Robb Johnson Art

David Koppel served his photographic apprenticeship in the rough-and-tumble world of the Fleet Street paparazzi in 1980’s London when his skills captured the very essence of the Me Decade that gave birth to the celebrity culture of today. Koppel’s classic photographs of Frank Sinatra, Marlon Brando, Jack Nicholson, the Rolling Stones, David Bowie, Paul McCartney, Eric Clapton & the Royal Family appeared in every major newspaper and magazine and marked him out as that rarity amongst press photographers: the artist with a camera. Building on the reputation gained through the photographs for the book Still Waters, his black-and-white portraits of ordinary people now rank among the many famous names in his portfolio. Koppel also went one better and in 2002 bought the St Giles St Gallery , bringing the best of local and international contemporary art and photography to Norwich, including the works of Sir Peter Blake, Terry O’Neill, David Bailey, Maggie Hambling, Storm Thorgersson, Tim Woolcock...

Photo taken at San Pietro - Rome Marcelo Soulé (Buenos Aires, 1958) trained at the Artistic Lyceum and the Brera Academy in Milan. He lives and works be...

his photograph is an Ai generated image of a leading man and woman kissing goodbye on the sound stage by Francis X Pavy 12" by 12". Signed on the Reverse. About Francis X Pavy I...

Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this...

Marcelo Soulé (Buenos Aires, 1958) trained at the Artistic Lyceum and the Brera Academy in Milan. He lives and works between Milan and Barcelona. He bega...

'Into the Beyond' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Painted pools of light dance across the richly layered mountainscape of t...

John Lennon takes a fall whilst skiing with his wife Cynthia whom he met in 1958 at the Liverpool College of Art. Note: Image unearthed January 2013. Arthur recalls: “I started wor...

This listing is for a framed print. A simple white frame measuring 12 by 16 inches. Edition of 10. Additional sizes available. Beth Lilly is inspired by the work of Thomas Cole, JMW...

Black and White Fine Art minimalist photography - Old stone bridge over a river in the highlands of Scotland. Archival pigment ink print, edition of 9. Signed, titled, dated and numb...

A Portrait of George Harrison of ‘The Beatles’ Rock Band by British photographer Arthur Steel. Image unearthed September 2018. Arthur recalls: “George and I hit it off the moment w...

This listing is for a framed print. A simple white frame measuring 15 by 20 inches. Edition of 10. Additional sizes available. Beth Lilly is inspired by the work of Thomas Cole, JMW Turner and Paul Gauguin. Atlanta-based photographer Beth Lilly utilizes a variety of photographic styles in her conceptually driven projects that speculate on the interplay of choice, chance and circumstance. Her most recent series, “The Seventh Bardo,” documents interstate-goers, who on their journey from point A to B, seemingly step outside the confines of time and space, getting lost in contemplation and introspection. In Tibetan, the term ‘Bardo’ literally means ‘the space in-between,’ like a liminal space, and usually refers to the state between death and rebirth. She finds a long journey on the interstate to be a kind of bardo, a state rich with opportunity for transformation. The landscapes and the portraits in this series can stand alone, but are intended to relate and inform each other. The landscapes contain both blurred and sharp elements, signaling that these images are not about a specific geographical place but a psychological place. Nondescript features in the landscape repeat themselves endlessly – this is a limbo that extends forever but goes nowhere. Instead, they serve to set the emotional and psychological stage, and foster a sense of a dreamy otherworldliness “We live in a time when individuality is highly praised, and yet many of us have never been so lonely,” states Beth. “Cars travel the interstate side by side, just feet apart, yet the passengers experience complete isolation. Our windowed vehicles create the illusion of privacy and within these small worlds, people tune out the outside world and appear deep in self-reflection or absorbed in the dramas of life playing out within the small world of their car.” Beth’s portraits record these transitional moments of being lost in thought or the brief moment of connection when they curiously look back at her. Beth earned her MFA in Photography from Georgia State...

Lorenzo Agius (b.1962) Jack Reclining 2007 digital C-Type print 60 x 48 in. / 40 x 30 in. / 24 x 20 in. signed and numbered printed later This work is available in the following siz...