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Rembrandt van Rijn Prints and Multiples

Dutch, 1606-1669
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
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Artist: Rembrandt van Rijn
Self Portrait, Drawing at the Window
By Rembrandt van Rijn
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: Self Portrait, Drawing at the Window Year: 1648 Medium: Etching Paper: Verge paper Image (plate mark) size: 6.35 x 5.25 inch...
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Mid-17th Century Old Masters Rembrandt van Rijn Prints and Multiples

Materials

Etching

Bust of a Man Wearing a High Cap, The Artist's Father
By Rembrandt van Rijn
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: Bust of a Man Wearing a High Cap, The Artist's Father Year: 1630 Medium: Etching Paper: Verge paper Image (plate mark) size: ...
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Mid-17th Century Old Masters Rembrandt van Rijn Prints and Multiples

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Etching

The Archangel Raphael Leaving Tobias' Family - Etching by Rembrandt - 1641
By Rembrandt van Rijn
Located in Roma, IT
The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt executed in 1641. This etching is a proof of the 3rd state (of 4) before of the diagonals on the ground at the...
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1640s Old Masters Rembrandt van Rijn Prints and Multiples

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Etching

Peter and John Healing the Cripple at the Gate... - Etching by Rembrandt - 1659
By Rembrandt van Rijn
Located in Roma, IT
Etching, excellent proof of II state on IV, before the retouching of the ground and the vault on the right, margin line. Ref. Bartsch, Hollstein 94; Hind 301; New Hollstein 312; Sto...
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1650s Old Masters Rembrandt van Rijn Prints and Multiples

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Etching

17th century etching Rembrandt biblical scene crucifixion figures
By Rembrandt van Rijn
Located in Milwaukee, WI
Rembrandt's print 'Christ Crucified Between Two Thieves: an oval plate' is one of the most captivating of the artist's oeuvre. Etched to an oval rather than a rectangular plate and t...
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1640s Dutch School Rembrandt van Rijn Prints and Multiples

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Paper, Etching, Printer's Ink, Drypoint

The Beheading of St. John the Baptist - Etching by Rembrandt - 1640
By Rembrandt van Rijn
Located in Roma, IT
Beautiful proof of I state on III before the white space under the sword is covered. Without Margins. Very good condition. Ref. Bartsch 92; Biörklund 40-B; Hollstein (White and Bo...
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1640s Old Masters Rembrandt van Rijn Prints and Multiples

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Etching

17th century etching Rembrandt landscape house trees field sky cow
By Rembrandt van Rijn
Located in Milwaukee, WI
This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998. Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...
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17th Century Renaissance Rembrandt van Rijn Prints and Multiples

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Etching

Beggar Seated on a Bank by Rembrandt Van Rijn
By Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn 1606-1669 Dutch Beggar Seated on a Bank Etching on paper New Hollstein's first state of two Signed and dated in plate "RHL 1630" (lower center) This remarkable...
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17th Century Old Masters Rembrandt van Rijn Prints and Multiples

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Paper, Etching

Naked Woman on a Mound by Rembrandt van Rijn
By Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn 1606-1669 Dutch Naked Woman on a Mound Etching on paper Etched by Rembrandt New Hollstein 88, second state of II; Bartsch, Hollstein 198; Hind 43 One of the gr...
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17th Century Old Masters Rembrandt van Rijn Prints and Multiples

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Etching

Death Appearing to a Wedded Couple from an Open Grave
By Rembrandt van Rijn
Located in New York, NY
REMBRANDT HARMENSZ. VAN RIJN 1606 Leiden Amsterdam 1669 Death Appearing to a Wedded Couple from an Open Grave 1639 drypoint and etching; 109 x 78 mm Bartsch 109, White/Boon only s...
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1630s Old Masters Rembrandt van Rijn Prints and Multiples

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Drypoint, Etching

La circoncision dans l'étable - Original Etching by Rembrandt - 1654
By Rembrandt van Rijn
Located in Roma, IT
Rembrandt van Rijn (1696-1669), La circoncision dans l’étable, 1654 Etching on watermarked paper. Beautiful artist’s proof, signed and dated in plate higher-left : “Rembrandt 1654”...
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1650s Old Masters Rembrandt van Rijn Prints and Multiples

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Etching

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Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Vespera; Der Abend (Evening; The Evening)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.5" x 16.63" Image size: 17.38" x 13.63" Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
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1720s Old Masters Rembrandt van Rijn Prints and Multiples

