Royal Vienna Porcelain Center Tables

An early 19th Century Swedish Empire centre table. With circular top and decorative triangular base, tapering to lions paw feet. Re-painted in soft black. Circa 1820.

Late 19th Century Swedish centre table. With a carved top and decorative column base, tapering to cabriolet legs. Repainted in soft grey. Circa 1880.

19th century inlaid satinwood centre / occasional table, with an oval shaped top, the apron below profusely inlaid all over, standing on tapering legs with spade feet and brass casto...

A superb quality freestanding early 19th century Chinese marble top side / centre table, the rectangular top inset with a rouge marble panel, the hardwood border of the top profusely...

A Grand Tour Centre Table The Top Attributed to Cesare Roccheggiani The carved gilt wood base in the manner of George Smith having four monopedia supports, each depicting leopards heads atop, with paw feet below, and conjoined by an incurved stretcher base having carved stiff leaf decoration, and raised on castors; the circular platform of marmoro nero, with a stylised Greek Key border within double Malachite reserves; the central micromosaic roundel depicts The Vatican from St Peter's Square, surrounded by eight separate roundels of The Pantheon of the Gods; the smallest of Rome's seven hills, the Capitoline; The Mauseoleum of Hadrian on the Tiber; The Roman Forum, with the remnants of the Temple of Vespasian; The Colosseum; the Temple of Vesta; The Arch of Titus, and the Tomb of Cecilia Metella. English / Italian, Circa 1875 The attribution to Cesare Roccheggiani is supported by Jeanette Hanisee Gabriel, former curator of the Gilbert Collection and Honorary Curator for the Gilbert Collection at the Victoria & Albert Museum. Provenance: From a Noble family, the 6th Earl of Macclesfield (1811-1896) then by descent. The base is similar in design to designs published by George Smith's A Collection of Designs for Household Furniture and Interior Decoration, 1808. The taste for monopedia supports was of fashion, in the Regency period and models of such were displayed in the 1851 Great Exhibition. The Macclesfield coat of arms depicts a shield with a central chevron and three leopard's faces. Views of Roman monuments was the most popular theme used by mosaicists in Rome in the beginning of the 19th century, supplying the flow of wealthy Grand tourists from Northern Europe. From small gold boxes...

A good quality Chinese, 19th century hardwood centre table. having an inset marble top. Carved foliate decoration to the frieze. Raised on a central pedestal with carved Chinese figu...

A superb quality 19th Century rosewood cente table, the wonderfully figured, shaped and moulded edge top above a carved frieze incorporating carved floral and shell decoration, suppo...

A late 19th century carved oriental centre table, having a polished top carved scrolls, leaf and mythical dragon masks to the apron. Raised on carved scale...

19th Century bleached oak hexagonal centre/drum table.This stunning piece has exquisite carved detail to its base and the frieze of the top.The zinc top has been added later and now ...

A nicely shaped 19th Century oval rosewood centre table, the tilt top with gadrooned edge and shallow frieze, raised on a a carved vase shaped column with four splay legs, carved lap...

An enchanting early 19th Century Swedish simulated Amboyna centre, having this hand carved pineapple pedestal and supported by three Doves to the base. Circa 1820-40 Batch 81 C/C

19th Century burr walnut centre / occasional table, the wonderfully figured shaped and moulded edge top having a single frieze drawer below, with stylised mouldings along the bottom ...