Rossel in Rouen Decorative Objects

We present you this chain pendulum clock with a gravity winding mechanism with a single weight. The case bears normal traces of long years of use. It is intended to be renovated. ...

Antica pendola francese rappresentante l'allegoria dell'Astronomia con cassa in bronzo dorato e globo celeste blu. Various elements recall the theme of astronomy: seated intent on st...

A fantastic postmodern vintage desk, mantel, or shelf clock with a round base, diagonal case, geometric hands, and a pendulum oval-shaped ‘ring’ above the base of the clock that keep...

French Empire clock of stunning quality constructed of rouge marble, original fire gilt ormolu and patinated bronze. Set upon four ormolu paw feet to the rouge marble base, rising to...

Pendulum clock built in the 1970s. The story of this item is rather peculiar: Some time ago a kind-looking elderly gentleman came into our store and asked if he could look at our mer...

French Empire gilt bronze clock French, early 19th century Measures: Height 38cm, width 27cm, depth 10cm This fine gilt bronze man...

Exceptional quality bronze work with mercury gilding (ormolu) by unknown French maker of early 19th century – young shepherd delicately cradling a diminutive lamb, symbolizing pastor...

Immerse yourself in the grandeur of the early 19th century with our exquisite French Empire mantel clock in gilt bronze. It. bears the signature of Grandvoinnet. Not only does thi...

A rare model of a French Empire clock in gilded bronze called The Library, featuring a boy and a girl dressed in classical attire diligently studying in a library, both are sitting on a stool in front of a clock which is integrated into a column which also serves as a bookshelf. The oval clock...

Vintage Lund and Clausen of Copenhagen Han’s Christian Andersen pendulum wall clock from the 1960s. With the title “once upon a time” 12 of his most famous fairy tales one for each h...

A gilt bronze Empire clock in the form of a classical urn, by Maison Lepautre. French, circa 1825. The dial signed 'Lepaute a Paris'. The clock has an ornate cast bezel with a 3-inch porcelain dial with Roman numerals and Breguet style hands. The twin train eight-day movement with outside count wheel striking on a bell and silk thread suspension. This elegant Empire style clock has a gilt bronze case in the form of a classical urn with swan neck handles and a winged cherub to the neck. The circular pedestal base is raised on a footed stepped square plinth. The Lepaute family were the premier French clockmakers of their day. Their significance lies in their contribution to the clock making industry which had hitherto come under the trade of locksmiths. The family held the brevet Horlogers du Roi. Jean-André Lepaute (1720–1789) arrived in Paris at an early age and in 1740 founded the family business. A skilled artist and mechanic, he quickly gained an excellent reputation. He was received as maître by the clockmakers guild in 1759, was granted royal lodgings from the king in The Luxembourg Palace, and was entrusted with the construction of the majority of the great public clocks of Paris. He executed, amongst others, those in The Luxembourg Palace, the Jardin des Plantes, the Château de Bellevue and the Château des Ternes. His clock at Paris’s École Militaire still works today. Three editions of his Traité d’Horlogerie were published in Paris in 1755, 1760 and 1767. A small volume, Description de Plusieurs Ouvrages d’Horlogerie appeared in 1764. Jean-André’s wife, Nicole-Reine Etable de la Brière (1723-1788), was a highly esteemed mathematician and astronomer. Her passion for science lent itself to Lepaute’s work and she played an active role in the scientific and mathematical aspects of the clock making. Jean-André’s younger brother Jean-Baptiste Lepaute (1727-1802) joined him in Paris in 1747 and immediately started working for the family business. He was received as maître in 1776 and was known for the clocks he constructed for the Paris Hôtel de Ville (1780), destroyed in a fire of 1871, and for the Hôtel des Invalides (1784). Jean-Baptiste took over the workshop when Jean-André retired in 1775. After Jean-Baptiste’s death in 1802, the firm was taken over by his nephew Pierre-Basil Lepaute (1750-1843) where he was duly joined by his own nephew Jean-Joseph (1768-1846) and son Pierre-Michel (1785-1849). By 1816, Pierre-Michel Lepaute was in charge of the business. His masterpieces include the astronomical clock in Paris’s Bureau...

Of majestic scale with the ormolu gilding in very good condition in working order.