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Meridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Meridies; Der Mittag (Noon; The Midday)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.5" x 16.32" Image size: 18.13" x 14.32" Condition: Soft handling creases and folds to sheet. A few light areas of staining and scattered small areas of discoloration in margins. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
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1720s Old Masters Rembrandt van Rijn Prints and Multiples

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The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters
Located in Saint Augustine, FL
Artist: Lambrecht Hopfer (German, Active c. 1525-1550) Title: "The Crucifixion (Christ on the Cross)" Portfolio: (after) The Engraved Passion *Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right Circa: 1530 (second state of three, published c. 1690) Medium: Original Etching on laid paper Limited edition: Unknown Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass Framed size: 14.88" x 13.88" Sheet size: 5.5" x 3.63" Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition Very rare Notes: Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74). "The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK Biography: Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...
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16th Century Old Masters Rembrandt van Rijn Prints and Multiples

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Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.57" x 16.38" Image size: 17.75" x 14" Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
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1720s Old Masters Rembrandt van Rijn Prints and Multiples

Materials

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"End of Day" Original Limited Edition Etching
Located in Soquel, CA
"End of Day" Original Limited Edition Etching by John McGrath (Irish/American b.1884 d.1942). This etching depicts a man with a tool slung over his shoulder walking along a path th...
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Early 20th Century American Realist Rembrandt van Rijn Prints and Multiples

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The Windmill by François Vivares, after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
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Mid-18th Century Old Masters Rembrandt van Rijn Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

Beggar man and woman coming from behind a bank – after Rembrandt van Rijn
By Charles Amand Durand
Located in Middletown, NY
Etching on cream laid paper laid down to a wove paper support, 4 x 2 5/8 inches (101 x 67 mm) (sheet). In good condition with scattered light areas of discoloration. Printed early 19...
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17th Century Old Masters Rembrandt van Rijn Prints and Multiples

Materials

Laid Paper, Etching

Young Man in a Velvet Cap (Ferdinand Bol) by James Bretherton, after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Etching and drypoint on heavy cream laid paper, 3 3/4 x 3 1/4 inches (96 x 83 mm), narrow margins. In very good condition with some minor surface soiling. [Björklund's second state ...
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18th Century Old Masters Rembrandt van Rijn Prints and Multiples

Materials

Etching

Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
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1770s Old Masters Rembrandt van Rijn Prints and Multiples

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Etching

Study of a Head
By Wenceslaus Hollar
Located in Middletown, NY
By Wenceslaus Hollar, after Jan Van Bylert (Biler) Etching on cream laid paper, 3 7/16 x 2 3/4 inches (87 x 70 mm), thread margins. Lacking the inscription in the plate; "Felix Bil...
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17th Century Old Masters Rembrandt van Rijn Prints and Multiples

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Laid Paper, Etching

Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
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Early 18th Century Old Masters Rembrandt van Rijn Prints and Multiples

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Etching, Engraving, Drypoint

"Drowsy Bums" - Mid Century Figurative San Francisco Dock Landscape
By John Stoll
Located in Soquel, CA
Figurative landscape capturing dock workers' afternoon break by John Theodore Edward Stoll (b. Germany; 1889, d. California; 1974). Signed "John Stoll" lower right. Titled "Drowsy Bu...
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1940s American Impressionist Rembrandt van Rijn Prints and Multiples

Materials

Paper, Printer's Ink, Etching

Previously Available Items
The Artist's Mother
By Rembrandt van Rijn
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: The Artist's Mother Year: 1631 Medium: Etching Paper: Verge paper Image (plate mark) size: 3.35 x 2.5 inches Framed size. 22...
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Mid-17th Century Old Masters Rembrandt van Rijn Prints and Multiples

Materials

Etching

Christ and the Woman of Samaria
By Rembrandt van Rijn
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: Christ and the Woman of Samaria Year: 1634 Medium: Etching Paper: Verge paper Image (plate mark) size: 4.75 x 4.25 inches Fr...
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Mid-17th Century Old Masters Rembrandt van Rijn Prints and Multiples

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Etching

The Golf Player
By Rembrandt van Rijn
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: The Golf Player Year : 1654 Medium: Etching Paper: Verge paper Image (plate mark) size: 3.75 x 5.85 inches Framed size. 22...
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Mid-17th Century Old Masters Rembrandt van Rijn Prints and Multiples

