Reynold Weidenaar Landscape Prints

John Taylor Arms was known for making such finely drawn etchings that commercial tools were not good enough: He regularly used sewing needles with corks ...

"End of Day" Original Limited Edition Etching by John McGrath (Irish/American b.1884 d.1942). This etching depicts a man with a tool slung over his shoulder walking along a path th...

New York: Dodd, Mead, 1884. Etching with aquatint on cream laid paper, 7 3/4 x 10 3/4 inches (196 x 272 mm), full margins. Light age tone, some very minor cockeling and a 1.5 inch v...

Anne Dykmans, Belgian (1952 - ) - Wandelaars II, Year: 2002, Medium: Mezzotint, signed, titled, numbered and dated in pencil, Edition: 50, Image Size: 2.5 x 3.5 inches, Frame Siz...

Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove pape...

This artwork titled 'Winter Tracery (Milford Connecticut)" is an original drypoint etching by noted American artist Philip Kappel, 1901-1981. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 9 x 12 inches, framed size is 17.25 x 21.25 inches. Custom framed in a wooden light grey frame, with light grey matting and black color fillet. It is in excellent condition. About the artist: Philip Kappel — painter, illustrator, printer, writer, and lecturer — was born on February 10, 1901 in Hartford, CT and died in 1981. Kappel is best remembered for his landscapes, portraits, figures, marine, lithography, and etching. He held a teaching position with H. B. Snell, Boothbay, ME Studios, 1923 and 1924. His addresses in 1929 were 500 Fifth Avenue in New York City and, for the summer, care of Philip Little, 10 Chestnut Street, Salem, MA; and in 1935, Sarasota, FL. Kappel was a pupil of the Pratt Institute Art School in Brooklyn, NY and Philip Little (1857-1942) and held memberships with the North Shore Artists Association in Gloucester, MA; the Marblehead...

The British Evacuate Boston - 1932 Etching on Paper by Allen Lewis. From the portfolio "The Bicentennial Pageant of George Washington." In this piece George Washington is front and ...

(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851) THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...

Etching with aquatint on cream wove paper, 6 11/16 x 9 15/16 inches (170 x 252 mm), full margins. Signed in pencil in the lower right margin. With significant toning and moderate mat...

This artwork titled "America! America" is a color lithograph after noted American artist James Fetherolf, 1925-1994. It is hand signed at the lower rig...

Scenery of the Upper Mississippi Indian Village Currier & Ives lithograph is a tranquil scene of an Indian village camped in a meadow next to a be...

This artwork titled "House in the Sun" c.1930 is an offset lithograph on wove paper by noted Taos, New Mexico artist Kenneth Miller Adams, 1897-1966. It is signed and titled in the plate. The artwork (image) size is 6.75 x 12 inches, framed size is 13.5 x 18.25 inches. Custom framed in silver metal frame, with light grey matting. It is in excellent condition, the frame have some very small minor scratches, barely visible. About the artist: Painter Kenneth Adams (1897-1963) arrived on the Taos art scene in 1924, at the urging of his former instructor Andrew Dasburg. Although Adams had been born and raised less than 700 miles away in Topeka, Kansas, his journey to the Southwest had been years - and countries - in the making. Earlier in his 20s, Adams had embarked on the Midwesterner’s equivalent of a Grand Tour: Chicago, then New York City, and finally, Italy and France. From these sojourns, the artist had absorbed all the lessons in light, color, and form that renowned teachers and rolling countrysides could offer. Now, thanks to Dasburg’s invitation, Adams found he could stop traveling; he had finished honing his craft and found his muse. New Mexico - its people and its land - would be an infinite source of inspiration. Adam’s painterly devotion soon impressed the prestigious Taos Society of Artists...