. Their collection includes Elizabeth Catlett, Purvis Young and Emilio Sanchez. His work has since been included in numerous private collections and museums and was championed by the Joy Moos gallery, an influential gallery specializing in folk art, street art, self-taught visionary, outsider art and contemporary art (Galerie Moos, Montréal; Joy Moos Gallery, Miami. Joy was a recognized photographer, jewelry designer and interior decorator. She wrote a catalogue on Purvis Young and promoted Cuban artist Ramon Carulla. Her gallery also showed major contemporary artists such as Robert Rauschenberg of Captiva Island and Edward Ruscha of Los Angeles. SELECTED EXHIBITIONS 2020 "Prophets and Angels": Purvis Young & Édouard Vuillard, Shin Gallery New York, NY 2019 "Personal Structures" Palazzo Mora, Venice, Italy 2019 "Purvis Young" solo exhibition James Fuentes LLC, New York, NY 2018/2019 "Purvis Young" solo exhibition, Rubell Family Collection, Miami, FL (for Art Basel) 2018 "History Refused to Die" Group Exhibition, Metropolitan Museum of Art, NYC 2017 "Revelations" Group Exhibition, Fine Arts Museum of San Francisco, CA 2015 "50 for 50," LACMA, Los Angeles County Museum of Art. Los Angeles, CA 2003 “African American Masters: Highlights from the Smithsonian American Art Museum,” New York Historical Society 1997 “Pictured in My Mind: Contemporary American Self-Taught Art from the Collection of Dr. Kurt Gitter and Alice Rae Yelen,” DeCordova Museum and Sculpture Park, Lincoln, MA “Bearing Witness: African-American Vernacular Art of the South,” Schomburg Center for Research in Black Culture, New York, NY “Purvis Young-The Streets of Overtown: 1996 “Souls Grown Deep: African American Vernacular Art of the South - The Arnett Collection,” Emory University 1994 “Purvis Young: Books and Works on Paper,” Janet Fleisher Gallery, Philadelphia, PA “Passionate Visions of the American South: Self-Taught Artists from 1940 to the Present,” New Orleans Museum of Art, New Orleans, LA “Purvis Young”, Galerie Karsten Greve, Paris, France “Purvis Young: Art and Real Life,” Galerie Karsten Greve, Cologne, Germany “Purvis Young Works of Paper (The Books),” Ricco/Maresca Gallery, New York City, NY “Sam Doyle, William Hawkins...