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Etching

The Golf Player
The Golf Player
H 22 in W 23.75 in D 1.5 in
The Card Player
By Rembrandt van Rijn
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: The Card Player Year : 1641 Medium: Etching Paper: Verge Image (plate mark) size: 3.5 x 3.125 inches Signature: Signed and...
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Mid-17th Century Old Masters Rembrandt van Rijn Prints and Multiples

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Etching

The Card Player
The Card Player
H 21.75 in W 21.5 in D 1.5 in
The Death of the Virgin - Etching by Rembrandt - 1639
By Rembrandt van Rijn
Located in Roma, IT
The Death of the Virgin is an etching by Rembrandt executed in 1639. Signed and dated in the plate. The state of preservation is good. Foxings and browning of the paper due to the ...
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1630s Old Masters Rembrandt van Rijn Prints and Multiples

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Etching

Jan Uytenbogaert, Preacher of the Remonstrants by Rembrandt van Rijn
By Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn 1606-1669 Dutch Jan Uytenbogaert, Preacher of the Remonstrants New Hollstein Dutch and Flemish (Rembrandt) 153, state 4/9 Bartsch 279, state 4/6 Printed by Remb...
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17th Century Old Masters Rembrandt van Rijn Prints and Multiples

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Paper, Etching

Blind Playing the Violin - Etching by Rembrandt - 19th Century
By Rembrandt van Rijn
Located in Roma, IT
Blind Playing the Violin is an etching on ivory-colored paper realized after an etching by Rembrandt. This wonderful piece of art belongs to a late 19th-century edition.  Good cond...
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19th Century Old Masters Rembrandt van Rijn Prints and Multiples

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Etching

Three Oriental Figures (Jacob and Laban?) - Etching on Laid Paper
By Rembrandt van Rijn
Located in Soquel, CA
Three Oriental Figures (Jacob and Laban?) - Etching on Laid Paper, Rembrandt van Rijn. Print from the second state of Rembrandt's "Three Oriental Figures (Jacob and Laban?)" in its ...
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18th Century Old Masters Rembrandt van Rijn Prints and Multiples

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Rag Paper, Etching

Rembrandt van Rijn Self Portrait Leaning on a Stone Sill - Etching on Laid Paper
By Rembrandt van Rijn
Located in Soquel, CA
Rembrandt van Rijn Self Portrait Leaning on a Stone Sill - Etching on Laid Paper Etching from the second state of Rembrandts Self Portrait Leaning on a Stone Sill. This print on lai...
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1630s Renaissance Rembrandt van Rijn Prints and Multiples

Materials

Rag Paper, Etching

A Scholar in his Study (Faust) - Etching by Rembrandt - 1652 ca.
By Rembrandt van Rijn
Located in Roma, IT
Etching, drypoint and buring realized by Rembrandt in 1652 ca. Lifetime impression, rare New Hollstein's II State on VII. One of Rembrandt's most enigmatic etchings, it represents a...
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1650s Old Masters Rembrandt van Rijn Prints and Multiples

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Etching

Saint Jerome in Prayer - Etching by Rembrandt - 1635
By Rembrandt van Rijn
Located in Roma, IT
Excellent proof in unique state, signed in plate and dated 1635. Printed on paper with countermark "Letter VD" Holland 17th Century. In very good state of conservation, with some m...
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1650s Old Masters Rembrandt van Rijn Prints and Multiples

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Etching

The Family of Peasants Walking - Etching by Rembrandt - 1652ca
By Rembrandt van Rijn
Located in Roma, IT
Lifetime impression, realized around 1652. Original etching. Splendid proof in the final state with three short vertical lines added to the peasant's travel backpack. At the botto...
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1650s Old Masters Rembrandt van Rijn Prints and Multiples

Materials

Etching

Rembrandt Van Rijn prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Rembrandt van Rijn prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Rembrandt van Rijn in etching, drypoint, engraving and more. Much of the original work by this artist or collective was created during the 18th century and earlier and is mostly associated with the Old Masters style. Not every interior allows for large Rembrandt van Rijn prints and multiples, so small editions measuring 2 inches across are available. Customers who are interested in this artist might also find the work of Adriaen van Ostade, Cornelis Bega, and Wenceslaus Hollar. Rembrandt van Rijn prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,500 and tops out at $160,000, while the average work can sell for $42,500.

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