Ramananda Bandopadhayay More Art

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Moises Zabludovsky (Mexican, 1959-) Bull Fight Mixed Media Work on paper, watercolor; ink and pastel on paper 1979 Hand signed and dated. Dimensions: Frame: 28.5 X 36.5. Image: 22.5 X 30 Abstract Modernist Mexican bullfighting image. Born in Mexico City. His first training in art was in 1969 when he started working with Silvia Gonzalez and later on in the Arcai Atelier in Paris. At 18, he held his first exhibition at the Museo de Arte Moderno of Mexico City and he went on to display his work at the International Biennale of the Bronx Museum in New York City. He grew up around the Mer Kup Gallery, run by his maternal grandmother, Merl de Kuper, where he presented his work in several group exhibitions and three solo shows (1979, 1981, and 1985). She was a champion of many important mexican modernist artists including artists like Pedro friedeberg, Feliciano Bejar, Mathias Goeritz, Diego Rivera, Sebastián, and José Luis Cuevas.Moises Zabludovsky exhibited at the National Center for the Arts in 2011 and at the Museo El Eco of the National Autonomous University of Mexico. He has exhibited paintings and sculptures at the Museum of Modern Art, the Jose Luis Cuevas Museum, Metropolitana in Mexico City. He has successful shows at prominent art galleries like the Miro Gallery in Monterrey, Palacio de Bellas Artes and Museo Carrillo Gil in Mexico City. He also had some international shows in Florida and Latin America. In 1982 he was awarded a degree in graphic design from Parsons University. He has received numerous awards and exhibited widely since the early 1990's. He is known both for his oil painting as well as for his ceramic and bronze bullfighting sculpture. In 1978, he received an honorable mention at the First Ibero-American Painting Biennial, where Carlos Merida and Rufino Tamayo were on the jury. He was part of the Emerging Decade generation whose members participated in the exhibitions bearing that name at the Museo Universitario del Chopo in 1984 and 1994, the latter titled An Emerging Decade, a Decade Later . He also participated in the Salón dès Aztecs, a renowned alternative space for Mexican art In the show Nuevas tendencias (New Trends) at the Museum of Modern Art in Mexico City. That same year, he also exhibited at the International Biennial at the Bronx Museum in New York. He continued his studies at the Metropolitan University of Mexico City and simultaneously exhibited at various galleries and museums: the Mer-Kup Gallery and the Miró Gallery in Monterrey, Nuevo León; the Palacio de Bellas Artes; the Carrillo Gil Art Museum; and, outside the country, in Florida and at the Traveling Young Art Exhibition organized by the Mexican Ministry of Foreign Affairs. as well as in art galleries in Mexico and the United States. His father was the famous professor and architect Abraham Zabludovsky known for his brutalist architecture masterpieces among them the iconic Museo Rufino Tamayo. His work is featured in two buildings designed by his father, Abraham Zabludovsky (1924-2003): the Byzantine mosaic mural 'The Applause' in the Guanajuato State Auditorium (1990) and the sculpture 'The Caravan' in the Poliforum, Auditorium and Convention Center in Tuxtla Gutiérrez, Chiapas (1993). Moises Zabludovsky has shown with Antonio Galvan Duque, Jose Sacal, Tomas Gomez Robledo, Renato Gonzalez, Fitzia, Luis Argudin, Luis Granda, Jose Antonio Gurtubay, Heriberto Mendez, Vlady, Omar Manueco, Jesus Urbieta, Miguel Angel Garrido, Carlos Nakatani, Miguel Castro Lenero, Jose Luis Serrano, Humberto Oramas, Gabriel Macotela, Nicolas Moreno, Luis Nishizawa, Gilberto Navarro, Fernando Castro Pacheco...