Purvis Young (1943-2010) Mixed media collage oil on poster board painting. Painted atop a voting advertisement sign. Signed in multiple places on piece "Young". Purvis Young (1943 – 2010) was an African American artist from the Overtown neighborhood of Miami, Florida. Young's work, often a blend of collage and painting, utilizes found objects and the experience of African Americans in the south. Purvis Young painted on scrap lumber, old doors, tax forms, street signs, cardboard and plywood that he scavenged from the streets and vacant lots of Overtown, the historically black neighborhood where he lived in Miami, Florida. Young gained recognition as a cult contemporary artist, with a collectors' following that included Jane Fonda, Damon Wayans, Jim Belushi, Dan Aykroyd, and others. In 2006 a feature documentary titled Purvis of Overtown was produced about his life and work. His work is found in the collections of the American Folk Art Museum, the Corcoran Gallery of Art, the High Museum of Art, the National Museum of African American History and Culture, the Philadelphia Museum of Art, and others. In 2018, he was inducted into the Florida Artists Hall of Fame. Purvis Young was born in Liberty City, a neighborhood of Miami, Florida, on February 2, 1943. As a young boy, his uncle introduced him to drawing, but Young lost interest quickly. He never attended high school. As a teenager, Young served three years (1961–64) in prison at North Florida's Raiford State Penitentiary for breaking and entering. While in prison he would regain his interest in art and began drawing and studying art books. When released, he began to produce thousands of small drawings, which he kept in shopping carts and later glued into discarded books and magazines that he found on the streets. He proceeded to move into the Overtown neighborhood of Miami. Young became attracted to a vacant alley called Goodbread Alley, which was named after the Jamaican bakeries that once occupied the street; he started living there in 1971. In the early 1970s, Young found inspiration in the mural movements of Chicago and Detroit, and decided to create a mural of inspiration Overtown. He had never painted before, but inspiration struck and he began to create paintings and nailing them to the boarded up storefronts that formed the alley. He painted on wood he found on the streets and occasionally paintings would "disappear" from the wall, but Young didn't mind. About two years after starting the mural, tourists started visiting the alley, mainly white tourists. Occasionally, Young sold paintings to visitors - tourists and collectors alike - right off the wall. The mural garnered media attention, including the attention of millionaire Bernard Davis, owner of the Miami Art Museum. Davis became a patron of Young, providing him with painting supplies as well. Davis died in 1973, leaving Young a local celebrity in Miami. In the late 1990s and early 2000s, he explored other inspirations by watching historical documentaries about war, the Great Depression, commerce, and Native American conflicts and struggles in the United States. In 1999 the Rubell family, notable art collectors from New York, purchased the entire content of Young's studio, a collection of almost 3,000 pieces. In 2008 the Rubell's donated 108 works to Morehouse College In 2015, The Bass Museum of Art announced that it is donating almost 400 pieces of Young's art to the permanent collection in the Black Archives History and Research Foundation of South Florida. The foundation is located in Lyric Theater in Overtown. Young found strong influence in Western art history and voraciously absorbed books from his nearby public library by Rembrandt, Vincent van Gogh, Gauguin, El Greco, Daumier and Pablo Picasso. His work was vibrant and colorful, and was described as appearing like fingerpainting. Reoccurring themes in his work were angels, wild horses, and urban landscapes. Through his works, he expressed social and racial issues, and served as an outspoken activist about politics and bureaucracy. Two Purvis Young works appear on the 2018 David Byrne album "American Utopia." He is included in the collection of the Metro-Miami Dade Cultural Center. Since its 1970 start, the Permanent Art Collection has been recognized nationally as a fearless reflection of Miami’s diversity, and an invaluable chronicle of its artistic and social history. Their collection includes Elizabeth Catlett, Purvis Young and Emilio Sanchez. His work has since been included in numerous private collections and museums and was championed by the Joy Moos gallery, an influential gallery specializing in folk art, street art, self-taught visionary, outsider art and contemporary art (Galerie Moos, Montréal; Joy Moos Gallery, Miami. Joy was a recognized photographer, jewelry designer and interior decorator. She wrote a catalogue on Purvis Young and promoted Cuban artist Ramon Carulla. Her gallery also showed major contemporary artists such as Robert Rauschenberg of Captiva Island and Edward Ruscha of Los Angeles. SELECTED EXHIBITIONS 2020 "Prophets and Angels": Purvis Young & Édouard Vuillard, Shin Gallery New York, NY 2019 "Personal Structures" Palazzo Mora, Venice, Italy 2019 "Purvis Young" solo exhibition James Fuentes LLC, New York, NY 2018/2019 "Purvis Young" solo exhibition, Rubell Family Collection, Miami, FL (for Art Basel) 2018 "History Refused to Die" Group Exhibition, Metropolitan Museum of Art, NYC 2017 "Revelations" Group Exhibition, Fine Arts Museum of San Francisco, CA 2015 "50 for 50," LACMA, Los Angeles County Museum of Art. Los Angeles, CA 2003 “African American Masters: Highlights from the Smithsonian American Art Museum,” New York Historical Society 1997 “Pictured in My Mind: Contemporary American Self-Taught Art from the Collection of Dr. Kurt Gitter and Alice Rae Yelen,” DeCordova Museum and Sculpture Park, Lincoln, MA “Bearing Witness: African-American Vernacular Art of the South,” Schomburg Center for Research in Black Culture, New York, NY “Purvis Young-The Streets of Overtown: 1996 “Souls Grown Deep: African American Vernacular Art of the South - The Arnett Collection,” Emory University 1994 “Purvis Young: Books and Works on Paper,” Janet Fleisher Gallery, Philadelphia, PA “Passionate Visions of the American South: Self-Taught Artists from 1940 to the Present,” New Orleans Museum of Art, New Orleans, LA “Purvis Young”, Galerie Karsten Greve, Paris, France “Purvis Young: Art and Real Life,” Galerie Karsten Greve, Cologne, Germany “Purvis Young Works of Paper (The Books),” Ricco/Maresca Gallery, New York City, NY “Sam Doyle, William Hawkins...

