Richard Wilson R.A. Furniture

Beautiful antique oil painting on canvas portrait of a gentleman. Excellent pictorial quality great attention to detail. English school ...

Antique Italian painting from the 18th century. Work oil on canvas depicting a river landscape with characters and ruins of good pictorial quality. Wooden frame of the 20th century c...

Fine oil on canvas painting of still life, 18th century, France. The painting depicts an arrangement of flowers of various types, a large vase and a basket. One of the special feat...

A light-brown, green antique Austrian Baroque oil on canvas painting by Franz Xaver Hornöck in a hand crafted original black, partly gilded wooden frame, in good condition. The vinta...

Death of Socrates, oil on canvas, Unsigned, 18th century possibly Italy.

An 18th century oil on canvas with its period giltwood frame. Measures: Painting - H: 40 cm, W: 31 cm Frame - H: 58 cm, W: 49 cm, D: 5 cm.

Francesco Simonini (Parma, 16 June 1686 - Parma, 1766) “The rest of the soldiers” and “The march of soldiers” oil on canvas The very fine paintings, attributable to the painte...

Italian painting, oil on canvas, 18th century

Beautiful oil painting on canvas depicting a landscape with figures and carriages. Veneto, 18th century. The background of the painting is dominated by a picturesque Venetian landsc...

Antique Italian painting from the 18th century. Artwork oil on canvas depicting a religious subject Crucifixion with Madonna, Magdalena and Saint John of good pictorial quality. Nice...

18th century Italian painting on canvas. Dimensions: 27.75" H x 38.25" W x 3" D.

Attr. to Pietro Fabris (active in Naples, 1756 - 1792) Convivial scene Oil on canvas, 63 X 75 cm The canvas in question depicts a joyful banquet scene with characters dressed in traditional clothes typical of southern Italy, similar to Pietro Fabris. Much biographical information is lacking on this painter who was active in Naples between 1756 and 1792. It is assumed that he was of English origin, since he himself in many paintings is signed, next to his name, "English painter". Also appreciated in England, Fabris in 1768 exhibited in London at the Free Society and in 1772 at the Society of Artist. His vast known artistic production must therefore be included between the date of 1756, affixed to a Neapolitan scene (London, Trafalgar Galleries: see Spinosa, 1987, p. 162), and that of 1792, execution of the Pilgrimage to the sanctuary of the Madonna dell 'Arco (antiques market, formerly Matthiesen, London, published in Spinosa, 1987, fig. 410). This production includes numerous oils on canvas, gouaches and drawings, inspired by Neapolitan views and landscapes and popular scenes, festivals and costumes of southern Italy. In the initial phase, references to Carlo Bonavia and Gabriele Ricciardelli are marked, later enriched by collusions with the scenographic landscape painting of Antonio Joli...