Salvino Marsura More Lighting

Beautiful, rare Castiglioni floor lamp. Spun fiberglass "shade" with a chrome base and floor controls. Some minor foxing to the base of the lamp that is consistent with age.

The Odyssey floor lamp is a striking symbol, creating an internal architecture. The sturdy base of this table lamp ensures a stable instrument. Six elongated cylinders provide a calm...

Gerald Thurston floor lamp by Lightolier. Features a brass and walnut base and a perforated brass shade. Measures: 17" diameter x 64.5" height.

Unique handcrafted wrought iron table lamp by Salvino Marsura, Italy, 1960. Artistic sculptural lamp with an ornamental iron structure. It's in good vintage condition, stamped in...

Made of metal and ceramics, this striking floor lamp will make a statement in a contemporary living room, thanks to its warm gold color and the decorations that adorn its structure i...

Part of the Chic collection, this lamp is a celebration of traditional materials and modern silhouettes. The effect is a timeless object that will make a statement in any room, remin...

This elegant floor lamp will bring a luxurious accent to any decor, both Classic and contemporary. It was crafted of welded metal and finished with a hand-applied gold leaf finish (a...

1970s Rougier white acrylic palm floor lamp on black marble base with brass detail.

This elegant floor lamp projects its light downward. It has a structure in wood with a polished finish in dark blue. Vertical, gold-polished metal elements elongate the body of the l...

Vintage Vistosi floor lamp made of three main molded opaline glass parts and painted metal foot and structure. Dual light switch allowing to enlight the top globe, the main body or both

This elegant lamp is made of five metal rings with three mouth-blown Murano glass diffusers. The available finishes for the structure and the two metal round decorative elements are ...

An organic and Brutalist style Floor Lamp with Dragon Fly and Leaf design. No chips or cracks. Easily rewired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...