Robert Traill Rose Drawings and Watercolor Paintings

Georges Antoine Rochegrosse (1859-1938) A zither player carbon pencil on thin paper 8.5 x 3.3 cm In good condition Framed : 35 x 24 cm Provenance: Estate of the artist and by Inher...

Eccezionale disegno dei primi anni 20 stile Simbolista ,Orientalista Anche il Passepartout attorno all'opera è stato realizzato dall'artista. Louise JANIN nasce nel 1893, a Durham, ...

Adolfo de HERRA Active around 1900 student of Gustave Moreau Woman with dragon, Saint Marguerite? Watercolor Signed lower right 64 x 44 cm framed (47 x 26,5 cm sheet) Very good cond...

This Watercolor on papyrus painting is one in a series of five watercolor works painted on papyrus. Here, Bhatt uses the recurring symbol of the fetu...

Image dimensions: 23.5 x 16 cm. Les Sepulcres Secrets is an original artwork realized by Jean Torthe in the XX Century. Original ink and watercolor on paper. Hand-signed on the ...

This Watercolor on papyrus painting is one in a series of five watercolor works painted on papyrus. Here, Bhatt uses the recurring symbol of the fetu...

WATERCOLOR ON PAPER HANDSIGNED LOWER RIGHT TITLED IN FRENCH " Hommage à Chagall" LOWER RIGHT IN FRENCH MINT CONDITION UNIQUE PIECE PINKHAS (Born in 1975) SOLOS EXHIBITIONS 2022 Gallery 55 TLV...

French School beginning of the 20th century Portrait of an officier, 1915 Wax crayon on paper signed "E Rousselet" and dated 1915 lower right 51.5 x 31.5 cm In quite good condition, ...

This minimalist oil painting on paper is part of a series, which references a mantra of Amita Bhatt’s, “life is a circus.” Floating in space, the characte...

This Watercolor on papyrus painting is one in a series of five watercolor works painted on papyrus. Here, Bhatt uses the recurring symbol of the fetu...

Signed lower left, 'Marguerite Bordet' (French, 1909-2014) and painted circa 1940. Additionally signed, verso, titled, 'La Vanite' and inscribed with artist's Paris address in the 16th arrondissement. From an early age, Marguerite Bordet avidly pursued both drawing and painting. In the late 1930's and early '40s, she attended the Académie de la Grande Chaumière in Paris where she studied with the sculptor, Antoniucci Volti (Italian, 1915-1989). After several years, and feeling increasingly disconnected with the academic atmosphere of the Salon, she left to develop her independent artistic style. Bordet's first public exhibition took place at the Galerie Claude (1947) and, for the next forty years, she continued to exhibit widely with success, both throughout France and internationally, including in Cairo (1955), Geneva (1960) and the United States (1966). A 1962 exhibition of her work showed a thematic rejection of the Academy's influence and the artist's shift to a more personal and spiritually driven style. Bordet continued to take frequent study trips to Italy, especially to Florence, where she was inspired by the Renaissance Masters. She also visited England (1975-76) where the works of J.M.W.Turner and John Martin at the Tate Museum had a pronounced impact on her development. In an interview with Hervé Serane, Marguerite Bordet described her artistic process in these words: "I start my painting with spots. Sometimes I cover it completely and everything is dark. But then it's stronger than me, I can't bear that there isn't an opening. Immediately, I place a Light. I need the shadow to bring out the Light. So I start with the shadow to create this Light. I cannot define why I need this Light so much. It's stronger than me. It's something that dominates me without my being able to explain it intellectually. It is for me an absolute necessity to seek the Light in the darkness.. You have to open like you open a window. You have to reveal. I remove the stains that obscure my painting to find the luminous background of the canvas.... I only paint with transparent colors and I apply several layers of glaze to preserve this light." Partial Exhibition Record: 1947 Paris, Galerie Claude 1951 Paris, Galerie Breteau - Cairo, Galerie Adam - Alexandria, l'Atelier 1954 Paris, Galerie Simone Bdinier 1955 Cairo, l'Atelier 1959 Paris, Galerie A. Weil 1960 Geneva, Galerie Motte 1962 Paris, Marignan Gallery 1964 Paris, Ror Volmar Gallery 1966 San Rafael (U.SA) International Museum 1966 Cagnes-sur-Mer, Castle Gallery...

Leo Primavesi (1871 Cologne - after 1937 ): Singing Nereide, 1892, Pencil Technique: Pencil on Paper Inscription: Monogrammed and dated at lower centre: "LP 4. Aug. 1892", numbered...