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Red Grooms Portrait Prints

American, b. 1937
Charles Roger Grooms was born in 1937 in Nashville, Tennessee, a city that, with its lively honky-tonk scene and the theatricality of the historic Grand Ole Opry, would later influence much of his work. Nicknamed for his ginger hair, Red enrolled at the Art Institute of Chicago in 1955. A self-proclaimed “restless and undisciplined student,” Grooms spent the next few years moving between schools and cities, including the New School in New York, Peabody College (now part of Vanderbilt University) in Nashville, and Hans Hofmann’s summer school in Provincetown, Massachusetts. Frustrated with the academic track and anxious to enter the New York art scene, Grooms abandoned formal education to focus exclusively on creating art and securing exhibition opportunities in his Chelsea neighborhood. There, he found quick success and a supportive circle of artists that became close friends and collaborators. From the start of his career, Grooms has worked in multiple media, from painting, printmaking, and sculpture, to installation art, filmmaking, and theatrical experiences known as “Happenings.” Much of his art blurs the boundaries between these different forms, such as his large-scale, carefully-crafted environments he calls “sculpto-pictoramas,” and smaller objects like Dalí Salad. In this example, Grooms combines silkscreened and lithographic elements with a wooden base and acrylic dome to create a three-dimensional portrait of the famous Surrealist artist. Grooms is perhaps best known for his colorful and comedic commentary on the culture, politics, and figures associated with the American urban environment and art historical traditions. Relying on satire and caricature, Grooms’ art has paid homage to a wide range of artists including Rembrandt, Auguste Rodin, Thomas Eakins, and Benjamin West, as well as national icons like Thomas Jefferson and Chuck Berry. Grooms’ disparate output is so difficult to classify that he has been compared to the influential Dada artist, Marcel Duchamp. Like Duchamp, Grooms often deliberately confronts the art world establishment, noting in 1974 that “it’s good to have . . . something to go against.” Despite his affinity for defying the mainstream, Grooms is routinely cited by scholars as one of the leading American artists of his generation and was honored with the National Academy of Design’s Lifetime Achievement Award in 2003. The subject of a 1984 mid-career retrospective exhibition held at the Pennsylvania Academy of the Fine Arts, the artist’s work can be found in public collections across the United States, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Hirshhorn Museum and Sculpture Garden, as well as in many international museums. - The Johnson Collection, Spartanburg, South Carolina
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Artist: Red Grooms
Red Grooms, Mr. Chuck Berry, color silkscreen with 3-D collage, signed/n framed
By Red Grooms
Located in New York, NY
Red Grooms Mr. Chuck Berry, 1978 Original silkscreen in colors with 3D construction and die-cut collage on paper Signed and numbered 9/25 AP in graphite pencil on the front Frame inc...
Category

1970s Pop Art Red Grooms Portrait Prints

Materials

Screen, Mixed Media

Goya's Demons
By Red Grooms
Located in New York, NY
Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...
Category

21st Century and Contemporary Contemporary Red Grooms Portrait Prints

Materials

Etching

HEADS UP D.H.
By Red Grooms
Located in Aventura, FL
Etching and aquatint, 1980, on BFK Rives, signed and titled in pencil, numbered 18/26. Published by Brooke Alexander, with full margins. Artwork is in excellent condition. Certificat...
Category

1980s Contemporary Red Grooms Portrait Prints

Materials

Etching, Aquatint, Paper

Fats Domino
By Red Grooms
Located in New York, NY
Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhattan from Battery Park to Grant’s tomb,” Grooms explained. The comic-book inspired interactive installation included iconic landmarks—the subway, Central Park, the Apollo Theater...
Category

1980s Pop Art Red Grooms Portrait Prints

Materials

Lithograph

Aubrey Beardsley
By Red Grooms
Located in New York, NY
Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhattan from Battery Park to Grant’s tomb,” Grooms explained. The comic-book inspired interactive installation included iconic landmarks—the subway, Central Park, the Apollo Theater...
Category

21st Century and Contemporary Contemporary Red Grooms Portrait Prints

Materials

Etching

Saskia
By Red Grooms
Located in New York, NY
Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...
Category

