Rimas VisGirda Sculptures

Paul McMullan's work combines the surreal with the sublime; referencing imagery and objects we encounter in our every day lives, but collaged together in such a way that prompts the ...

"The ideal state is not one which everyone has access to the same amount of wealth, but in proportion to their contribution to the general wealth" This piece was handmade in the hea...

This Orb Demi Round Lace Black Vessel is a unique medium size contemporary modern ceramic object by Californian artist Lynne Meade. It is wheel thrown, hand pierced and has a smooth ...

Paul McMullan was born in Rochester, New York. He received his M.F.A. from the New York State College of Ceramics at Alfred University in Alfred, New York and his B.F.A. from James M...

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...

Paul McMullan was born in Rochester, New York. He received his M.F.A. from the New York State College of Ceramics at Alfred University in Alfred, New York and his B.F.A. from James M...

"Clay is a fantastic material that allows me to create whatever surface I want to help enhance my narratives. It is so versatile and both the additive and subtractive qualities make ...

"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...

"Flat Pot XIII" (2019) Glazed earthenware flat pitcher wall sculpture Hanging system on back side Earth tones and pastels, cream, beige, green, sea foam, light blue on terracotta cl...

Butterfly Ear is a collaged ceramic sculpture featuring beautiful lusters and deep earth tones. Paul McMullan's work combines the surreal with the sublime; referencing imagery and o...

"Flat Pot XVI" (2019) Glazed earthenware flat vessel shaped wall sculpture Hanging system on back side Pastel tones, light minty sea foam green blue on te...

A Chinese, Tang Dynasty, Sancai-glazed, three colors of brown, green and creamy, sculpture of a horse with a cut fur blanket. This Chinese, Tang Dynasty (618-907 AD), glazed earthenw...