Robert Traill Rose Art

Georges Antoine Rochegrosse (1859-1938) A zither player carbon pencil on thin paper 8.5 x 3.3 cm In good condition Framed : 35 x 24 cm Provenance: Estate of the artist and by Inher...

This beautiful early 20th-century fan design by American-English artist Cyrus Cuneo ROI (1879-1916) depicts a couple with cherubs in an ornamental garden. Cuneo was an accomplished p...

Georges Antoine Rochegrosse (1859-1938) Studies of men, Pencil on paper 23 x 41.5 cm Signed lower right In good condition In a modern mount 41 x 52.5 cm Provenance: Estate of the...

Art Nouveau coloured drawing of a young lady beauty before a mirror by Edmon Aman-Jean. The work is signed in pencil bottom left and presented in a plain wood frame with mount, under glass. A very charming early 20th century drawing capturing a young beauty admiring herself in front of a dressing mirror. n the background a fine interior with a louis XVI commode...

André Eugène Costilhes (1865-1940) A Pensive young woman pencil on paper 29.5 x 22.5 cm (view) In good condition, except some traces of stains Framed : 55.5 x 41.5 cm (vintage frame...

Rousselet, French School early 20th century Portrait of an officier, 1915 Wax crayon on paper signed "E Rousselet" and dated 1915 lower right 51.5 x 31.5 cm In quite good condition, ...

Georges Antoine Rochegrosse (1859-1938) A man sitted, Study for the decoration of the Salle des fêtes (Ballroom) of the Exposition Internationale, Paris 1900 Pencil and charcoal on thin yellow paper 29.5 x 20 cm In acceptable condition : Tears and creases as visible on the photographs. In a modern frame : 46 x 36.5 cm Annotations on the back of the mount (now under the modern frame) that identifiy this drawing as a preparatory study for the decoration of the Salle des fêtes (Ballroom) of the 1900 Paris Exposition Internationale. It's also indicated that Henri Bataille...

Georges Antoine Rochegrosse (1859-1938) Study for "Le Cocher" carbon pencil on thin paper 14.5 x 13 cm In good condition Framed : 36.7 x 31 cm Provenance: Estate of the artist and...

Dora Holzhandler. French - British ( b.1928 - d.2015 ). Lady In The Sea. Pastel & Felt Pen On Paper. Signed & Dated 2007 Lower Right. Image size 10.8 inches x 8.3 inches ( 27.5cm x 21cm ). Frame size 17.7 inches x 15.2 inches ( 45cm x 38.5cm ). Available for sale is this original pastel and pen drawing on paper by Dora Holzhandler dated 2007. The artwork is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted using conservation materials and behind non-reflective glass. This piece is in superb condition. It wants for nothing and is supplied ready to hang and display. The artwork is signed lower right. Dora Holzhandler was an exceptional artist of Polish-Jewish descent who escaped Nazi persecution in Europe to forge a successful career in Britain. She was discovered by artist Victor Pasmore in 1947 and had her first exhibition in 1954. She continued to exhibit for more than sixty years. Today her paintings are on display in the Museum of Modern Art in Glasgow and the Jewish Museum London as well as many museums and collections both in the UK and abroad. Dora Holzhandler was born to Jewish-Polish parents, who had fled anti-semitic persecution in their native Warsaw and met and married in London. They were living in Paris when Dora was born on 22nd March 1928. Her father had fought for the British Army in WW1 and gained British nationality. He was a handbag maker and her mother was a seamstress. Their livelihood suffered as the world economy moved into recession following the Great Crash and Dora was fostered for five years by a French farming family in Normandy. She returned to Paris in 1933 and became close to her maternal grandfather, a devout rabbi, who was later killed in Auschwitz. In 1934, she moved to London where the family lived as part of the vibrant Jewish community in the East End, and was evacuated to Norfolk, aged eleven, at the outbreak of WW2. In 1948 Holzhandler returned to Paris where she studied French literature at the Sorbonne and attended the Académie de la Grande Chaumière, founded in 1902 by Swiss artist, Martha Stettler...

Signed lower left, 'Marguerite Bordet' (French, 1909-2014) and painted circa 1940. Additionally signed, verso, titled, 'La Vanite' and inscribed with artist's Paris address in the 16th arrondissement. From an early age, Marguerite Bordet avidly pursued both drawing and painting. In the late 1930's and early '40s, she attended the Académie de la Grande Chaumière in Paris where she studied with the sculptor, Antoniucci Volti (Italian, 1915-1989). After several years, and feeling increasingly disconnected with the academic atmosphere of the Salon, she left to develop her independent artistic style. Bordet's first public exhibition took place at the Galerie Claude (1947) and, for the next forty years, she continued to exhibit widely with success, both throughout France and internationally, including in Cairo (1955), Geneva (1960) and the United States (1966). A 1962 exhibition of her work showed a thematic rejection of the Academy's influence and the artist's shift to a more personal and spiritually driven style. Bordet continued to take frequent study trips to Italy, especially to Florence, where she was inspired by the Renaissance Masters. She also visited England (1975-76) where the works of J.M.W.Turner and John Martin at the Tate Museum had a pronounced impact on her development. In an interview with Hervé Serane, Marguerite Bordet described her artistic process in these words: "I start my painting with spots. Sometimes I cover it completely and everything is dark. But then it's stronger than me, I can't bear that there isn't an opening. Immediately, I place a Light. I need the shadow to bring out the Light. So I start with the shadow to create this Light. I cannot define why I need this Light so much. It's stronger than me. It's something that dominates me without my being able to explain it intellectually. It is for me an absolute necessity to seek the Light in the darkness.. You have to open like you open a window. You have to reveal. I remove the stains that obscure my painting to find the luminous background of the canvas.... I only paint with transparent colors and I apply several layers of glaze to preserve this light." Partial Exhibition Record: 1947 Paris, Galerie Claude 1951 Paris, Galerie Breteau - Cairo, Galerie Adam - Alexandria, l'Atelier 1954 Paris, Galerie Simone Bdinier 1955 Cairo, l'Atelier 1959 Paris, Galerie A. Weil 1960 Geneva, Galerie Motte 1962 Paris, Marignan Gallery 1964 Paris, Ror Volmar Gallery 1966 San Rafael (U.SA) International Museum 1966 Cagnes-sur-Mer, Castle Gallery...

Symbolist abstract pastel drawing by artist Bentzion Ben Yosef Yakov in the style of Marc Chagall. The work features the first miracle performed by Jesus known as the feeding of the ...

Surreal abstract figurative of a dreamy, meditative scene including multiple figures and flowers, blended with sill-life and landscape elements by Noel Howard (American, 20th Century...