Purvis Young (1943-2010). Protesters, c.1980s. Mixed media on wood panel, 45.25 x 26.5 inches. Width measures 27.5 inches with extra wood at top. Signed upper right, partially hidden...

Amazing Purvis Young painting on metal tray. It is signed and rare! It is wired on the back to be hung. Big news- Purvis Young will be featured in the 2019 Venice Biennale! Purvis ...

Purvis Young Title: Horses and Dancers Medium: Painting on found board Size: 15 x 30 inches Year: 2000 Purvis Young (February 4, 1943 – April 20, 2010) was an African American artis...

painting on found board, signed Purvis Young (February 4, 1943 – April 20, 2010) was an African American artist from the Overtown neighborhood of Miami, Florida. Young's work, often...

Dancing expressionist figures painted with oil paint on wallpaper. Signed by the artist in the top right corner. Framed in a white frame with a white matte. Artist Biography: Purvis Young was born on February 4, 194 in Liberty City, Miami, Florida. He died after a ten year struggle with diabetes on April 21, 2010 in Overtown, Miami, Florida. In November, 2006, he was the subject of a major retrospective at the Boca Raton Museum. In January, 2007, he was the Director’s Choice artist of Art Miami and a monumental archway of his work greeted visitors to the Miami Convention center. A steady stream of articles, publications, and solo exhibitions followed, including recent shows at the Merton D. Simpson Gallery in New York (2014), the Museum of Contemporary Art in North Miami (2015), and the Rubell Collection’s Thirty Americans show in Miami (2015). Purvis lived his entire life in Overtown, Miami’s black ghetto. For over thirty-five years, he painted in a series of abandoned, rat-infested warehouses. Previously a prosperous black community, Overtown was once billed as the “Harlem of the South”. In the 1960s, it was largely destroyed by the building of Highway I-95 and now has one of the highest drug-use and crime rates in Florida. Adjoining the compound where Young lives with his common law wife is an alley called “ Bucket of Blood“ with the highest incidence of murder in the greater Miami area. Interestingly, nobody bothered Purvis, the local icon. Everyone respectfully called him “Mr. Young“. In a community virtually without hope, he was the singular example of someone who “broke out“. Even though Purvis Young’s work is in over sixty museums, including the Smithsonian and the Corcoran, and innumerable collections such as the Rubell Family Collection, Purvis never thought of leaving Overtown. Because he could never afford canvas, Purvis painted on every surface available to him –- discarded plywood and cardboard, refrigerator doors, table tops, scraps of fabric and metal trays– mostly brought to him by scavengers in his neighborhood. He creatively “recycled” long before it was fashionable or profitable. Though until recently Purvis was confined to a ghetto of another sort- that of “Outsider Art “ – his highly expressionistic work can best be described as “magical realism“. His paintings are populated with angels who watch over turbulent cityscapes, faces reminiscent of an imagined Zulu past, and symbols of freedom and escape – wild horses, trucks, and the flimsy craft of Haitian boat people...

