Richard Callner Paintings

Anna Kauz born and raised in Hemberg, Toggenburg (CH). Lives and works in Will, St Gallen. Artistic training at the Basel School of Design, various day and evening courses in object...

Petra Rös-Nickel’s original paintings merge playful forms, bright colors and architectural compositions in oil and mixed media on canvas. Her contemporary artworks contain rich textu...

"Abstract 64," is a contemporary Abstract painting by San Jose-based artist Helen Bellaver. In this work, Helen layers a medium onto her canvas or paper to create a subtle texture, which she then layers her acrylic paint on to create depth and detail. This work creates a sense of energy as the eye is drawn to the rich black and relieved by golden tones of cream as it intertwines itself into the foreground of the painting. Helen Bellaver is an abstract expressionist living in the San Francisco Bay Area, where she has been practicing for the last thirty years. Her work has evolved into expressions of black. To the artist, black brings her a sense of calm and is at the forefront of her works. She uses it as her foreground, and in the background, she has layers of creams, whites, blues, ochres, browns, reds, etc. The mark-making on her works comes directly from the genre of Abstract Expressionism...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

'Jungalow' 2021 by Kate Roebuck. Ink and watercolor on handmade watercolor paper with decked edge. 30 x 22 inches. This work features a classic botanical ...

Agnieszka Zawisza (born 1970) is a painter, visual artist and art teacher. She studied at the Warsaw Art Academy, Department of Painting (1994-2000),...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDibs and other online platforms I am now (thankfully) able to reach a worldwide audience and am selling paintings...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Jack Hooper "Pear Still Life on Green" 10-1990 Pastel and gouache on paper 17.75"x15.5" unframed Signed and dated in pencil lower right In this artwork, Jack Hooper presents a simpl...

Little Windows. Mixed media textured and acrylic paint on Wood. Separate LED box light. 24H x 24Wx 3D This series of artwork evokes a novel effect. Light becomes intertwined in the ...

This depicts civil rights icon MLK, the Statue of Liberty, Iwo Jima, an assemblage of mixed media photographic images and painted collaged elements. A powerful, moving work, an ode to the black civil rights movement. John M. Mitchell is originally from North Carolina, and as an art student at North Carolina Central University, he was involved with the Civil Rights movement including participating and getting arrested at a sit-in protest in Durham in 1963. After graduating, he was one of the first art teachers to take a position at the newly integrated schools in his home state. Mitchell continued his education in the 1990s and earned an MFA in painting from the Savannah College of Art and Design in 1993. He later served as a professor there from 1998-2006. Of his inspiration to create, Mitchell says: "A lot of my work is based on my experiences during the Civil Rights movement," he says. "I see art making as a 'record' of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus and narrative of my work." Savannah-based artist John Mitchell believes that a home is more than a simple edifice. Rather, he argues that the sociological, psychological, architectural, and historical associations embedded in the structure “tell us about our culture, our lives. It tells us about where we come from.” Mitchell's signature shotgun house constructions, crafted from found materials and scraps of newspaper headlines, reference his childhood in North Carolina, where such modest architectural structures were once commonplace. In "ALA 1963," he uses the shotgun shape to create a heartfelt memorial to a group of African-American girls killed in a racially motivated church bombing in Alabama nearly 50 years ago. He also incorporates the shotgun symbol in "Victims," a powerful reflection upon crime in Savannah in the early 1990s, which reveals how little has changed over the past two decades. Mitchell's mixed media constructions operate, in many ways, like memory itself. Scraps, fragments and pieces loosely cohere around a central idea, making symbolic and metaphorical connections. In these richly narrative and boldly stream-of-conscious assemblages, the whole truly is greater than the sum of its parts. Mitchell's jazz collages - carefully crafted from scraps of newspaper, sheet music, magazines and tissue paper - celebrate key players in Savannah's jazz scene, from sultry female vocalists to wiry male saxophone players. A tribute to the late jazz bassist Ben Tucker, a true Savannah legend, is especially moving, incorporating a pencil sketch of the standing bass player as well as newspaper clippings of other Savannah jazz musicians. Mitchell grew up in a shotgun house in North Carolina, a style of vernacular architecture that is particularly prevalent in the South. Mitchell fills his sculptural homes with objects of metaphorical and symbolic, iconic, importance. In Home Sweet Home he includes the American flag, a photograph of Martin Luther King Jr. and Malcolm X, and a china plate depicting The Last Supper, among other items that convey a personal and historical narrative. He notes that making art acts “as a ‘record’ of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus, and narrative of my work.” While this contains elements reminiscent of folk art and outsider art this is a quite sophisticated tour de force. He was included in the show Complex Uncertainties, Telfair Museum: Modern and contemporary art comprise painting, prints, drawing, photograph, sculpture, and works in new media, representing American artistic achievement from 1945 to the present day. The exhibition includes works by artists such as Bruce Davidson, Elaine de Kooning, Carrie Mae Weems, Sam Gilliam, Ethel Schwabacher, Radcliffe Bailey...

Breeze 1 [2021] original and hand signed by the artist Pastel, acrylic and oil on paper Image size: H:51 cm x W:71 cm Complete Size of Unframed Work: H:56 cm x W:76 cm x D:0.1cm ...