21st Century and Contemporary Contemporary Red Grooms Portrait Prints

Materials

Monoprint

Saskia
By Red Grooms
Located in New York, NY
Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...
Category

21st Century and Contemporary Contemporary Red Grooms Portrait Prints

Materials

Etching

Aubrey Beardsley
By Red Grooms
Located in New York, NY
Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...
Category

21st Century and Contemporary Contemporary Red Grooms Portrait Prints

Materials

Monoprint

Giacometti
By Red Grooms
Located in New York, NY
Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...
Category

21st Century and Contemporary Contemporary Red Grooms Portrait Prints

Materials

Etching

Napolean and Josephine
By Red Grooms
Located in New York, NY
Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...
Category

21st Century and Contemporary Contemporary Red Grooms Portrait Prints

Materials

Etching

"Matisse Cut Outs V"
By Red Grooms
Located in Lyons, CO
Color monotype with hand coloring and collage
Category

2010s Contemporary Red Grooms Portrait Prints

Materials

Monotype

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Robert Longo, Aluminum Nights, NYC Pop art realist lithograph, signed 113/250
By Robert Longo
Located in New York, NY
Robert Longo Aluminum Nights, 1981 Offset Lithograph and lithograph 28 × 20 inches Boldly signed in black marker by Robert Longo; pencil numbered 114 from the limited edition of 250 on the verso Unframed Aluminum Nights was a 10-year anniversary festival and artist fundraiser at Bond’s. The marathon event saw a capacity audience of many hundreds, and featured an array of performances by artists. Solo and ensemble performances were complemented by video programs over the course of the festival. The roster of artists and presenters included: Eric Bogosian, Brian Eno, David Byrne, Glenn Branca, Nam June Paik, Rhys Chatham, John Giorno, Meredith Monk, Philip Glass, Robert Ashley, Steve Reich, Robert Longo and many more. Designed by Jo Bonney and Robert Longo. Signed by Robert Longo. Hand signed by Robert Longo in black marker on the recto Collectors item! Wonderful retro piece from the early 1980s art scene in lower Manhattan. This will look gorgeous in any room in the home or office - or in a dance studio! Robert Longo Biography Robert Longo was born in 1953 in Brooklyn and grew up in Long Island, New York. He graduated high school in 1970, weeks after the Ohio National Guard massacred several students at Kent State University who were protesting the U.S. invasion of Cambodia. One of those killed was a former classmate of Longo’s, and his body was shown in a Pulitzer Prize-winning photograph that was seen across the world. The event shocked Longo, triggering his interest in political activism and media imagery. In 1972, Longo received a grant to study restoration and art history in Florence. While touring the museums of Europe, he realized he wanted to make, rather than restore art. In 1973, Longo enrolled at Buffalo State College, where he worked for artists Paul Sharits and Hollis Frampton, who introduced him to structuralist filmmaking. Along with Charles Clough, Longo also co-founded Hallwalls (1974–ongoing), an alternative non-profit art exhibition space where he organized shows and talks with artists such as John Baldessari, Lynda Benglis, Robert Irwin, Joan Jonas, Bruce Nauman, and Richard Serra. At Buffalo State, Longo started a friendship–that still exists to this day–with Cindy Sherman, and in 1977 the two moved to New York together, where Longo began working as a studio assistant to Vito Acconci and Dennis Oppenheim. That year he was included in the exhibition Pictures at Artist’s Space, curated by Douglas Crimp, which showcased work by a group of five young artists who were engaged with the politics of image-making, drawing from advertisements, newspapers, film, and television. The “Pictures Generation,” as they became known, included artists such as Cindy Sherman, Richard Prince, Louise Lawler, David Salle, and drew from semiotics and poststructuralist theory to investigate the way meaning is made and circulated in modern society. Their work often critiqued the anaesthetizing power of consumer capitalism and the indoctrinating effects of mass media. At his first solo show at Metro Pictures in 1981, Longo presented his charcoal and graphite Men in the Cities drawings, which instantly became icons of the “Pictures Generation,” and some of the most recognizable artworks of the 1980s. Longo performed in New York rock clubs with the band Menthol Wars with Richard Prince, throughout the 1980s. During that period, he also designed numerous album covers, including Glenn Branca’s The Ascension (1981) and The Replacements’ Tim (1985). In 1986, he directed his first music video for New Order’s chart-topping song Bizarre Love Triangle, and the following year directed The One I Love, a video for R.E.M.’s first hit single. Longo began working with diverse materials at increasingly ambitious scales. His Combines series, first exhibited in 1983, incorporated materials such as paint, graphite, wood, plaster, cast bronze, and steel in works that were part-painting, part-sculptural reliefs. Using Sergei Eisenstein’s theory of montage to juxtapose conflicting imagery and forms, they touched on many of the themes of war, alienation, and consumption that have remained central to Longo’s practice. The Combines were followed in 1990 by Black Flags, a series of cast bronze American Flags...
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Alone
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Previously Available Items
van Gogh with Sunflowers
By Red Grooms
Located in Brooklyn, NY
Artwork may be viewed at our warehouse in Brooklyn. Additional images and information are available upon request.
Category

