Royal Vienna Porcelain Center Tables

19th century inlaid satinwood centre / occasional table, with an oval shaped top, the apron below profusely inlaid all over, standing on tapering legs with spade feet and brass casto...

A superb quality 19th Century rosewood cente table, the wonderfully figured, shaped and moulded edge top above a carved frieze incorporating carved floral and shell decoration, suppo...

Antique bleached oak parquet top table.

A superb quality freestanding early 19th century Chinese marble top side / centre table, the rectangular top inset with a rouge marble panel, the hardwood border of the top profusely...

An enchanting early 19th Century Swedish simulated Amboyna centre, having this hand carved pineapple pedestal and supported by three Doves to the base. Circa 1820-40 Batch 81 C/C

19th Century bleached oak hexagonal centre/drum table.This stunning piece has exquisite carved detail to its base and the frieze of the top.The zinc top has been added later and now ...

An exceptional early 19th century English Regency centre table, the circular tilt top having radially magnificent figuring and colour, bordered by intricate brass inlaid, with Zebra wood banding and gadroon edge, supported by a turned, ringed, fluted and tapering column, set on a tripartite brass inlaid platform base terminating on ormolu rolled feet with quarter palmette brackets and castors. Circa 1820 English This item is located in Dublin 8

A good quality 19th century French Boulle inlaid serpentine shaped center table, having gilded ormolu mounts of sun bursts on four side, a mahogany lined frieze drawer and raised on ...

A Grand Tour Centre Table The Top Attributed to Cesare Roccheggiani The carved gilt wood base in the manner of George Smith having four monopedia supports, each depicting leopards heads atop, with paw feet below, and conjoined by an incurved stretcher base having carved stiff leaf decoration, and raised on castors; the circular platform of marmoro nero, with a stylised Greek Key border within double Malachite reserves; the central micromosaic roundel depicts The Vatican from St Peter's Square, surrounded by eight separate roundels of The Pantheon of the Gods; the smallest of Rome's seven hills, the Capitoline; The Mauseoleum of Hadrian on the Tiber; The Roman Forum, with the remnants of the Temple of Vespasian; The Colosseum; the Temple of Vesta; The Arch of Titus, and the Tomb of Cecilia Metella. English / Italian, Circa 1875 The attribution to Cesare Roccheggiani is supported by Jeanette Hanisee Gabriel, former curator of the Gilbert Collection and Honorary Curator for the Gilbert Collection at the Victoria & Albert Museum. Provenance: From a Noble family, the 6th Earl of Macclesfield (1811-1896) then by descent. The base is similar in design to designs published by George Smith's A Collection of Designs for Household Furniture and Interior Decoration, 1808. The taste for monopedia supports was of fashion, in the Regency period and models of such were displayed in the 1851 Great Exhibition. The Macclesfield coat of arms depicts a shield with a central chevron and three leopard's faces. Views of Roman monuments was the most popular theme used by mosaicists in Rome in the beginning of the 19th century, supplying the flow of wealthy Grand tourists from Northern Europe. From small gold boxes...

A nicely shaped 19th Century oval rosewood centre table, the tilt top with gadrooned edge and shallow frieze, raised on a a carved vase shaped column with four splay legs, carved lap...

A stylish early 19th Century Italian centre table.This table is wonderfully decorated in red lacquer with gilt chinoiserie highlighted scenes in the form of people, buildings and fol...

A late 19th century carved oriental centre table, having a polished top carved scrolls, leaf and mythical dragon masks to the apron. Raised on carved scale...