Moises Zabludovsky (Mexican, 1959-) Bull Fight Mixed Media Work on paper, watercolor; ink and pastel on paper 1979 Hand signed and dated. Dimensions: Frame: 28.5 X 36.5. Image: 22.5 X 30 Abstract Modernist Mexican bullfighting image. Born in Mexico City. His first training in art was in 1969 when he started working with Silvia Gonzalez and later on in the Arcai Atelier in Paris. At 18, he held his first exhibition at the Museo de Arte Moderno of Mexico City and he went on to display his work at the International Biennale of the Bronx Museum in New York City. He grew up around the Mer Kup Gallery, run by his maternal grandmother, Merl de Kuper, where he presented his work in several group exhibitions and three solo shows (1979, 1981, and 1985). She was a champion of many important mexican modernist artists including artists like Pedro friedeberg, Feliciano Bejar, Mathias Goeritz, Diego Rivera, Sebastián, and José Luis Cuevas.Moises Zabludovsky exhibited at the National Center for the Arts in 2011 and at the Museo El Eco of the National Autonomous University of Mexico. He has exhibited paintings and sculptures at the Museum of Modern Art, the Jose Luis Cuevas Museum, Metropolitana in Mexico City. He has successful shows at prominent art galleries like the Miro Gallery in Monterrey, Palacio de Bellas Artes and Museo Carrillo Gil in Mexico City. He also had some international shows in Florida and Latin America. In 1982 he was awarded a degree in graphic design from Parsons University. He has received numerous awards and exhibited widely since the early 1990's. He is known both for his oil painting as well as for his ceramic and bronze bullfighting sculpture. In 1978, he received an honorable mention at the First Ibero-American Painting Biennial, where Carlos Merida and Rufino Tamayo were on the jury. He was part of the Emerging Decade generation whose members participated in the exhibitions bearing that name at the Museo Universitario del Chopo in 1984 and 1994, the latter titled An Emerging Decade, a Decade Later . He also participated in the Salón dès Aztecs, a renowned alternative space for Mexican art In the show Nuevas tendencias (New Trends) at the Museum of Modern Art in Mexico City. That same year, he also exhibited at the International Biennial at the Bronx Museum in New York. He continued his studies at the Metropolitan University of Mexico City and simultaneously exhibited at various galleries and museums: the Mer-Kup Gallery and the Miró Gallery in Monterrey, Nuevo León; the Palacio de Bellas Artes; the Carrillo Gil Art Museum; and, outside the country, in Florida and at the Traveling Young Art Exhibition organized by the Mexican Ministry of Foreign Affairs. as well as in art galleries in Mexico and the United States. His father was the famous professor and architect Abraham Zabludovsky known for his brutalist architecture masterpieces among them the iconic Museo Rufino Tamayo. His work is featured in two buildings designed by his father, Abraham Zabludovsky (1924-2003): the Byzantine mosaic mural 'The Applause' in the Guanajuato State Auditorium (1990) and the sculpture 'The Caravan' in the Poliforum, Auditorium and Convention Center in Tuxtla Gutiérrez, Chiapas (1993). Moises Zabludovsky has shown with Antonio Galvan Duque, Jose Sacal, Tomas Gomez Robledo, Renato Gonzalez, Fitzia, Luis Argudin, Luis Granda, Jose Antonio Gurtubay, Heriberto Mendez, Vlady, Omar Manueco, Jesus Urbieta, Miguel Angel Garrido, Carlos Nakatani, Miguel Castro Lenero, Jose Luis Serrano, Humberto Oramas, Gabriel Macotela, Nicolas Moreno, Luis Nishizawa, Gilberto Navarro, Fernando Castro Pacheco...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

America Martin "Woman in Yellow with Stripes" Pastel & ink on Japanese Paper 43" x 31" Image 50.25" x 37.75" Overall, Framed Exploring the identity of both her namesake and country...

Magdalena Morey Exploring Every Path 4 Original Cubist Inspired Landscape Painting Mixed Media on Canvas Canvas Size: H 30cm x W 30cm x D 3.5cm Sold Unframed (Please note that in sit...

Artist : Ryan Wilks Title: Quarantine Medium: India ink, chalk pastel, graphite on canvas. Year: 2020 Size: 60W" x 72H" Description : This response to Covid...

Marker, ink, acrylic, pastel & watercolor on paper, Unstretched Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studi...

"Rue St. Marguerite" Montreal Street Scene in Watercolor, Pastel, and India Ink Vibrant drawing of Montreal, Canada, by Richard D. Wilson (Canadian, 1920-1994). A street scene of 1960s Montreal, complete with cars, people walking and crisscrossing telephone and power lines...

Rich Seated 3 is a contemporary nude painting by Judith Brenner. This is an original drawing from life on paper using acrylic, pan pastel , ink and watercolour pencil. The idea is to...

Date: 1944 Medium: Oil, Pastel, and Ink on Board Dimensions: 26.50" x 17.00" Signature: Unsigned original movie poster art design, for the 1944 film ...