1980s Pop Art Red Grooms Portrait Prints

Materials

Lithograph

The Existentialist, Alberto Giacometti, Monumental Woodcut by Red Grooms
By Red Grooms
Located in Long Island City, NY
Artist: Red Grooms, American (1937 - ) Title: The Existentialist (Portrait of Giacometti) Year: 1984 Medium: Woodcut in colors, signed and numbered in pencil Edition: 13/15 Size: 75...
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1980s Pop Art Red Grooms Portrait Prints

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Woodcut

London Bus
By Red Grooms
Located in New York, NY
Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...
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1980s Pop Art Red Grooms Portrait Prints

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Lithograph

London Bus
H 39.5 in W 25.5 in
Fats Domino
By Red Grooms
Located in New York, NY
This 3-D offset-lithographic cut-out paper sculpture construction and Lucite box was created in 1984. From the unsigned edition measuring 17 ¼ x 20 ½ x 17 ½ in. (43.8 x 52 x 44.5 cm.).
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20th Century Contemporary Red Grooms Portrait Prints

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Lithograph, Lucite, Offset, Paper

Fats Domino
H 17.25 in W 17.5 in D 20.5 in

Red Grooms portrait prints for sale on 1stDibs.

Find a wide variety of authentic Red Grooms portrait prints available for sale on 1stDibs. You can also browse by medium to find art by Red Grooms in monotype, etching, aquatint and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Red Grooms portrait prints, so small editions measuring 15 inches across are available. Customers who are interested in this artist might also find the work of Ned Martin, Harry Adams, and Henry Diltz. Red Grooms portrait prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,000 and tops out at $8,000, while the average work can sell for $2,500.
Questions About Red Grooms Portrait Prints
  • 1stDibs ExpertJune 6, 2024
    Here are some interesting facts about Red Grooms: His given name is Charles Rogers Grooms, but he began going by his nickname after a gallery owner started calling him "Red" due to the vibrant color of his ginger hair. He was born in Nashville, Tennessee, but has lived in New York City for more than 40 years. While still a student, Grooms struggled to find an academic program that was the right fit and switched schools a few times, attending the New School in New York, Peabody College in Nashville and a summer school run by Hans Hofmann in Provincetown, Massachusetts. He is well known for his large “sculpto-pictogramas,” which combine elements of painting and sculpture. The National Academy of Design presented Grooms with a Lifetime Achievement Award in 2003. On 1stDibs, shop a range of Red Grooms art.
  • 1stDibs ExpertApril 5, 2022
    Red Grooms, an American painter and sculptor, is best known for his life-size Pop art, which are known as “sculpto-pictoramas.” Ruckus Manhattan is the most famous of these, created by Grooms in 1975 with help from his assistants. It includes a model of the World Trade Center that’s 30 feet tall, a swaying Brooklyn Bridge, and a 15-foot-tall Statue of Liberty. On 1stDibs, shop a selection of Red Grooms artwork from top sellers worldwide.

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