Yellow and red toned expressionist painting of a women. Painting has a boarder around the female making appear to be saint like. Painting is framed in a wooden frame with a black matte. Artist Biography: Purvis Young was born on February 4, 194 in Liberty City, Miami, Florida. He died after a ten year struggle with diabetes on April 21, 2010 in Overtown, Miami, Florida. In November, 2006, he was the subject of a major retrospective at the Boca Raton Museum. In January, 2007, he was the Director’s Choice artist of Art Miami and a monumental archway of his work greeted visitors to the Miami Convention center. A steady stream of articles, publications, and solo exhibitions followed, including recent shows at the Merton D. Simpson Gallery in New York (2014), the Museum of Contemporary Art in North Miami (2015), and the Rubell Collection’s Thirty Americans show in Miami (2015). Purvis lived his entire life in Overtown, Miami’s black ghetto. For over thirty-five years, he painted in a series of abandoned, rat-infested warehouses. Previously a prosperous black community, Overtown was once billed as the “Harlem of the South”. In the 1960s, it was largely destroyed by the building of Highway I-95 and now has one of the highest drug-use and crime rates in Florida. Adjoining the compound where Young lives with his common law wife is an alley called “ Bucket of Blood“ with the highest incidence of murder in the greater Miami area. Interestingly, nobody bothered Purvis, the local icon. Everyone respectfully called him “Mr. Young“. In a community virtually without hope, he was the singular example of someone who “broke out“. Even though Purvis Young’s work is in over sixty museums, including the Smithsonian and the Corcoran, and innumerable collections such as the Rubell Family Collection, Purvis never thought of leaving Overtown. Because he could never afford canvas, Purvis painted on every surface available to him –- discarded plywood and cardboard, refrigerator doors, table tops, scraps of fabric and metal trays– mostly brought to him by scavengers in his neighborhood. He creatively “recycled” long before it was fashionable or profitable. Though until recently Purvis was confined to a ghetto of another sort- that of “Outsider Art “ – his highly expressionistic work can best be described as “magical realism“. His paintings are populated with angels who watch over turbulent cityscapes, faces reminiscent of an imagined Zulu past, and symbols of freedom and escape – wild horses, trucks, and the flimsy craft of Haitian boat...

Artist’s Bio Purvis Young: Born: February 4, 1943, Liberty City, Miami, FL Died: April 21, 2010 Overtown, Miami, FL In the award winning, feature-length documentary, Purvis of Overtown, famed actress and collector, Jane Fonda, describes her reaction to Purvis Young’s art in these words: “All I knew was that there’s something really powerful and profound going on here. But the first thing that struck me was the hopefulness of the work.” In 2006, when the movie was released, hopefulness was in short supply for Purvis Young. Ironically, just as international fame was coming his way, he was on the losing end of ten-year battle with diabetes. The artist was surviving thanks to dialysis sessions three times a week. Despite the fatigue induced by the treatments, he kept working. A kidney transplant gave him a reprieve and he painted unceasingly until his death in 2010. “ Everyday, “ Young confided to his exclusive New York dealer, Daniel Aubry, “ I prays to be great….” “I thought he’d be painting into his eighties and nineties like Picasso and Matisse,” says Aubry, “ just getting better all the time.” Young’s greatness is increasingly acknowledged by a once skeptical art world. In November, 2006, he was the subject of a major retrospective at the Boca Raton Museum. In January, 2007, he was the Director’s Choice artist of Art Miami and a monumental archway of his work greeted visitors to the Miami Convention center. A steady stream of articles, publications, and solo exhibitions followed, including recent shows at the Merton D. Simpson Gallery in New York (2014), the Museum of Contemporary Art in North Miami (2015), and the Rubell Collection’s Thirty Americans show in Miami (2015). And the attention continues to grow. In a November, 2015 article in the New York Times, Randy Kennedy notes “ After decades of spotty acquisitions, undernourished scholarship and token exhibitions, American museums are rewriting the history of 20th-century art to include black artists in a more visible and meaningful way than ever before, playing historical catch-up at full tilt, followed by collectors who are rushing to find the most significant works before they are out of reach.” Purvis lived his entire life in Overtown, Miami’s black ghetto. For over thirty-five years, he painted in a series of abandoned, rat-infested warehouses. Previously a prosperous black community, Overtown was once billed as the “Harlem of the South”. In the 1960s, it was largely destroyed by the building of Highway I-95 and now has one of the highest drug-use and crime rates in Florida. Adjoining the compound where Young lives with his common law wife is an alley called “ Bucket of Blood“ with the highest incidence of murder in the greater Miami area. Interestingly, nobody bothered Purvis, the local icon. Everyone respectfully called him “Mr. Young“. In a community virtually without hope, he was the singular example of someone who “broke out“. Even though Purvis Young’s work is in over sixty museums, including the Smithsonian and the Corcoran, and innumerable collections such as the Rubell Family Collection, Purvis never thought of leaving Overtown. “I paint what I sees…I paint the problems of the world.“ said Young and in public he wore dark glasses to “hide his tears” at the injustice and sadness he witnessed every day. Because he could never afford canvas, Purvis painted on every surface available to him –- discarded plywood and cardboard, refrigerator doors, table tops, scraps of fabric and metal trays– mostly brought to him by scavengers in his neighborhood. He creatively “recycled” long before it was fashionable or profitable. Though until recently Purvis was confined to a ghetto of another sort- that of “Outsider Art “ – his highly expressionistic work can best be described as “magical realism“. His paintings are populated with angels who watch over turbulent cityscapes, faces reminiscent of an imagined Zulu past, and symbols of freedom and escape – wild horses, trucks, and the flimsy craft of Haitian boat people plowing through shark-infested waters to journey to these shores. “I look at the wildlife” says Young, referring to the National Geographic channel which he watches on T.V. while painting, “in alternation with the History channel”. “I see the Monarch Butterfly go from here to Mexico and the wild geese go from here to South America. I look at stuff like that and I say that’s the way I want to be, you know. I want to be free.” Three years in prison will do that to a man, which is the time Purvis spent in jail for breaking and entering in his late teens. “When I was in my cell one night, “ Purvis remembers,” I woke up and the angels came to me and I told ‘em, you know, hey man this is not my life – and they said they were gonna make a way for me, you know…” That way was Art. If any man bears witness to the value of the Public Library system, it’s Purvis Young. “He’s like a kind of Rocky figure, “ says Barbara Young...

