Sabrina Landini Coffee and Cocktail Tables

Onda table works on the juxtaposition of volumes and finishing. A wavy organic extra-thin top on architectural chunky cylindric legs. Like a paper sheet th...

Tulip coffee table by Saarinen for Knoll. USA, cira 1960 to 1970. Signed with early Knoll red/white label. Features a 36 inch round top in matte white laminate with matte white...

Sculptural Glass Coffee Table, designed for the Modernage Company of New York City, circa 1940's. The wooden base has been refinished in ...

Art Deco cofee table professionally stained and repolished.

The collection has rounded lines that look for inspiration in the anchor elements present in the ports. The weight and scale of this elements guide t...

Cult Stool’s creation is influenced by the immersion into the natural world. The piece though shaped by industrial tools allows for the specificity of its ...

Black rubbed steel tripod leg cocktail table. Can also be used as a small side table. Nice matte finish patina.

This 'Coclea' table (also known as Pétales) is a breathtaking and innovative solution which transforms from cocktail table to dining table with a push of a button, designed by Fabriz...

As part of the Court Series, the Track Table debuted at the International Contemporary Furniture Fair in 2018. Printed interlayer glass surface. Translucent track graphic printed to scale. Acrylic cylinder...

This set of coffee tables are part of a collection worked hand-by-hand with Mexican artisan Antelmo. Antelmo was born and raised in a small town in...

Mura low table is created in collaboration with Toronto-based glass design and fabrication atelier Jeff Goodman Studio (JGS). It pairs STACKLAB’s signature solid-bronze Jupiter leg castings with a droplet-shaped top of kiln-fused Temple glass. The table’s name derives from the Japanese word for “unevenness, irregularity, inequality” Temple glass is a handmade product invented by JGS for the Bahá’í Temple of South America, capable of withstanding the rigorous weather fluctuations and seismic activity of the Andes mountains near Santiago, Chile. In the proprietary fabrication process, rods of glass are broken. The glass fragments are arranged in the kiln bed in JGS’s randomized River Rock pattern, then fired and cooled for a week. This process yields a distinctive mottled motif of milky translucent veils within a transparent field. The slab is polished, then cut to size with a water jet. Because the glass is handmade, each table top takes three weeks to carve and polish, a process that is impossible to duplicate, making each Mura table unique. “Our studios share a love of controlled, but partially unknown, outcomes,” says STACKLAB Founder and Creative Director Jeffrey Forrest. “Our disciplined methods allow us to ‘let go’ as we approach the finish line and observe what happens, from a careful arrangement of glass rods settling in the kiln to a computer code interpreting inputs about form.” “STACKLAB came to us with the idea of shaping the edge of Temple glass with a beautiful ribbon line,” says JGS Executive Director Sylvia Lee. “This is the first piece we’ve done in carved, sculptural Temple glass; earlier applications were always with straight edges. STACKLAB is helping push us into exploring the material more deeply and at a large scale. That’s exciting.” As for the Jupiter leg, it is a study in creating a completely asymmetrical, yet aesthetically cohesive, geometry. The shape is readily castable, yet differs in every elevation, section and plan view. The sand-casting process produces faintly perceptible irregularities that enhance the leg’s tactile appeal. The planetary name pays homage to the subtitle of Mozart’s last symphony, a favorite of the client who commissioned the first Jupiter table...

Incredibly versatile Modern design adjustable height dining table with narrow top. At it’s lowest setting, this table can be be used as...