Abstract Impressionist oil painting of figures appearing to be in movement. Painting is mainly black, orange and yellow tones. Framed in a wooden frame with a black matte. Artist Biography: Purvis Young was born on February 4, 194 in Liberty City, Miami, Florida. He died after a ten year struggle with diabetes on April 21, 2010 in Overtown, Miami, Florida. In November, 2006, he was the subject of a major retrospective at the Boca Raton Museum. In January, 2007, he was the Director’s Choice artist of Art Miami and a monumental archway of his work greeted visitors to the Miami Convention center. A steady stream of articles, publications, and solo exhibitions followed, including recent shows at the Merton D. Simpson Gallery in New York (2014), the Museum of Contemporary Art in North Miami (2015), and the Rubell Collection’s Thirty Americans show in Miami (2015). Purvis lived his entire life in Overtown, Miami’s black ghetto. For over thirty-five years, he painted in a series of abandoned, rat-infested warehouses. Previously a prosperous black community, Overtown was once billed as the “Harlem of the South”. In the 1960s, it was largely destroyed by the building of Highway I-95 and now has one of the highest drug-use and crime rates in Florida. Adjoining the compound where Young lives with his common law wife is an alley called “ Bucket of Blood“ with the highest incidence of murder in the greater Miami area. Interestingly, nobody bothered Purvis, the local icon. Everyone respectfully called him “Mr. Young“. In a community virtually without hope, he was the singular example of someone who “broke out“. Even though Purvis Young’s work is in over sixty museums, including the Smithsonian and the Corcoran, and innumerable collections such as the Rubell Family Collection, Purvis never thought of leaving Overtown. Because he could never afford canvas, Purvis painted on every surface available to him –- discarded plywood and cardboard, refrigerator doors, table tops, scraps of fabric and metal trays– mostly brought to him by scavengers in his neighborhood. He creatively “recycled” long before it was fashionable or profitable. Though until recently Purvis was confined to a ghetto of another sort- that of “Outsider Art “ – his highly expressionistic work can best be described as “magical realism“. His paintings are populated with angels who watch over turbulent cityscapes, faces reminiscent of an imagined Zulu past, and symbols of freedom and escape – wild horses, trucks, and the flimsy craft of Haitian boat...